New Books In African American Studies

In his 1948 essay, “Harlem is Nowhere,” Ralph Ellison decried the psychological disparity between formal equality and discrimination faced by Blacks after the Great Migration as leaving “even the most balanced Negro open to anxiety.” In Under the Strain of Color: Harlem’s Lafargue Clinic and the Promise of an Antiracist Psychiatry (Cornell University Press, 2015), Gabriel Mendes undertakes an engaging study of race and mental health in the 20th century through the lens of an overlooked Harlem clinic. While providing the first in-depth history of the Lafargue Clinic (1946-58), the book focuses on the figures who came together in a seemingly unlikely union to found it: Richard Wright, the prominent author; Fredric Wertham, a German Jewish emigre psychiatrist now known for his advocacy for censorship of comic books; and The Reverend Shelton Hale Bishop, an important Harlem pastor. Wright’s literary prowess, work for the Communist party, and brush with Chicago School sociology met with Wertham’s socially-conscio

The dialectical configuration of black inclusion/Chinese exclusion is at the center of Edlie Wong‘s book Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship (New York University Press, 2015). At the end of the 19th century, the southern United States was experimenting with a transition from a dependency on uncompensated, coerced labor in the form of black chattel slavery, to a system of (nominally) voluntary, wage labor i.e. Chinese contract labor (coolieism), modeled most prominently in nearby colonial Cuba. Wong poses the important question of whether coolieism constituted a form of slavery or was indeed, a transition to free labor. In so doing, Racial Reconstruction explores the implications of mutually constitutive African American and Chinese American racialized identity formations, the Chinese Question, and the Negro Problem being coterminous: Chinese exclusion–the exception that proved the rule–helped America define itself as a free nation in the wake of racial sl

Most scholars of popular music use songs, artists, and clubs as the key texts and sites in their exploration of the social, cultural, political, and economic effects of music. Laurent Dubois‘ new book looks at the history of an instrument, the banjo, to help us better understand American history and culture. Dubois also helps readers understand the banjo as part of an Afro-Atlantic musical heritage. In The Banjo: Americas African Instrument (Harvard University Press, 2015), Dubois examines how the banjo came into existence in the Americas and what it reveals about debates about American culture. Dubois book starts in Africa with a wide range of instruments that shaped the banjo. He then follows these instruments as they cross the Atlantic in the Middle Passage, winding up in the Caribbean and in North America. Sifting through travelers accounts and documents in archives, Dubois shows how the banjo brought together African peoples in the Americas, creating a familiar but new instrument and sound. He describes

How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski, an Assistant Professor of Philosophy at Northeastern Illinois University, makes clear this central tension at the heart of contemporary American life. The re-election of Barack Obama and the murder of Trayvon Martin form the backdrop to Frankowski’s exploration of both the philosophical aesthetics and the practical manifestations of race in America today. From these two events the book moves to consider examples from Kantian aesthetic theory, through the history of memorials and museums, to examples from music, to illustrate how, in memorializing the past, we may forget both lessons and insights into current social struggles. The first book in a new series on the Philosophy of Race, The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning will be of interest

Jazz is often dubbed the greatest American original art form. This claim might be difficult to contend. But a close exploration of the folks who created, listened, and participated in jazz environments can also tell us lot about the religious history of those people. In his new book, Spirits Rejoice! Jazz and American Religion (Oxford University Press, 2015), Jason Bivins, Professor in the Department of Philosophy and Religious Studies at NC State University, argues that Jazz is a unique and under-explored venue for investigating American religious history. Bivins explores Jazz through common components of religious communities and traditions, including as forms of ritual, institutional structures, practices of healing, and jazz cosmologies. He begins with an outline of the deep connections between jazz musicians and their relationships with specific religious traditions, including Islam, the Black church, Bah’ ethics, Buddhism, and Scientology. He also outlines how artists engage in historical self-reflectio

Jonathon S. Kahn is an associate professor of religion at Vassar College. He is co-editor with Vincent W. Lloyd of a collection of essays entitled Race and Secularism in America (Columbia University Press, 2016). Eleven scholars forward the argument that secularism in America has been a project that manages, or excludes, difference by control over both religion and race. The introduction demonstrates how Martin Luther King Jr., both a religious and black leader, was stripped of both his race and his religion to represent a homogenous white secularism. Secularism is dependent on managing not just the intertwined racial and religious discourse but the practices and bodies of ordinary people. Secularism thus becomes white and springs from a managed Protestantism. The abolitionist movement in the nineteenth century and the Civil Rights movement in the twentieth are historical examples of resistance to a secularist white consensus. The volume explores the many ways religion and race are circumscribed, how they are

