New Books In African American Studies

Urban sociologists typically use a few grand narratives to explain the path of the American city through the twentieth century and into the twenty-first. These include industrialization, mass immigration, the “Great Migration,” deindustrialization, suburbanization (or “white flight”), gentrification, and postindustrial/neoliberal growth policies, among others. In Race and the Politics of Deception: The Making of an American City (New York University Press, 2017) , Associate Professor Christopher Mele shows readers the more granular details of this history. Focusing on growth, decline, and revitalization of Chester, a small city in Pennsylvania near Philadelphia, Mele specifically reveals how race, or an ideology and discourse of racial blindness, have been used as a strategy of exclusion since World War I. Proceeding chronologically, the book examines how the politics of growth in Chester have revolved on ideas of race, from housing segregation to civil rights clashes. It culminates with the present-day real

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figur

Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. Ashon Crawley brings together black studies, queer theory, theology, and continental philosophy to theorize the ways in which what he calls “otherwise worlds of possibility” can serve as disruptions against marginalization and violence and also produce possibilities for flourishing. Examining the whooping, shouting, noise-making, and tongue speaking of Black Pentecostalism, Crawley reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. In the process, he does much more: suggesting a hermeneutics, a methodology for reading culture when people are under siege. Ashon Crawley is Assistant Professor of Religious Studies and African American Studies at the University of Virginia. Hillary Kaell is associate professor of Religion at Concordia University in Montreal. Learn more about your ad choices. Visit megaphone.fm/adch

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people’s heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same t

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens.

As an African-American child growing up in the segregated pre-Civil Rights South, Sarah Bracey White pushed against the social conventions that warned her not to rock the boat, even before she was old enough to fully understand her urge to defy the status quo. In her candid and poignant memoir, Primary Lessons (CavanKerry Press, 2013), White recalls a childhood marked by equal measures of poverty and pride–formative years spent sorting through the “lessons” learned from a complicated relationship with her beloved, careworn mother and from a father’s absence engendered by racial injustice and compromised manhood. Although born in Sumter, South Carolina, Sarah spends much of her first five years in Philadelphia in the care of her bighearted Aunt Susie and her husband, Uncle Whitey. As her parents fourth daughter, she has been sent north to ease her family’s financial burden, freeing her mother to work as a schoolteacher. Young Sarah loves her life in Philadelphia, and is devastated when her mother comes to ret

Do you think that what poor people most need to escape poverty is grit? Join us as we speak with Stefanie Deluca, co-author, along with Susan Clampet-Lundquist and Kathryn Edin, of Coming of Age in the Other America (Russell Sage Foundation, 2016), about their decade-long research project tracking the ambitions and activities of 150 black Baltimore youth born in the 1980s and 1990s to parents living in high-rise public housing. The results — and the implications — will likely surprise you as much as it did them. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness,

Do you love Rock and Roll or is Rock and Roll music dead? Are you old enough to have put any money in a jukebox to hear your favorite song, watched American Bandstand, or spent any hours viewing music videos on MTV? It has been said that music can truly bring people together. Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll (McFarland, 2016) tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard and changed the world. So where did it all begin? Not where you may think. Describing the genesis of rock and roll, author James A. Cosby covers everything from its deep roots in the Mississippi Delta and The Blues to key early figures, like deejay “Daddy-O” Dewey Phillips and gospel music star Sister Rosetta Tharpe. Also discussed are the importa

Puerto Rico is often depicted as a “racial democracy” in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico (Duke University Press, 2015), Petra R. Rivera-Rideau shows how reggaeton musicians critique racial democracy’s privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. From censorship campaigns on the island that sought to devalue reggaeton, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaeton’s origins and its transformation from the music of San Juan’s slums into a global pop phenomenon. Reggaeton, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora. Petra Rivera-Rideau is an associate professor of American Studies at Wellesley University. She earned her B.A. at Harvard University and her M.A. and

The tragic Tulsa Race Riots plus a smidgeon of romance equals to a compelling historical saga. Marlene Banks weaves fact and fiction together illustrating how law and culture may change but human nature remains the same in her historical novel series Son of a Preacher Man and Greenwood and Archer. Son of a Preacher Man takes place in 1920 Tulsa, Oklahoma, a strictly segregated oil boomtown. The preacher’s son, Billy Ray Matthias and Benny Freeman, daughter of an oil-rich rancher, befriend each other when both want to escape the shadows of their past. Billy Ray’s heart is open for love but Benny’s is fearfully shut. After the devastating race riot, Banks continues the narrative of restoration in the sequel Greenwood and Archer. Lives have been drastically changed since the riot and its citizens defiantly rebuild their piece of prosperity. Tulsa, Oklahoma is as segregated as ever but doesn’t want the whole nation watching. Additional tension festers as prohibition brings Chicago gangsters to settle in wealthy T

