Auckland Writers Festival

There are approximately three million robots working in factories around the world, and another 30 million in people’s homes. Soon robots will outnumber humans. But what happens if an autonomous AI harms or kills a person, deliberately or accidentally? It will happen. In fact, it already has. In Machines Behaving Badly, Professor Toby Walsh – Laureate Fellow and Scientia Professor of Artificial Intelligence at UNSW Sydney, and a leading advisor to the UN on lethal autonomous weapons (aka killer robots) discusses a future where machines start to shape society in ways we are not aware of. Described as a ‘rock star of Australia’s digital revolution’ he explores such questions as whether robots can have rights and if Alexa is racist with Toby Manhire. Supported by Platinum Patrons Dame Rosie & Michael Horton. SAT, 20 MAY 2023, 11:30am – 12:30pm, Kiri Te Kanawa Theatre, Aotea Centre.

Pip Williams’ best-selling novel The Dictionary of Lost Words tells the story of motherless Esme who spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers gather words for the first Oxford English Dictionary. Over time she discovers words relating to women’s experiences often go unrecorded. The novel won numerous awards including the 2021 ABIA General Fiction Book of the Year. In Williams’ latest novel, The Bookbinder of Jericho, her talent for historical research and beautiful storytelling shines through in the story of twin sisters who work in the bindery at Oxford University Press in Jericho. She discusses who gets to make knowledge, who gets to access it, and what is lost when it is withheld with Sonya Wilson. SUN, 21 MAY 2023, 1:00pm – 2:00pm, Kiri Te Kanawa Theatre, Aotea Centre.

The judges for the winning 2022 Booker Prize praised Shehan Karunatilaka’s novel The Seven Moons of Maali Almeida for the ‘ambition of its scope, and the hilarious audacity of its narrative techniques’. Set in Sri Lanka during the 25- year civil war, a murdered photographer has seven days to solve the mystery of his own death. It’s a philosophical tale but at the heart of the novel is the horror of a devastating conflict. ‘Sri Lankans specialise in gallows humour. It’s our coping mechanism’, said Karunatilaka. With renewed political and economic crisis in his country, Karunatilaka discusses with Brannavan Gnanalingam how the corruption and race-baiting of the past is still having its ghostly effects on current tumultuous times. Supported by Asia New Zealand Foundation / Te Whītau Tūhono. SAT, 20 MAY 2023, 4:00pm – 5:00pm, Kiri Te Kanawa Theatre, Aotea Centre.

The Book of Roads and Kingdoms brings to life a dazzling culture of science, literature, philosophy and adventure arising out of the flourishing metropolis of Baghdad during Islam’s Golden Age. Australian writer / broadcaster Richard Fidler recounts how medieval Persian and Arab wanderers ventured by camel, horse and boat into the unknown, bringing back tales of wonder, horror and delight. Ever curious, Fidler’s previous bestsellers have also delved entertainingly into the history of worldly places – The Golden Maze (Prague), Ghost Empire (Constantinople) and Saga Land (Iceland). The host of ABC’s Conversations – Australia’s most downloaded podcast – speaks with broadcaster Jack Tame about what he describes as a ‘crazy quilt atlas of a lost world’. Supported by Platinum Bold Patrons Joséphine & Ross Green. SAT, 20 MAY 2023, 2:30pm – 3:30pm, Kiri Te Kanawa Theatre, Aotea Centre.

Delightfully inventive and witty, Daniel Lavery (as Mallory Ortberg) was the cofounder of The Toast, the pop-culture platform with literary depth that described its target audience as ‘librarians’. The best-selling author of Texts from Jane Eyre and Merry Spinster, next wrote Something that May Shock and Discredit You, an exhilarating series of essays combining personal revelations with cultural deepdives. With chapter introductions such as ‘When You Were Younger and You Got Home Early and You Were the First One Home and No One Else Was Out on the Street, Did You Ever Worry That the Rapture Had Happened Without You? I Did’, Lavery hilariously toggles between his transition, his religious upbringing, and the evolving relationship with the women in his life, while riffing on the Golden Girls, Lord Byron, Rilke, Anne of Green Gables, Columbo, and the cast of Mean Girls. He chats with Claire Mabey. FRI, 19 MAY 2023, 4:00pm – 5:00pm, Kiri Te Kanawa Theatre, Aotea Centre.

