New Books In African American Studies

How can those in African, Africana, and African American Studies strengthen their disciplinary ties? What do these connections have to do with Kwasi Konadu‘s recent study The Akan Diaspora in the Americas (Oxford 2010)? How can the scholarship produced in African, Africana, and African American Studies serve the interests of people of African descent across the globe? Indeed, how can the history of the Akan people help us to better understand slavery and the history of the Americas? What does it mean for a scholar who is the descendant of Ghanaians, born in Jamaica and reared in America to make his life work about African history? And how does that scholar feel about his personal role in the legacy of the Diaspora, about a being a Black father in the U.S.? Kwasi Konadu speaks about all of this and more in his New Books in African American Studies interview. Konadu’s intellectual commitment to uncovering and explaining the Akan people, their language, culture, and performative practices is inspiring. In fact,

I think this is really interesting. Among the thousands of iconic and easily recognizable photographs of segregated water fountains in the American South, you will almost never find one that features a black woman, a white woman or a white man drinking. They are nearly all of black men drinking. Why is that? In her fine and thoughtful book Signs of the Times: The Visual Politics of Jim Crow (University of California Press, 2010), Elizabeth Abel tells us why. Segregation, like many social phenomena, had a triple life. 1) It was a thing, part of an objective reality now past (one wants to cite Ranke here). 2) It was a thing seen, an object filtered through the subjective experience of viewers (one wants to cite Kant here). 3) And it was a thing shown, a sign made by one person to be communicated to others (one wants to cite Saussure here). We can see these three lives in the sources Abel examines: photographs of segregation signs: “Whites Only”, “No Negroes”, “Colored Entrance”, and so on. They simultaneously

Many scholars consider August Wilson to be the premier American playwright of the 20th Century. Alan Nadel is surely one of their number. In the early 1990s, he focused our attention on Wilson’s plays in the outstanding collection of essays May All Your Fences Have Gates: Essays on the Drama of August Wilson (University of Iowa Press, 1993). Since the publication of that work, Wilson completed his magnum opus–a ten-play cycle–shortly before his death in 2005. So now Nadel has followed up his first essay collection on Wilson with a second: August Wilson: Completing the Twentieth-Century Cycle (University of Iowa Press, 2010). This volume, as Nadel asserts, is for the trained cultural critic and everyday reader. My opinion is that the volume, like the first one, is centrally important to literary critics, performance scholars, and your average serious theatre goer, as well as to anyone interested in 20th-Century American culture. Listen to the interview, read the book, and share your thoughts. Learn more about

I used to live in Washington DC, not far from a place I learned to call the “U Street Corridor.” I really had no idea why it was a “corridor” (most places in DC are just “streets”) or why a lot of folks seemed to make a big deal out if it. Don’t get me wrong. It was nice. There are coffee shops, jazz clubs, and the place is full of beautiful late Victorian architecture. But I confess I really didn’t understand what the “U Street Corridor” was. Having read Blair Ruble‘s terrific Washington’s U Street: A Biography (Johns Hopkins UP/Woodrow Wilson Center Press, 2010), I can confidently say that now I get it. U Street was arguably the first urban area in the post-bellum United States in which African Americans formed a vital, sophisticated, wealthy, and identifiably modern “negro” (as they would have said) culture. Today we take it for granted that African Americans make a vital contribution to the cultural life (though not only that) of the United States. At the end of the Civil War, that wasn’t so. The vast ma

One of the great “grey” areas of World War I historiography concerns the African-American experience. Even as the war was ending, white historians, participants, and politicians strove to limit the record of the African-American soldiers’ participation, while also casting the standard narrative of the war as a white American crusade against German militarism. The rich experience of the African-American community–from the quest for legitimacy and equality by educated black social and political leaders, to the Great Migration of thousands of families out of the Deep South in search of wartime work and opportunity; from the battles waged by black soldiers against both Germans and Jim Crow abroad and at home, to the violent white backlash against entire black communities–has far too long been hidden away from public view. While there have been some efforts since the war ended to restore this history to its rightful place, until recently too many of these accounts have focused on specific units, individuals, or ev

Schizophrenia is a real, frightening, debilitating disease. But what are we to make of the fact that several studies show that African Americans are two to three times more likely than white Americans to be diagnosed with this malady, and that black immigrants from Africa and the Caribbean are six to nine times more likely to be judged schizophrenic than other residents of the United States. Is there a racist–or, at the very least, racialized–element in diagnoses of schizophrenia? According to psychiatrist and cultural critic Jonathan Metzl, the answer is “yes.” In The Protest Psychosis: How Schizophrenia became a Black Disease (Beacon Press, 2010), Metzl argues that psychiatrists at the height of the Civil Rights movement used the example of supposedly ‘volatile,’ ‘belligerent’ and ‘unstable’ African American men to define schizophrenia. Drawing on a variety of sources–patient records, psychiatric studies, racialized drug advertisements, and metaphors for schizophrenia–Metzl shows how schizophrenia and blac