A profoundly humane look at an inhumane institution, The Price for Their Pound of Flesh: The Value of the Enslaved, from Womb to Grave, in the Building of a Nation (Beacon Press, 2017) will have a major impact how we think about slavery, reparations, capitalism, nineteenth-century medical education, and the value of life and death. Slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. This is the first book to explore the economic value of enslaved people through every phase of their lives including preconception, infancy, childhood, adolescence, adulthood, the senior years, and death in the early American domestic slave trade. Covering the full life cycle, historian and author Daina Ramey Berry shows the lengths to which enslavers would go to maximize profits and protect their investments. Illuminating ghost values or the prices placed on dead enslaved people, Berry also explores the little-known domestic cadaver trade and traces the illici

As US politics becomes increasingly driven by divisions, we need some way of sustaining a shared civic life. Paul Taylor makes the case for democratic virtues. Paul C. Taylor is Associate Dean for Undergraduate Studies in the College of the Liberal Arts and Associate Professor of Philosophy and African American Studies at Penn State. His research focuses on philosophy of race, social and political philosophy, Africana philosophy, and aesthetics.  The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From 1927 until his death in 1979, E.F. Joseph documented the daily lives of African Americans in the Bay Area. His images were printed in the Pittsburgh Courier and the Chicago Defender, but not widely published in his home community. A graduate of the American School of Photography in Illinois, Joseph photographed the likes of such celebrities and activists as Josephine Baker, Mahalia Jackson, Mary McLeod Bethune, and Thurgood Marshall. However, what is perhaps more compelling within these pages are the countless images of everyday citizens teaching, entertaining, worshipping, working, and serving their community and their nation. Emmanuel Francis (E. F.) Joseph (1900-1979) was born on November 8, 1900 in St. Lucia, West Indies. After graduating from the American School of Photography of Illinois, he moved to Oakland, California in 1924 where he served as an apprentice in a photography studio. He was the first professional African American photographer in the San Francisco Bay Area operating a commercial an

Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women in American Film (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant cultur

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. T

Business. Community. Politics. That’s the making of a barbershop. In Cutting Along the Color Lines: Black Barbers and Barber Shops in America (University of Pennsylvania Press, 2013), Dr. Quincy Mills chronicles the history of black barber shops as businesses and civic institutions, demonstrating their central role in Civil Rights struggle throughout the nineteenth and twentieth centuries. Dr. Mills says what’s most intriguing to him about barbershops is people forget the barbershop is a business first before community and politics. He states, “Barbershops, beauty salons and churches are the remaining institutions rooted in black culture production.” When Mills is not engaged in teaching, reading, writing or teaching he’s running; a space that provides him solitary time to think and work out his ideas. Dr. Mills is an associate professor at Vassar College. He teaches courses on African American history, specifically, Dr. Martin Luther King, race and segregation, black power movement, and consumer culture. Le

In his acclaimed biography Eye on the Struggle: Ethel Payne, the First Lady of the Black Press (Amistad, Reprint Edition, 2017), James McGrath Morris explores the fascinating life of pioneering black female journalist Ethel Payne. Backed by exhaustive archival research, Morris traces Payne’s role in documenting the civil rights struggle during the decades following World War II, before her later impact as the first female African American radio and television commentator on a national network. The New York Times has described Eyes on the Struggle as an “an important and often absorbing new book,” while the Chicago Tribune has contended that Morris’ beautifully written and carefully researched new book “gives Payne’s ground-breaking work the attention it deserves.” Morris’ other books include Pulitzer: A Life in Politics, Print, and Power, which Booklist placed on its 2010 list of the ten best biographies, and The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journali

This episode of New Books in African American Studies covers Patrick Phillips’ powerful new book Blood at the Root: A Racial Cleansing in America (W.W. Norton and Company, 2016) At the turn of the twentieth century, Forsyth County in Georgia, was home to an diverse African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. However, following the rape and murder of a white girl in 1912, and accusations levied against three black laborers, bands of white “night riders” launched a devastating campaign of arson and terror against Forsyth’s black community. Expanding backwards and forwards from this flashpoint, Blood at the Root is a sweeping tale that spans the Cherokee removals of the 1830s, the hope and promise of Reconstruction, and the crushing injustice of Forsyth’s racial cleansing. With bold storytelling and lyrical prose, it breaks the century-long silence of Patrick’s hometown, and uncovers a history of racial terrorism that continues to

What do you know about Houston, Texas? That Houston is the fourth largest city in the United States? That Houston was the home of the 2016 NCAA Final Four in basketball and the home of the NFL’s Super Bowl LI in 2017? That Houston is the home of the world’s largest medical center and is also the hub of the American energy industry? All of the above are true, and even more Houston is noted for its rich diversity of people and blending of cultures. Beginning after World War I, Houston was transformed from a black-and-white frontier town into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound: Culture and Color in a Jim Crow City (University of California Press, 2015) draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations particularly those of Mexicans from across the border and Creoles from Louisiana complicated ideas of blackness and whiteness and introduced different understand