In the opening paragraphs of Stella Prize shortlisted Indelible City: Dispossession and Defiance in Hong Kong, author Louisa Lim is torn between journalistic neutrality and her love of Hong Kong as she is invited by guerrilla sign painters to grab a brush and help produce pro-democracy banners. An award-winning journalist who reported from China for a decade, Lim’s first book The People’s Republic of Amnesia – Tiananmen Revisited resulted in her being unable to visit the mainland again for years. Bridges burnt, she had nothing to lose. When the Hong Kong protests began over concerns about an extradition treaty, and escalated to a crackdown on freedom of expression, Lim found herself uniquely placed to capture the city’s untold history, just as it was being erased. Lim, a former correspondent for the BBC and NPR, is now a Senior Lecturer at University of Melbourne. Lim shares her raw experience of ‘dispossession and defiance in Hong Kong’ with Sam Sachdeva, author of The China Tightrope. Supported by Asia New

With open source AI chatbots capable of generating text that appears increasingly human, will they eventually replace writers altogether? Some claim that AI will never have enough creativity, empathy or originality – but over time could even these qualities be assimilated by robotwriters? Canvas editor Sarah Daniell recently experimented with getting a bot to write her column. Alongside novelist Catherine Chidgey, she will interrogate two experts on whether they could relinquish the empty white page to a bot. Toby Walsh is Laureate Fellow and Scientia Professor of Artificial Intelligence at UNSW Sydney and author of Machines Behaving Badly and 2062: The World that AI Made. Te Taka Keegan is a Co-Director at University of Waikato’s Artificial Intelligence Institute, which has developed some of the most popular open-source tools in the world. He works on projects involving the use of te reo Māori and technology. Together they’ll discuss AI’s usefulness and limitations and what the future might look like when it

Two-Spirit is a pan-Indigenous expression (FNMI – First Nations, Metis and Inuit) from Turtle Island (North America) reflecting complex understandings of gender roles, spirituality and a long history of diversity. Two-Spirit writer Joshua Whitehead (Oji-Cree member of the Peguis First Nation) took the word Indigenous and braided it with the word queer to create a new kind of worlding for his poetry collection Full Metal Indigiqueer. Next came awardwinning novel Jonny Appleseed with a triumphant main character who finds glittering and gritty indigiqueer ways to live off the reserve. Also an essayist, Whitehead discusses Two-Spirit identity and other Indigenous interpretations of gender with non-binary Mununjali poet and memoirist Ellen van Neerven, author of PERSONAL SCORE: Sport. Culture. Identity; and Indigenous scholar Kōtuku Titihuia Nuttall (Te Ātiawa, Ngāti Tūwharetoa, W- SÁNEĆ) whose hybrid collection Tauhou connects Aotearoa with Turtle Island. They speak with Māni Dunlop. First Nations series support

In Another Day in the Colony, Mununjali and South Sea Islander health activist Chelsea Watego has a chapter called F**k Hope. She urges her mob to be nihilistic because hope is the dream deferred, better to embrace sovereignty and take matters into your own hands. Sharing the conversation is podcaster and author Dr Emma Espiner (Ngāti Tukorehe, Ngāti Porou), who has an upcoming memoir There’s a Cure for This, and is an outspoken advocate for including Te Ao Māori within our healthcare system. They speak with Mihingarangi Forbes. First Nations series supported by the High Commission of Canada and the Australia Council for the Arts

How do fiction writers deal with Covid? Full-on or sideways? Stephanie Johnson embraces it with gusto in her new satirical novel Kind, a thriller set in lockdown, with devious plots, social blunders and superyachts. Fiona Farrell’s The Deck is set a little way into the future and borrows a motif of Giovanni Boccaccio’s The Decameron in which a small group gather to avoid contagion and pass the time telling stories. Both provide perspectives on what we have all recently endured, and together they’ll discuss with Anne Kennedy what was on their mind as they were writing. FRI, 19 MAY 2023, 4:00pm – 5:00pm, Limelight Room, Aotea Centre.