Why did Reconstruction fail? Why didn’t the post-war Federal government protect the civil rights of the newly freed slaves? And why did it take Washington almost a century to intercede on the behalf of beleaguered, oppressed African Americans in the South? In a terrific new book, Charles Lane explains why. The Day Freedom Died. The Colfax Massacre, the Supreme Court, and the Betrayal of Reconstruction (Henry Holt, 2008) tells the tale of a little-known though remarkably important incident: the murder of close to 100 freedmen by a posse of White supremacists in Louisiana in 1873. Charles does an excellent job of narrating this heart-wrenching and disturbing event. The book would be worth reading for that story alone. But he really comes into his own in describing the legal aftermath of the slaughter. With all the skill of a seasoned reporter–which he is–Charles chronicles the passage of the Colfax case from the courts of New Orleans to the U.S. Supreme Court. The result was a landmark decision–United States v

We in the West tend to classify people by the color of their skin, or what we casually call “race.” But, as Nell Irvin Painter shows in her fascinating new book The History of White People (Norton, 2010), it wasn’t always so. The Greeks didn’t do it, at least very seriously. The Romans didn’t do it, at least very often. And the folks of the Middle Ages didn’t do it, at least with much gusto. In fact, the people who invented the modern concept of “race” and the classification of people by skin color were Europeans and Americans of the Enlightenment and Romantic Era. Why then and there? As Painter points out, a number of historical trends coincided to produced “racial science” and its child “whiteness” in Europe and North America in the eighteenth and nineteenth centuries. These trends included: the “discovery” of New Worlds (and the people in them) in the Americas, Asia, and Africa; the evolution of the African slave trade and with it the historically novel identification of “negroes” with slavery; the birth

I’ll tell you something I’ve never really understood: the difference between “art” and “craft.” Yes, I get the sociological difference (“art” is made in New York and Paris; “craft” is made in Omaha and Wichita), but what about the substantive difference? One common way to differentiate the two is to say “art” is not functional and “craft” is functional. You can’t sit on a painting but you can sit on a chair. If that’s the difference, then the “Museum of Modern Art” in New York should be called the “Museum of Modern Art and Craft,” because it’s full of (not very comfortable) furniture. I also cannot really comprehend the difference between “insider art” and “outsider art.” Again, I get the sociological distinction (see above), but who gets to say who’s inside and who’s outside? And if there’s “insider art” and “outsider art,” is there “insider craft” and “outsider craft?” In the world of quilting (which is much bigger than you think), Powers is a bit like Vermeer: not many pieces, but all highly valued. And l

I imagine the guys who first faced Bill Russell felt like I did when I had to guard Antoine Carr in high school. I “held” Carr to 32 points. But no dunks! Russell’s opponents in college and the NBA rarely fared any better. Sports talk is full of hyperbole, but in Russell’s case most of it is true. In his time, he was far and away the best player to ever step on the court and, for most of his career, he completely owned every court he stepped on. He was so dominant that they changed the rules so less gifted players would have a chance. Bill Russell, however, was not only a surpassingly great basketball player, he was also an African American star in an era in which being an African American star (or just being an African American) was very complicated. Today we are used to seeing outstandingly successful blacks in all (or almost all) spheres of life. In the mid-1950s that just wasn’t true. The American ruling elite was lily white, and that’s the way most white Americans thought it should be. Bill Russell (and

In the 1940s, the United States military performed an “experiment,” the substance of which was the formation of an all-black aviation unit known to history as the “Tuskegee Airmen.” In light of the honorable service record of countless African Americans, allowing blacks to become fighter and bomber pilots might not seem very “experimental” to you, but you have to put yourself in the mindset of the era in question to understand how “experimental” it was. Jim-Crow segregation was nearly universal, especially, though not exclusively, in the South. The armed forces were similarly segregated, with blacks serving in what might be mildly called “auxiliary roles” and whites doing all the commanding and fighting. There were few black officers (and they never supervised white troops) and no black military pilots. Most of the (nearly all white) “brass” could not conceive of integrated units and doubted the ability of African Americans to serve as line officers; most of those in the majority white voting public shared th

I asked my wife if she knew who W. E. B. Du Bois was. She did, as would most Americans. I then asked her if she knew where Du Bois was born and raised. She did not, and most Americans wouldn’t either. The odd thing is that Du Bois, who was one of the founders of the American civil rights movement and perhaps the most famous black public intellectual of the 20th century, was born and raised a stone’s throw from where my wife grew up in Western Massachusetts. If you are from Illinois, you know it is the “Land of Lincoln.” If you are from Virginia, you know that Jefferson was a Virginian. If you are from Kansas (as I am), you know that Eisenhower is a native son (even though he’s not, really). But the people of Western Massachusetts forgot Du Bois was one of their own. Or did they just choose not to remember? Amy Bass explores this question in her challenging new book Those About Him Remained Silent: The Battle Over W. E. B. Du Bois (Minnesota UP, 2009). Those who wanted to commemorate Du Bois saw a deep thinker

