Sophomore Lit

boss these podcasts are getting out of hand the other day i heard dan mccoy and his much older brother discussing archy and mehitabel by which i mean the column by don marquis that started in 1916 and then was collected into a book if you could call it that in 1927 John McCoy with Dan McCoy.

Love of wisdom means never having to say you’re sorry. Professor Marina McCoy joins her husband to discuss Plato’s The Apology (c. 399-90 BCE). John McCoy with Marina McCoy.

First-time co-host Daniel Heddendorf joins in to discuss clocks and jellybeans in Harlan Ellison’s short story, “‘Repent, Harlequin!’ Said the Ticktockman” (1965). John McCoy with Daniel Heddendorf.

I want to ride my bicycle, I want to ride it where I like. Shaenon K. Garrity returns to discuss Flan O’Brien’s enigmatic The Third Policeman (written 1940, published 1967). John McCoy.

Hope you’re not lactose intolerant! Matt Skuta returns to discuss John Cormier’s I am the Cheese (1977). John McCoy with Matt Skuta.

What, the one as big as me? Marina McCoy makes her holiday return to discuss Mário de Andrade’s sweet-and-salty “A Christmas Turkey” (1956). John McCoy with Marina McCoy.

Who watches the Watch House? Not us, the book is better. Ross Cleaver returns to discuss Robert Westall’s The Watch House (1977). John McCoy with Ross Cleaver.

The answer, my friend…is not a lyric in the any of the songs the McCoy Brothers discuss. For this annual drunk Thanksgiving Special, Rob, Dan, and John talk about Where Have All the Flowers Gone?, One Tin Soldier, and Alice’s Restaurant. John McCoy with Rob McCoy and Dan McCoy.

Podcasts could happen to anyone. David Loehr discusses exits and entrances in Tom Stoppard’s Rosencrantz and Guildenstern are Dead (first performed 1966, published 1967). John McCoy with David J. Loehr.

Don’t it allways seem to go, you don’t know what unicorns you got til they’re gone. Kathy Campbell discusses Peter S. Beagle’s 1968 The Last Unicorn. John McCoy with Kathy Campbell.

BEEP boop what is… love? Well, we don’t figure this out, but John Siracusa does return to Sophomore Lit to discuss Karel Čapek’s play R.U.R. (1920), the origin of the word “robot.” John McCoy with John Siracusa.

Brush up on the Large Object Theory of History. Shaenon K. Garrity returns to discuss Jean Merrill’s The Pushcart War (1964). John McCoy with Shaenon K. Garrity.

If you’re suffering from Quiet Desparation, why not listen to the not-so-quiet voices of Dan Daughhetee and me discussing Henrey David Thoreau’s Walden, or Life in the Woods (1854)? John McCoy with Daniel Daughetee.

Somebody loves us all. Rosalynde Vas Dias discusses three poems by Elizabeth Bishop: “Sestina” (1956), “Filling Station” (1956), and “Crusoe in England” (1971). John McCoy with Rosalynde Vas Dias and Marina McCoy.

Podcasts are the original voices in your head. David Dredrick discusses John Wyndham’s The Chrysalids (1955). John McCoy with David Dedrick.

Make money fast with this one weird trick. Glenn Fleishman discusses Friedrich Dürrenmatt’s play The Visit (1956). John McCoy with Glenn Fleishman.

And indeed there will be time to discuss this, the most mid-life white-guy crisis poem of all. Lisa Schmeiser discusses T.S. Eliot’s “The Love Song of J. Alfred Prufrock” (1915). John McCoy with Lisa Schmeiser.

I’ve heard it said by men of wide experience that podcasts used to be better in the old days. Kieran Healy discusses three short stories by Frank O’Connor: “First Confession,” “The Majesty of the Law,” and “Guests of the Nation.” John McCoy with Kieran Healy.

Forever is composed of podcasts. Caroline Fulford discusses selected poems by Emily Dickinson (c. 1860-65). John McCoy with Caroline Fulford and Marina McCoy.

Cigars are always trouble. Marina McCoy discusses Barbara Robinson’s The Best Christmas Pageant Ever (1972). John McCoy with Marina McCoy.