Cultural Manifesto

In 1968, a group of young Indianapolis broadcasters made history — they built their own radio station from scratch, without a license, and dared the FCC to stop them. For four years, Radio Free Naptown brought underground music to the city, from Captain Beefheart to Gil Scott-Heron, broadcasting from makeshift locations that at one point even included a horse pasture. They didn’t call it pirate radio; they called it bootleg. Co-founders Steve Everitt and Don Worsham tell the inside story of Radio Free Naptown.

Hear a conversation with members of Software, a feminist synth-rock band that broke barriers for women and LGBTQ+ musicians in 1980s Indianapolis. Software performed at iconic venues including The Vogue and The Hummingbird. The band also played at Labyris, a feminist bar in downtown Indianapolis that served as a safe space for the city’s lesbian community. A new anthology of Software’s music, Haven’t You Had Enough, will be released on Record Store Day

Celebrate Jazz Appreciation Month with an hour of music from the Indianapolis bassist Herman “Trigger” Alpert. Born in Indianapolis in 1916 to Russian Jewish immigrants, Alpert rose to national prominence in the golden age of big band jazz. Despite his remarkable contributions to American music, Alpert remains largely overlooked in his hometown — an unsung figure whose legacy deserves greater recognition in Indianapolis jazz history.

Cultural Manifesto producer Kyle Long recently uncovered a collection of lost tapes featuring Indianapolis jazz legend Steve Allee performing live in local clubs in the 1970s — recordings Allee didn’t even know existed. Many of the tapes document his work with the Von Ohlen/Carter Big Band, a long-running Indianapolis ensemble co-led by drummer John Von Ohlen and saxophonist Chuck Carter. Hear excerpts from these rare recordings, along with Allee’s reaction.

Rhinestone-studded suits and colorful embroidery are hallmarks of classic Western wear—a tradition immortalized by artists like Porter Wagoner, Lefty Frizzell, and Little Jimmy Dickens. Indianapolis designer Jerry Lee Atwood carries that spirit forward with custom pieces that have appeared in Vogue magazine and in the wardrobes of Post Malone, Lil Nas X, Diplo, and Charley Crockett. A new exhibition of his work opens at the Eiteljorg Museum on March 28. WFYI’s Kyle Long spoke with Atwood to learn more. They discussed his early years growing up in Lafayette, his work with the punk band Candidate, and how a job at an Indianapolis coffee shop led him to designing Western wear.

Bob Dylan turns 85 this May — and he’s still on the road. Hear how Dylan’s musical career has been influenced by the legendary blues duo, Leroy Carr and Scrapper Blackwell.

For two decades, Take That Tuesday has been a cornerstone of Indianapolis hip-hop DJ culture—providing a space for both emerging and veteran turntablists to share music outside the constraints of commercial club environments. On March 31, Take That Tuesday will celebrate its 20th anniversary at Coaches, featuring a guest set from Canadian DJ and producer Skratch Bastid, a three-time Scribble Jam DJ Battle champion. WFYI’s Kyle Long recently spoke with Take That Tuesday hosts DJ MetroGnome and J. Moore. Nick Saligoe, widely known as DJ MetroGnome, is a veteran Indianapolis DJ, promoter, and educator. He is also the co-founder of Deckademics, a DJ and music production school based in Indianapolis. J. Moore is the voice of Take That Tuesday. In addition to his work behind the mic, he is a key contributor to the New Old Heads Podcast, an Indianapolis-based series that brings together DJs, MCs, and producers to discuss hip-hop culture.

Celebrate Women’s History Month by honoring the women who helped build Indiana’s punk, new wave, alternative, and noise scenes.  In cities like Indianapolis, Bloomington, and Lafayette, women were writing songs, forming bands, and shaping the sound of the state’s musical underground. Their voices and ideas were central to the energy that fueled Indiana’s punk movement in the late 1970s and beyond. Yet when the history of Indiana music is told, those contributions are too often pushed to the margins or left out entirely.  Join us for words and music featuring Sally’s Dream, Software, Debbie Jaffe, Joyce Fidler, and Lynn Shipley.