Betina Cutaia Wilkinson is the author of Partners or Rivals? Power and Latino, Black, and White Relations in the Twenty-First Century (University of Virginia Press 2015). Wilkinson is assistant professor of politics and international affairs at Wake Forest University. In Partners or Rivals, Wilkinson relies on national survey and focus group data to examine how social interaction; feelings of identification with members of their own group and others; and individuals sense of power as established by their racial, economic, and political surroundings impact interracial attitudes. She finds that the complex racial dynamics are not easily reducible to simple formulae, yet they have strong implications for the formation of interracial coalitions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Lester K. Spence is the author of Knocking the Hustle: Against the Neoliberal Turn in Black Politics (Punctum Books, 2016). Spence is associate professor of political science and Africana Studies at Johns Hopkins University. In Knocking the Hustle, Spence links the rising prominence of neoliberal ideas to the transformation of African American communities. The book, a combination of political history and policy analysis, argues that the Nixon and Reagan administrations advanced the neoliberal policy-making agenda and contributed to the associated rise in economic inequality, especially for African Americans. At the same time, African American communities and institutions are transformed by this neoliberal turn and its underlying, and surprising compatibility, with hustle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Is there a figure in sports more admired and beloved than Muhammad Ali? Widely revered not only as one of boxing’s greatest champions but also as one of the rare athletes to speak out on political issues, Ali holds a place at the pinnacle of sports heroes. In their new book Blood Brothers: The Fatal Friendship Between Muhammad Ali and Malcolm X (Basic Books, 2016), historians Randy Roberts and Johnny Smith take the bold step of viewing Muhammad Ali not as hero but as human. Randy and Johnny focus on the young contender Cassius Clay as he trains in Miami, rises through the heavyweight ranks, and hones his persona as an athlete and celebrity. At the heart of the book is the boxer’s friendship with Malcolm X and their respective ties to Nation of Islam founder Elijah Muhammad. The two subjects are extraordinary figures in the history of the 1960s, and they have been subjects of several books. As Randy and Johnny explain in the interview, they offer a fresh perspective by taking a meticulous approach to sources

Few social justice struggles have captivated recent political history like the broad Black Lives Matter movement. From the streets of Ferguson and Baltimore to campaign rally interruptions of leading politicians, we have seen people speak up in outrage about injustices of policing, racist violence, wealth inequality and much more. What does this cycle of struggle have to do with the history of capitalism? In addition to these questions, our guest today, Keeanga-Yamahtta Taylor, asks “Can the conditions created by institutional racism be transformed within the existing capitalist order?. Keeanga-Yamahtta Taylor is an Assistant Professor in the Department of African American Studies at Princeton University. Her book From #BlackLivesMatter to Black Liberation was recently published by Haymarket Books. Republished with permission from Betsy Beasley and David Stein’s Who Makes Cents?: A History of Capitalism Podcast, Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a pr

While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Steve Phillips is the author of Brown is the New White: How the Demographic Revolution Has Created a New American Majority (The New Press, 2016). Phillips is a senior fellow at the Center for American Progress. Several weeks ago, Matt Lewis came on the podcast to assess the state-of-affairs for conservatives. This week, Steve Phillips offers his new book on how progressives might reposition their electoral coalition in the future. Drawing on demographic data and the changing electoral map, Phillips argues for a shift from focusing on white swing voters to a new coalition of African American, Latino, and progressive white voters. The podcast is hosted by Heath Brown, assistant professor of public policy at the City University of New York, John Jay College and The Graduate Center. You can follow him on Twitter @heathbrown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This terrific book follows the itinerary of Eric Walrond’s peripatetic life. Born in Guyana in 1898, Walrond lived in Barbados, Panama, New York, Paris, London. As a writer and sharp observer of those around him, he produced trenchant critiques of racial dynamics, imperialism, and labor relations in short stories, journalism, essays, and historical narratives. His book Tropic Death (1926), a searing rendition of Caribbean life, was widely read. Yet he struggled toward the end of his life as he became increasingly isolated both professionally and socially. In Eric Walrond: A Life in the Harlem Renaissance and the Transatlantic Caribbean (Columbia University Press, 2015), James Davis draws on numerous and surprising sources to build a complex but eminently readable portrait of this man, his work, his friends and acquaintances in diasporic communities of the transatlantic Caribbean.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksne

George Whitefield was a complex man driven by a simple idea, the new birth that brought salvation. Because of such passion, Whitefield received both enthusiastic support, preaching to audiences numbering in the thousands, and bitter criticism for violating religious doctrine or political convention. As such, Whitefield remains someone who continues to stir debate and devotion even to this day. In her fascinating new book, Inventing George Whitefield: Race, Revivalism, and the Making of a Religious Icon (University Press of Mississippi, 2015), Dr. Jessica Parr explores the life and afterlife of George Whitfield, focusing particularly on how the conflict he spurred and the veneration he received have shaped memories of him. Parr’s work is fascinating and accessible, making it a good read for both the scholar of American religious history and for students in an undergraduate classroom. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksne

Is hip hop defined by its artists or by its audience? In Home With Hip Hop Feminism, Aisha Durham returns hip hop scholarship to its roots by engaging in an ethnographic and autoethnographic approach to studying hip hop. Rooting her study in the Diggs Park Public Housing Project in Norfolk, Virginia, Durham examines what hip hop means to ordinary and everyday women who see themselves as hip hop, equals to the rappers and other artists who receive greater recognition and scholarly attention. By focusing on gender and social class, Durham explores the sexual scripts that women find and negotiate within hip hop and how hip hop continually navigates socio-economic boundaries. She also considers how the very act of studying and writing about hip hop can turn a hip hop “insider” into an outsider. The book spends considerable attention looking at Queen Latifah and Beyonce as key figures who both reinforce and interrogate dominant representations of African American women. Aisha Durham is Associate Professor of Com

In this podcast I talk with Eric Foner, DeWitt Clinton Professor of History at Columbia University about his book, Gateway to Freedom: The Hidden History of the Underground Railroad (W. W. Norton & Company, 2015). Per the book jacket, “More than any other scholar, Eric Foner has influenced our understanding of America’s history. Now, making brilliant use of extraordinary evidence, the Pulitzer Prize-winning historian once again reconfigures the national saga of American slavery and freedom. A deeply entrenched institution, slavery lived on legally and commercially even in the northern states that had abolished it after the American Revolution. Slaves could be found in the streets of New York well after abolition, traveling with owners doing business with the city’s major banks, merchants, and manufacturers. New York was also home to the North’s largest free black community, making it a magnet for fugitive slaves seeking refuge. Slave catchers and gangs of kidnappers roamed the city, seizing free blacks, oft

What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book Freedom as Marronage University of Chicago Press, 2015), Neil Roberts (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit,

In Suffer the Little Children: Uses of the Past in Jewish and African American Children’s Literature (New York University Press, 2013), Jodi Eichler-Levine, associate professor of Religion Studies and Berman Professor of Jewish Civilization at Lehigh University, analyses a theme in American religious history–suffering–through the lens of Jewish and African American children’s literature. In her analysis of works by authors such as Maurice Sendak, Julius Lester, Jane Yolen, Sydney Taylor, and Virginia Hamilton, Eichler-Levine deftly examines the ways in which historical narratives of suffering are used by religious communities to claim their status as citizens. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What is hip? Can a piece of music be hip? Or is hipness primarily a way of engaging with music which recognizes the hip potential of the music? Or primarily a manner of being, which allows the hip individual to authentically engage with the hip artwork? Whatever the case may be, we know that the hip is meant to be authentic. We know that it is opposed to the square:all that is inauthentic, conformist, and authoritarian. And we know that attempts to understand hipness tend to locate it in the sonorous immediacy of musical experience. Phil Ford‘s, Dig: Sound and Music in Hip Culture (Oxford University Press, 2013) uses these attempts to understand hipness as an entry into the altogether more intractable problem of defining hipness itself. Ford traces the hip sensibility from its roots in the African-American subcultures that arose in cities such as New York and Chicago in the aftermath of the Great Migration, through its adoption (or appropriation) by the beat poets of the 1950s and the counterculture movement

In Carolina Israelite: How Harry Golden Made Us Care about Jews, the South, and Civil Rights (The University of North Carolina Press, 2015), Kimberly Marlowe Hartnett, a writer and former journalist, introduces us to the larger-than-life personality Harry Golden. A writer, publisher, and humorist, as well as activist, Golden used his popularity and incredibly wide network for a variety of causes, most notably the civil rights movement. Hartnett explores the ways Golden utilized his talents (he was, at his core, a salesman) to make America more equal and free. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies