The Jim Hill Media Podcast Network

Welcome to the first Disney Dish of the new year, where Jim Hill and Len Testa kick things off with news, listener questions, and a deep dive into Disney history and tech. This week, a newly published Disney patent sparks speculation about how the upcoming Encanto attraction may work, while Jim launches into a fascinating (and surprisingly hands-on) story about how Disney maintains, repairs, and periodically reinvents its iconic theme park castles. Along the way, there are transportation woes, glittering greenhouses, and more than a few once-in-a-lifetime Disney moments. NEWS • Disney reveals Buddy, a new helper character coming to Buzz Lightyear’s Space Ranger Spin when it reopens in 2026 • A newly filed Disney patent hints at holographic characters, with strong evidence pointing toward use in the upcoming Encanto ride • Imagineering files a new construction permit for the Haunted Mansion, likely focused on interior work • Updates on Glittering Greenhouses at EPCOT and extended holiday decorations at Disney

Recording on New Year’s Eve for a show that drops just as 2026 begins, Jim Hill and Eric Hersey cover a full slate of Universal news, rumors, and unexpected updates before shifting into a classic Jim Hill history lesson. The episode starts in the present with major developments at Universal Orlando and ends in the late 1960s on the Hollywood backlot, tracing how one clever Tram Tour gag eventually led to one of Universal’s most iconic fire-based attractions. NEWS • Universal Destinations and Experiences begins construction on Catchlight Crossings, a 1,000-unit affordable housing community near Universal Orlando • What’s included in the development - retail, medical offices, community space, transportation hubs, and a tuition-free Bezos Academy preschool • How Catchlight Crossings fits into Universal’s long-term Housing for Tomorrow initiative and who the community is designed to serve • Rumor watch - could Stephen King’s It become a headline house at Halloween Horror Nights 2026, and how that would fit along

It’s the first episode of the new year, and Jim Hill and Lauren Hersey ring in 2026 by digging into the annual Disney merch reset. From the surprisingly nostalgic look of next year’s dated park souvenirs to a brand-new Star Wars droid collector program, there’s a lot changing on shelves just as holiday decorations disappear overnight. Plus, Jim takes a deep dive into one of Disney’s most baffling merch success stories and why it still doesn’t quite translate stateside. NEWS • A first look at Disney’s 2026 dated park merchandise, including a color palette that feels straight out of vintage Walt Disney World road signage • Disney confirms Droid Factory Fridays, a new monthly Star Wars collector program kicking off January 2 • How Disney is using timed drops and bonus build incentives to keep Star Wars fans buying all year long • Valentine’s Day arrives overnight, with Sweethearts’ Nite at Disneyland and new couples-focused merch leading the charge FEATURE • Why Stitch dominated 2025 with billions in merch s

Spending New Year’s Eve inside a Disney World theme park sounds like the ultimate “most magical place on Earth” flex - until you remember you’re doing it shoulder-to-shoulder with what feels like the population of a small nation. This week in the Court of the Disney World Resort, Len Testa argues the case for the marathon day, the once-a-year entertainment, and that surreal moment when Adventureland is blasting pop music. Chris Cox counters with big-city New Year’s trauma, crowd math, and the simple question of whether there’s a way to enjoy the fireworks without living inside a human corral for four hours. What does Judge Jim Hill have to say? HIGHLIGHTS • The reality of Disney World on New Year’s Eve - a 18-20 hour endurance event with lines for rides, food, bathrooms, and basically oxygen • Why rope-dropping on December 31 can feel weirdly peaceful - and why nobody leaves once the park hits peak capacity • The perks that actually are special: party props, unique entertainment, and a midnight fireworks sho

As 2025 comes to a close, Jim Hill flies solo on this Drew-free edition of Fine Tooning to take stock of one of the biggest, strangest, and most consequential years the animation industry has seen in decades. From record-shattering box office runs and surprise streaming hits to uncomfortable conversations about AI and the future of creative labor, this episode connects the dots between where animation has been and where it appears to be heading next. NEWS • Why Disney’s $1 billion investment in OpenAI has the animation world divided and how a Jerry Beck-hosted editorial argues that Walt Disney might have embraced AI himself • A year-end box office check-in including Zootopia 2, Avatar: Fire & Ash, and Angel Studios’ faith-based animated feature David • Netflix confirms KPop Demon Hunters has been watched more than 500 million times worldwide and what that means for its sequel and merchandising future • Major release-date shakeups for The Legend of Aang: The Last Airbender and Pixar’s Gatto and why March rele