Listen to the latest installment in our ongoing series, “40 Indiana guitar pioneers every Hoosier should know.” The series explores the music and history of Indiana guitarists who made lasting contributions to American music — some world famous, others lesser known.  This time, we focus on South Bend guitarist Willie Woods, best known for his work with Jr. Walker & the All Stars. When their 1965 hit “Shotgun” climbed the charts, listeners heard the blazing saxophone of Junior Walker. But beneath that horn was Woods’ tight, percussive guitar. Born in Louisiana in 1936, Woods moved to South Bend as a child, where he became active in the city’s R&B scene during the 1950s. Initially known as a singer, he joined a band formed by his longtime friend, drummer Billy “Stix” Nicks, and saxophonist Junior Walker. Determined to contribute more fully to the group’s sound, Woods taught himself guitar and soon became the band’s permanent guitarist. The group, then known as the Jumping Jacks, performed througho

Listen to an interview with the Indianapolis-based composer, performer, and instrument builder Rob Funkhouser. His music explores ideas of place, memory, and pattern, often working in the spaces between established musical genres. He’s collaborated with ensembles including the Los Angeles Percussion Quartet, So Percussion, and Forward Motion, and he currently serves as Education Manager at the Rhythm! Discovery Center. His latest album, “Respiratory Cycle”, features two immersive, long-form suites “Exhale” and “Inhale.” WFYI’s Kyle Long spoke with Rob Funkhouser about the project.

Born in Frankfort, Indiana, on March 9, 1902, Will Geer told the Indianapolis News in 1977 that his first public performance took place on the streets of Indianapolis, where he recited a poem outside the Lockerbie Square home of James Whitcomb Riley. Geer later became widely known for his portrayal of Grandpa Zeb on the 1970s television series The Waltons. But his life extended far beyond television. He helped stage one of the most politically explosive musicals in American history, supported labor organizing during the Great Depression, and used his art as a platform for activism. Geer was also a close friend and collaborator of the legendary folk singer Woody Guthrie. Together they toured the country, performing in union halls and at labor benefits. Geer used his theatrical skills to amplify Guthrie’s music and political message. Their collaboration left a lasting imprint. Even after Guthrie’s death, Geer continued to preserve and interpret his songs. This week on Cultural Manifesto, we’ll celebrate

Hear the second edition of a new segment titled “40 Indiana guitar pioneers that every Hoosier should know.” Over the next year, we’ll be sharing the music and history of Indiana guitarists who made notable contributions to music. Some of these musicians are world-famous; some you may not have heard of. This is not a ranked list, and it won’t be presented in any particular order. On this edition, learn about the Gary, Indiana guitarist Donald Kinsey, who played with artists including Bob Marley, Albert King and Peter Tosh. Donald Kinsey was born May 12, 1953, in Gary. He was one of three sons of Lester “Big Daddy” Kinsey, a respected Chicago blues guitarist, singer, and harmonica player who migrated from Mississippi to Gary in the mid-20th century. Music was part of Donald’s life from an early age. He began playing guitar at five years old, learning chords from his father and performing in church and at local gigs. By his early teens, he had earned the nickname “B.B. King Jr.” In 1972, Donald’s professi

Listen to a conversation with Cesar Maldonado, founder and artistic director of Mariachi Herencia de México. Based in Chicago, the ensemble grew out of the Mariachi Heritage Foundation, a nonprofit organization devoted to preserving and advancing mariachi music through youth education. Founded in 2016, Mariachi Herencia de México has evolved from a student project into a dynamic ensemble of young virtuosos, blending deep respect for tradition with a vibrant, contemporary energy. Their 2017 debut album topped Latin music streaming charts and earned a Latin Grammy nomination — a remarkable achievement for a group born out of a community education program. Since then, they’ve released multiple acclaimed recordings, received a second Latin Grammy nomination, and toured extensively across North America, bringing mariachi music to major stages and inspiring a new generation of performers.  Mariachi Herencia de México performs in Indiana February 19 at the Indiana University Auditorium in Bloomington, and Februa

Listen to an interview with “Mr. Las Vegas” Wayne Newton. With a career spanning more than seven decades, Wayne Newton is among the most enduring figures in American popular entertainment. He’s best known for his 1963 hit “Danke Schoen,” and for a record-setting run of performances in Las Vegas. But Newton’s career began much earlier, in the 1950s, when he was still a child, singing country music alongside his brother, Jerry. On February 14th, Wayne Newton brings his latest tour to Central Indiana, with a performance at the Allied Solutions Center for the Performing Arts in Carmel. WFYI’s Kyle Long spoke with Wayne Newton about his early years in music, and his rise from radio and television to the Las Vegas Strip.