In his book No Excuses Dave ‘the Brown Buttabean’ Letele shares how he overcame poverty, depression and crime to become an award-winning community leader inspiring people to turn their lives around. Willy De Wit was a regular on TV shows such as Funny Business, and a brekkie host on Radio Hauraki. In Drink, Smoke, Snort, Stroke he charts his journey from fame to drug addiction to a life altering debilitating stroke. Together, Letele and De Wit discuss the highs and lows, and what it has taken for them to rise above adversity and find their path in life. In conversation with David Downs. FRI, 19 MAY 2023, 1:00pm – 2:00pm, Limelight Room, Aotea Centre.

When I hear my father dead I flew 10 hours into the sun next morning I put black on The 2023 TS Eliot Prize award-winning Sonnets for Albert by Anthony Joseph was cited by the judges as ‘a luminous collection which celebrates humanity in all its contradictions and breathes new life into this enduring form’. Born in Trinidad, with calypso, surrealism, jazz and the spiritual Baptist church as early influences, Joseph’s poems wrestle with his father’s intermittent presence in his life. ‘While some remember him with fondness,’ he has said, ‘and try to transpose his spirit, others negotiate a space for disappointment, while trying to clutch his outer garments.’ The author of four previous collections and three novels, Joseph has also released eight acclaimed albums. He now lives in London, is a Lecturer in Creative Writing at Kings College, and is celebrated for bringing a highly charismatic musicality to his work, alongside a deep honesty and a defining Caribbean worldview. Paired with former NZ Poet Laureate

‘Whatever its subject, when a novel is powerful enough, it transports us readers deep into worlds not our own. That’s true of Moby Dick, and it’s certainly true of Tomorrow, and Tomorrow, and Tomorrow, which renders the process of designing a great video game as enthralling as the pursuit of that great white whale.’ Maureen Corrigan, NPR’s Fresh Air. Gabrielle Zevin’s 10th novel, Tomorrow, and Tomorrow, and Tomorrow was an instant New York Times Bestseller, a Sunday Times Bestseller and a USA Today Bestseller. The story of two friends who come together as creative partners in the world of video game design where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality – it was the subject of a 25-bidder auction for the film rights which were acquired by Temple Hill and Paramount Studios. Born in New York, the daughter of a Korean mother and an Eastern European father, Zevin discusses how rewarding and tender and volatile creative collaboration can be, and what it feels like t

Two-time winner of the Pulitzer Prize for Fiction, Colson Whitehead is the only writer to win for consecutive books. His best-selling novels 'The Underground Railroad' and 'The Nickel Boys' addressed racial injustice with what has been described as ‘lived wit’. Also the winner of many other prestigious awards, Whitehead’s wide cultural impact was signalled when Time featured him on the cover with the strapline ‘America’s Storyteller’. He has written 11 books of fiction and non-fiction. His most recent novel 'Harlem Shuffle' is a crime-heist set in the civil rights era, the first in a trilogy. An undisputed literary genius, he will discuss what inspires him to write with Kim Hill. Supported by the Embassy of the United States of America. AUCKLAND WRITERS FESTIVAL 2023, WAITUHI O TĀMAKI FRIDAY 19 MAY 2023 – 8.30-9.30PM KIRI TE KANAWA THEATRE, AOTEA CENTRE

The word ‘Powwow’ is often used to refer to a quick impromptu meeting, but in Northern Plains Indigenous cultures, there is nothing quick or casual about their traditional gathering and ceremony. Rejecting misappropriation, where a cultural element is taken out of context and used in another – such as ripping off the Haka, or joking about didgeridoos– writers stand up for the cultural references that are dear to them and should be protected. First Nations series supported by the High Commission of Canada and the Australia Council for the Arts. SAT, 20 MAY 2023, 5:30pm – 6:30pm, Limelight Room, Aotea Centre.