Jim and Len kick off the final Disney Dish of the year with holiday crowds, sold-out Lightning Lane Premier Passes, and one last lap through Jollywood Nights before pivoting into surveys, listener questions, and some unexpectedly nerdy math. Along the way, they remember a beloved Imagineer, dig into why Disney asks the survey questions it does, and break down the best times to roll the dice on Guardians of the Galaxy: Cosmic Rewind if you are chasing that perfect song. Then Jim takes everyone deep into EPCOT history with the strange, expensive, and surprisingly high-stakes story of Magic Journeys, the 3D film that quietly kept opening day from turning into a full-blown disaster. NEWS • Lightning Lane Premier Pass prices hit record highs and still sell out across Walt Disney World during the holiday rush • Jollywood Nights sticks the landing in its later years and may now be Disney World’s most popular hard-ticket holiday event • A remembrance of legendary Imagineer Eddie Sato, including unrealized Mission S

This holiday week episode of the Epic Universal Podcast was recorded on Christmas Eve, which means Jim and Eric are juggling last minute shopping, customer service horror stories, and a surprisingly full slate of Universal news. From attractions closing sooner than expected to permits hinting at big changes in Islands of Adventure, this show looks both at what is ending and what might be coming next. They also zoom way out, from Epic Universe’s nighttime ambitions to the possibility of Universal’s next global park landing in a very hot climate. NEWS • The Horror Make-Up Show at Universal Studios Florida is officially closing January 4, with speculation swirling about what kind of reimagined experience might replace it. • New permits tied to Intamin suggest real movement in the Lost Continent area at Islands of Adventure, fueling renewed talk of a possible Legend of Zelda attraction. • Universal files trademarks for Celestial Goodnight, pointing strongly toward a nighttime spectacular at Epic Universe. • Ongo

It’s a Christmas Day edition of I Want That Too, and Jim Hill and Lauren Hersey wrap up the year with a festive mix of Disney merch news, pop culture crossovers, and a deep dive into Jim Henson’s long love affair with holiday specials. Along the way, the conversation connects some surprising dots between a largely forgotten Henson TV special and the early creative struggles that eventually led Pixar to Toy Story. NEWS • The Center for Puppetry Arts in Atlanta closes out its Festive Features exhibit showcasing rare Jim Henson holiday puppets • Disney’s Hollywood Studios opens early to handle crowds eager to see Taylor Swift Eras Tour costumes • A new Disney Store Princess shirt sparks Swiftie speculation thanks to its lyric-inspired design • Disney Store holiday merchandise drops to 50 percent off before Christmas, shifting end-of-year shopping strategies FEATURE • Why Jim Henson repeatedly turned to holiday specials as creative and financial anchors • How A Christmas Toy reunited the Fraggle Rock team afte

Jim Hill and Dan Graney ring in the holidays with a Marvel conversation that somehow involves hacked PayPal accounts, cardboard Star Wars memories, and one of the strangest trailer rollouts in studio history. As Marvel’s Doomsday marketing quietly unravels through shaky theater footage and strategically ignored leaks, the guys dig into what’s really going on behind the scenes - and why this controlled chaos may actually be the plan. Along the way, they unpack the emotional and narrative risks of bringing Steve Rogers back into the MCU, especially now that he’s apparently a dad. NEWS • Marvel’s Avengers: Doomsday teaser rollout goes sideways as multiple theater-only trailers leak online • Chris Evans’ Steve Rogers quietly returns - with a baby - raising major Endgame continuity questions • Marvel reportedly plans a rotating, four-week Doomsday teaser strategy tied to Avatar: Fire and Ash • Sony clamps down fast on a leaked Spider-Man: Brand New Day teaser while Marvel lets its leaks breathe FEATURE • Why rev

With Drew Taylor sidelined by a nasty case of the Christmas crud, Jim Hill flies solo for this end-of-year edition of Fine Tooning. After a bit of seasonal vamping, Jim dives into animation news before kicking off the first half of a deep-dive holiday history lesson. This week’s episode sets the stage for a story that begins with a modest Disney featurette and ends up triggering one of the biggest upheavals in the history of Walt Disney Feature Animation. NEWS • Avatar: Fire & Ash dominates the global box office with a massive $345 million opening weekend. • Angel Studios’ David surprises with a strong $22 million domestic debut, outperforming several major animated releases. • Zootopia 2 continues its historic run, crossing $1.27 billion worldwide and exceeding the original film by more than $200 million. • The Academy reveals its Best Animated Short shortlist, with notable inclusions and at least one eyebrow-raising omission. • Adult Swim renews Haha, You Clowns for two additional seasons after an initial

Sam from Sam’s Disney Diary joins Len and Jim to spill the (highly theatrical) tea on Disney Cruise Line’s newest ship, the Disney Destiny - where character “meet-and-greets” have evolved into full-on, semi-improvised encounters that can follow you across the voyage. Then Jim heads back to where Disney’s in-park 3D film history really begins, from the 1950s 3D Jamboree at Disneyland to the studio’s eternal talent for repurposing anything that is not nailed down. NEWS • Taylor Swift’s Eras Tour costumes will stay on display at Walt Disney Presents: One Man’s Dream through January 23, 2026 • Rock ’n’ Roller Coaster Starring Aerosmith plays its final riff on March 1, 2026 - with a “summer” reopen that is, as always, Disney-flexible • The Muppet Show special with Sabrina Carpenter hits Disney+ on February 4 - and may be a stealth pilot for a bigger revival • The Boathouse at Disney Springs lands as one of America’s top-grossing independent restaurants - fueled by sheer, glorious volume • A reported FTC allegatio

In the 28th installment of this educational series, Shelly & Noe Valladolid turn their attention to the Sunshine State. Which is where Walt, after an extensive land search, decides to build the East Coast version of Disneyland in the 1960s Over the course of this episode, listeners will learn about: What are some of the shell company names that Disney used while purchasing pieces of property outside of Orlando How did a plucky news maven figure out what Walt was up to in Central Florida Why did Walt lie about Project Florida What were the very first pieces of infrastructure that Walt Disney Productions built down there in those swamps off of I-4 What exactly was the Reedy Creek Improvement District Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and Eric kick off this week’s show with a very on-brand travel mishap from Jim’s latest Hallmark-fueled road trip, then pivot back to the stuff you came for - Universal news, theme park weirdness, and one surprisingly deep dive into how Frankenstein’s Monster became the pop culture template we all still recognize today. Along the way: Epic Universe breadcrumbs, a Vegas horror venue that might be scarier for its empty queue than its monsters, and why Boris Karloff’s dentures deserve their own credit line. NEWS • Universal’s proposed UK theme park clears another hurdle, with the project advancing in the approvals process and still targeting a 2031 opening • Universal Horror Unleashed in Las Vegas adds a holiday horror overlay, but reports suggest the venue can feel eerily empty even during a supposedly busy week • A new “Galactic Expo” mural lands inside the Men in Black Alien Attack gift shop, packed with sci-fi Easter eggs • A new Men in Black film is reportedly in development - and Jim has thoughts on

Jim Hill and Lauren Hersey are back for a very seasonal edition of I Want That To - and Jim’s latest “project” involves tracking down tiny reindeer snowmobiles to complete his Cars holiday display (because apparently Santa’s sleigh rules apply to Radiator Springs too). From there, the conversation jumps into Disney’s new “Find Merchandise” test inside My Disney Experience, the company’s eye-popping $1 billion investment in OpenAI, and why dynamic pricing is suddenly giving everyone Instacart flashbacks. Then Jim takes Lauren (and all of us) on a deep-dive into the origin story of Disney’s Sing-Along VHS line - including how a Max Fleischer Rudolph short ended up inside Disney’s Very Merry Christmas Songs tape. NEWS• Disney is testing a new “Find Merchandise” feature in the My Disney Experience app to help guests search for specific items and check availability at select locations (including World of Disney at Disney Springs). • Disney’s reported $1 billion equity investment in OpenAI sparks a debate about gu

Snack credits are either the best little “vacation cheat code” Disney ever slipped into the Dining Plan - or a spreadsheet-powered trap that turns your family trip into a competitive sport. This week in the Court of the Disney World Resort, Len Testa and Chris Cox argue whether snack credits are a smart way to stretch your Walt Disney World dollars, or just a confusing system that rewards the deeply committed and mildly deranged. Along the way, there is Starbucks math, Epcot festival strategy, and at least one Easy-Bake oven-related conflict of interest. HIGHLIGHTS • Why snack credits can be a secret weapon at EPCOT festivals - especially when you know which items creep up toward that $10 “sweet spot.” • The maddening part of the Dining Plan - there is no consistent rule for what counts as a snack, so you’re stuck hunting for the logo like it’s a scavenger hunt. • The “snack credit endgame” - realizing on your last day you have a pile of credits left, and suddenly you’re importing Rice Krispies treats thr