Bad Bunny’s performance at the Super Bowl last Sunday was the most-watched halftime show in history, placing Puerto Rican music squarely at the center of American pop culture.  For decades, Puerto Rican music has enjoyed widespread popularity here in the Hoosier State.  This week on Cultural Manifesto, we’ll celebrate the Puerto Rican music pioneers of Indiana, including Santos Candelaria, a Puerto Rican vocalist based in Gary, Indiana, during the 1970s and ’80s, and Dr. Mariano Morales, a violinist, pianist, and composer who led the Latin American Music Ensemble in Bloomington during the 1980s and ’90s. Morales worked with Puerto Rican music icons including Willie Colón, Marc Anthony, El Gran Combo, Gilberto Santa Rosa, Cheo Feliciano, and more.

Nia I’man Smith is a scholar and radio host based in Bloomington, Indiana. She’s currently a PhD candidate in the Department of Folklore and Ethnomusicology at Indiana University Bloomington. Smith is also the creator and host of Sonic Blacknuss, a biweekly program on Bloomington’s community radio station, WFHB. The show offers a thoughtfully curated journey through Black music — from jazz and soul to R&B, funk, blues, bossa nova, and Afrobeat. Each episode is built around a central theme, tracing the deep connections between history, culture, and memory. Cultural Manifesto host Kyle Long recently spoke with Nia about her work as a scholar and radio DJ. She also brought along some music to share.

This month on American Masters, PBS will present “Sun Ra: Do The Impossible” — a new documentary celebrating the life and legacy of Sun Ra, one of the most visionary figures in jazz music. Sun Ra’s early work was shaped by Hoosiers, including trumpeter Art Hoyle, saxophonist/flutist James Spaulding, and recording engineer Bud Pressner.

Explore the work of the Princeton, Indiana producer and engineer Robert Hosea Williams (also known as R. José Williams) best known for his work with Gil Scott-Heron. Williams was born in 1936 in Princeton, Indiana, the county seat of Gibson County in the state’s far southwestern corner. While his career would eventually take him far from southern Indiana, his family’s roots in the region ran deep.  His mother, Martha Alice Stewart, came from one of Gibson County’s long-established Black families. Her father, Hosea Henry Stewart, was born in Lyles Station, Indiana, one of the most significant Black settlements in the state.  Founded in the 1840s by free Black landowners, Lyles Station grew into a self-sustaining farming community with its own school, churches, businesses, and railroad access. For decades, it served as a center of Black life in the region.  Gibson County was home to several early Black settlements, formed by free Black families migrating from the South in the early 19th century. These c

For more than a decade, Sofar Sounds has connected music fans with intimate, unconventional concert experiences in cities across the globe. After a hiatus, the project is returning to Indianapolis—thanks to local ambassador Surina Gangwani, who is relaunching the series with a renewed focus on community.  WFYI's Kyle Long spoke with Surina about the vision behind SoFar, and what audiences can expect as the concerts return to Indianapolis.

Last December, Martin University announced it would close, citing years of financial strain and declining enrollment. The closure brings to an end a legacy that began more than 50 years ago with Boniface Hardin. Hardin arrived in Indianapolis in 1965 after being assigned as associate pastor at Holy Angels Catholic Church. He entered a city marked by racial inequality, police violence, and urban displacement. It was in this context that Hardin emerged as a prominent civil rights advocate. In 1970, Hardin and Sister Jane Schilling founded the Martin Center in a house at 35th and College Avenue. That led to the founding of Martin Center College in 1977, created to serve adult learners, low-income and minority students, people with disabilities, and others historically excluded from higher education. In 1987, the school moved to a larger facility in the Brightwood neighborhood, and in 1990 the institution was renamed Martin University.  Martin reached a high point in 2001 with the opening of a new $10 milli