The impacts of climate change are upon us, we know that, and the recent brutal weather events have shown we can’t sit idly by. It’s time for fresh thinking and radical action. Veteran journalist Simon Wilson, the author of several searching newspaper articles on our post-flood, post-cyclone future, will discuss new ways of approaching climate risk and future sustainability with Jade Kake (Ngāti Hau me Te Parawhau/ Ngapuhi, Te Arawa, Te Whakatōhea), Papakāinga architect in Northland and author of 'Rebuilding the Kāinga'; researcher Max Harris, author of 'The New Zealand Project' which aimed to provide a vision for confronting the challenges ahead; Shaun Hendy, Chief Scientist at Toha NZ and author of '#NoFly'; and Dr Carisa Showden, University of Auckland’s sociology department and one of the authors on a new book on youth activism, 'Fierce Hope'. Supported by Royal Society Te Apārangi. AUCKLAND WRITERS FESTIVAL 2023, WAITUHI O TĀMAKI THURSDAY 18 MAY 2022 – 5.30-6.30PM KIRI TE KANAWA THEATRE, AOTEA CENTRE

Three young fluent te reo speakers producing inspirational work across a variety of genres, talk about the bravery and passion it took to take the unmapped uncharted leap into a creative life. Founding member of award-winning slam poetry group Ngā Hine Pūkōrero Arihia Hall (Te Arawa, Ngāti Tūwharetoa, Ngāti Tūkorehe); the youngest director ever selected for the NZ International Film Festival, Qianna Titore (Ngāti Hau, Ngāti Kaharau); and children's author Brianne Te Paa (Ngāti Kahu, Ngāpuhi, Te Rarawa, Ngāti Whātua, Ngāti Tūwharetoa, Te Aitanga-a-Māhaki, Te Whānau-a- Apanui) talk with acclaimed actress Hariata Moriarty (Ngāti Toarangatira, Ngāti Kahungunu ki te Wairoa, Ngā Puhi Hokianga ki te Raki) about the fear and courage of deciding to write, about creating their first pieces, and about the intersection between their culture and their art. Each writer will read, perform or screen part of an early work. Tokotoru ngā arero reo Māori rangatahi nō ētahi rāngai maha ka kōrero mō te māia me te kaingākau, nā ko

Aotearoa’s most anticipated book release of 2023 has been Eleanor Catton’s Birnam Wood, coming ten years after she won the Booker Prize for The Luminaries. A psychological thriller set in the South Island, Shakespearean in scope, a battle between good and evil – it has a complex intellectual core and also a great sense of mischief. Catton now lives in the UK, and between books has adapted both The Luminaries and Jane Austen’s Emma for the screen. She has returned to our shores to talk with Noelle McCarthy about what compelled her to write this epic romp through our national parks, with rareearth mining, deep surveillance, guerrilla gardening and so much more. Supported by Platinum Bold Patron Theresa Gattung.

Is The Axeman’s Carnival the great Kiwi Gothic classic? Plenty of reviewers think so. Catherine Chidgey surprised everybody when she revealed her next book was going to be narrated by a mimicking magpie. Would it work? It sure does. Not only is it funny and magical, it’s also a bird’s-eye view into the very real struggle of farming life, a nuanced portrayal of love and domestic violence, and a 2023 Ockham New Zealand Book Awards finalist. Following on from her 2017 Ockham New Zealand Book Award for The Wish Child and the Women’s Prize for Fiction longlisting for Remote Sympathy, she has become one of our preeminent fiction stylists. She’s definitely on a roll and her coming novel Pet takes a swerve into completely new territory again. She will discuss her writing life and Tama the magpie with Rachael King. Supported by Platinum Bold Patrons Betsy & Michael Benjamin.

The Ockham New Zealand Book Awards shortlisted novel, Kāwai, by Dr Monty Soutar ONZM (Ngāti Porou, Ngāti Awa, Ngā Tai ki Tāmaki, Ngāti Kahungunu) has remained on the New Zealand bestseller list ever since it was released. The first in a planned trilogy, it met an appetite to bring to life the pre-colonial history of Māori. Soutar had an epiphany that told him to leave his job, sell his house, and write the series as a takoha – his gift to the nation. A historian with a ONZM for services to Māori and historical research, he has previously published acclaimed books on the Māori Battalion and the New Zealand Pioneer Battalion. For his fictional series he drew on a lifetime of research into the whakapapa and oral traditions of his own ancestors, beginning with the birth of Kai-tanga near Ruatoria. He shares his journey with Stacey Morrison (Te Arawa, Ngāi Tahu).