Drew Taylor and Jim Hill kick off this week’s show with a genuinely wild media landscape where holiday releases, awards season, and corporate maneuvering are all colliding at once. From a brewing battle over Warner Bros. Discovery to Disney’s latest tech-flavored swing, the first half is a rapid tour through what’s breaking (and what might be breaking next). Then Jim takes the wheel solo for a longer, history-packed trip over the rainbow, tracing how animation veterans, studio deals, and a certain pair of feuding cartoon animals keep finding their way back to Oz. NEWS • Netflix and Paramount Skydance are reportedly lining up competing bids for Warner Bros. Discovery, with the situation edging into hostile takeover territory • Disney signs a three-year OpenAI licensing and investment deal, reportedly tied to short-form character content and platform experimentation • Zootopia 2 clears the $1 billion worldwide mark, adding to a renewed “WDAS is back” narrative after recent holiday stumbles • The trailer drops

Construction at Animal Kingdom’s upcoming Encanto attraction is finally starting to pop above the fence line, and Jim and Len do what they do best - stare at aerial photos until they start seeing ride-height changes and possible “big thing” anchors. Then the show veers into a surprisingly tight math problem: is it actually cheaper for an American couple to fly to Japan and do Tokyo Disney than it is to do a weekend at Walt Disney World? (Spoiler: the internet is almost right, which is somehow worse.) NEWS• Aerial photos suggest the Encanto ride site at Animal Kingdom may include a ride-height change (and at least one very suspicious hole in the ground).• Orange County tourist tax collections hit a new record for October, up 15 percent year over year - yes, people are still going to Orlando.• Disney Cruise Line Port Canaveral numbers show strong October sailings - Disney Magic at 81 percent occupancy, Treasure and Wish at 89 percent.• Hallmark and Disney team up for the first in-park holiday movie, “Holiday E

From queue changes to construction walls to nighttime lagoon testing, the parks offer plenty to parse this week. The guys then pivot from the Epic Universe lagoon to Universal’s classic monsters, using the buzz around Guillermo del Toro’s Frankenstein to explore how the 1931 film lurched into existence. Expect lost projects, studio pivots, and a Monster role Bela Lugosi famously refused. NEWS • VelociCoaster ends its single rider line, likely due to party sorting and load-efficiency issues. • Warner Bros. Discovery is reportedly shopping DC theme park rights to Universal, raising big questions for Marvel, Six Flags, and international parks. • Removal of Hollywood Rip Ride Rockit sparks speculation, though new construction-wall posters suggest general theming rather than a specific IP. • Nighttime testing at the Epic Universe lagoon shows projection effects featuring a bird-or-dragon silhouette. • Universal Studios Hollywood opens sales for FanFest Nights and a late-night New Year’s Eve event, prompting quest

Jim and Lauren ring in the holidays with a very merchy episode of I Want That Too, recorded just after Lauren’s family Polar Express adventure. From Disney Visa mailers and annual passholder calendars to Stitch-heavy gift guides, they dig into how Disney is trying to steer your holiday shopping. • Disney’s “Home for the Holidays” Disney Rewards Insider issue and the surprise AP calendar reveal a full-court press of plush, Stitch, cruises, and watch-list marketing aimed at shaping your seasonal shopping. • Stitchmas dominates both online and in-park displays, with plush, pajamas, and matching family sets claiming a massive share of holiday floor space. • Disney Parks Blog releases multiple holiday gift guides spotlighting games, books, Frozen favorites, Zootopia tie-ins, and Lorcana must-haves for fans of all stripes. • While Disney pushes big-ticket items like the $399 LEGO castle, Jim and Lauren highlight personal picks including Dick Van Dyke’s new book, Disney-branded Crocs, the Tokyo Disney Mickey gnom

Avengers: Endgame heads back to theaters, the Road to Doomsday widens, theme park tectonics start shifting, and Hulk’s stair-related temper sets off an unintended butterfly effect across the entire MCU. Jim and Dan break down Marvel’s theatrical chess moves, assemble Sam Wilson’s emerging Avengers roster, and dive into a feature story where one very irritated green guy accidentally rewrites the multiverse. It’s a packed episode that swings from box office strategy to deep-cut timeline chaos. NEWS • Avengers: Endgame returns to theaters in September 2026 as a strategic warm-up for Avengers: Doomsday • Dan unveils a new theory about the Endgame metal-pounding audio, suggesting the 2026 rerelease could reveal Doctor Doom forging his mask as a symbolic handoff from Tony Stark • Early Doomsday lineup reveals Sam Wilson’s Avengers team, including Thor, Loki, Shang-Chi, Falcon, and Ant-Man • Universal reportedly explores DC character licensing, creating the possibility of Marvel and DC living side-by-side in Orland