This is the first in a series of podcasts that New Books in History is offering in conjunction with the National History Center. The NHC and Oxford University Press have initiated a book series called “Reinterpreting History.”The volumes in the series aim to convey to readers how and why historians revise and reinterpret their understanding of the past, and they do so by focusing on a particular historical topic, event, or idea that has long gained the attention of historians. The first contribution to the “Reinterpreting History” series is Atlantic History: A Critical Appraisal (Oxford University Press, 2008). Today we’ll be talking to the editors of the volume, Jack P. Greene and Philip D. Morgan. You may think that historians normally study states or nations, like France and China. But they also study areas of international or imperial interaction. The most famous example of this sort of “international” history is Fernand Braudel’s The Mediterranean and the Mediterranean World in the Age of Philip II (1949

You’ve heard of “Reconstruction,” that is, the reform of the South after the Civil War. But have you heard of “Northern Reconstruction?” Probably not. I hadn’t either until I read Leslie Schwalm’s superb new book Emancipation’s Diaspora: Race and Reconstruction in the Upper Midwest (University of North Carolina Press, 2009). We tend to think of the Civil War as a Northern fight against Southern slavery. It was that to some extent. But, in our rush to congratulate ourselves on liberating those in Southern bondage, we tend to overlook the fact that blacks living in the North were treated none too well by the majority white residents. Being anti-slavery didn’t mean being pro-African American. In this meticulously researched book, Leslie traces the history of the African American migration to the Upper Midwest (Iowa, Wisconsin, Minnesota) during and after the war. It’s not a very pretty picture. The whites in the area were not at all receptive to the idea that emancipated slaves would live among them. White Midwe

In just a few days, the United States will inaugurate its first black president, Senator Barack Obama of Illinois. And though it’s a momentous day for the cause of equality, Mr. Obama is hardly the first African American to come to DC to serve the people of the United States. His way was paved by well over one hundred black legislators who served over the past 140 years in the House and Senate. Happily, you can read all about them in wonderful Black Americans in Congress, 1870-2007 (U.S. House of Representatives, Office of the Clerk, Office of History and Preservation, 2008). This is book has three cardinal virtues. First, it’s timely, as we’ve said. The editors and authors deserve praise for seeing it into print at exactly the right moment. Second, it’s well researched and written. The entries–one for each black legislator–are at once informative, rich in detail, and full of humor and pathos. Finally, it’s a beautifully designed and produced work. This book is, like its companion Women in Congress 1917-2006,

Today we are happy to have Colin Grant on the show. Colin is that rare breed of writer who is also an excellent historian. Or is that “rare breed of historian who is also an excellent writer?” I’m not sure, but I can tell you that Negro With A Hat: The Rise and Fall of Marcus Garvey (Oxford UP, 2008) is a great book. The subject matter couldn’t be more interesting and the prose is as delightful as it is instructive. There are many laugh-out-loud, I-wish-I were-that-clever sentences in this book: “Scott was not to know that the UNIA leader was of the school of thought that translated ‘no’ as ‘maybe’ and maybe’ as ‘yes.'” And many others that will make you sad. Grant is that kind of writer and Garvey that kind of figure. Go buy this book. Then read it. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This week we have Professor Colin Gordon of the University of Iowa on the show talking about his new book Mapping Decline: St. Louis and the Fate of the American City (University of Pennsylvania Press, 2008). Professor Gordon is the author of two previous monographs, Dead on Arrival: The Politics of Health Care in Twentieth Century America (Princeton University Press, 2004) and New Deals: Business, Labor, and Politics in America, 1920-1935 (Cambridge University Press, 1994). Mapping Decline breaks new ground not only in our understanding of the decay of the American inner-city, but also in its use of quantitative data in combination with GIS mapping technologies. The book is full of beautiful maps that paint a vivid, if somewhat depressing, picture of American urban history. Philip J. Ethington of the University of Southern California calls Mapping Decline “a searing indictment of policymakers, realtors, and mortgage lenders for deliberate decisions that sacrificed their own city of St. Louis on the altar of

Today we talked with Eric Gardner, who is chair and professor of English at Saginaw Valley State University. The interview focuses on Jennie Carter: A Black Journalist of the Early West (University Press of Mississippi, 2008), a new book which Dr. Gardner both authored an introduction to and edited. This is the first collection from an African American journalist writing for the San Francisco based newspaper, the Elevator. Gardner’s introduction does an excellent job of placing Carter into both the context of the history and literature of the American West. Dr. Gardner is also the editor of Major Voices: The Drama of Slavery and has authored works which appear in the African American Review, the African American National Biography, and Legacy. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today we feature an interview with Kevin Mumford about his new book Newark: A History of Race, Rights and Riots in America (New York University Press, 2007). Dr. Mumford is an Associate Professor of History and African-American Studies at the University of Iowa, where he also serves as the current Director of Undergraduate Studies in the Department of History and the Academic Coordinator of the Sexual Studies Program. He is the author of many articles and the book, Interzones: Black/White Sex Districts in Chicago and New York in the Early Twentieth Century (Columbia University Press, 1997). In this week’s interview, we discussed Dr. Mumford’s latest book, Newark: A History of Race, Rights and Riots in America. David Roediger of the University of Illinois raves that “Meticulously researched and engagingly written, Newark tells an important story.” Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by