Smarty Pants From The American Scholar

The English country house has been on the brink of ruination since at least the start of World War I—or perhaps the first chug of the Industrial Revolution—or was it the end of serfdom …? Propping up this dying, decadent institution has been a favored pastime of preservationists, architecture buffs, and earls for about as long as the institution has been around. In his new book, Noble Ambitions, historian Adrian Tinniswood peels back the wallpaper to show how these ancestral piles survived both World War II and the sunset of the British Empire—and in some ways, are more relevant than they ever were.Go beyond the episode:Adrian Tinniswood’s Noble Ambitions: The Fall and Rise of the English Country House After World War IIFor the completionist, his previous book: The Long Weekend: Life in the English Country House, 1918-1939Revisit the famed 1974 Victoria & Albert exhibition “The Destruction of the Country House,” or go visit Agecroft Hall and Gardens in Richmond, Virginia, one of several country homes dism

In March 2018, the Oxford philosopher Amia Srinivasan wrote a provocative essay for the London Review of Books asking, “Does anyone have the right to sex?” Three years later, the essay forms the backbone of a bold new collection that probes the complexity of sex as private and political act, moving beyond the simplicity of yes and no and the hashtags of #girlboss feminism. Srinivasan joins the podcast to discuss the ideas that animate The Right to Sex, whether it’s pornography and freedom, rape and racial injustice, punishment and accountability, or pleasure and power.Go beyond the episode:Amia Srinivasan’s The Right to Sex: Feminism in the Twenty-First CenturyRead the essay that started it all: “Does anyone have the right to sex?”Relatedly, her essay on pronouns: “He, She, One, They, Ho, Hus, Hum, Ita”How many other philosophers have been profiled by Vogue?Smarty Pants is no stranger to feminism: listen to our episodes on feminist book collecting, rock criticism, war, science, and religionListen to historian

A bear burrowing through the trash bin. Rats on a home invasion spree. Elephants barreling through Indian villages. Caterpillars munching through crops. Once upon a time these offenders would be put on trial and dealt with in a court of law, however ineffectually. Today, conflict management between humans and the natural world is an entire industry that grows with every incursion we make into the wilderness. Mary Roach returns to the podcast to talk about what it was like to be mugged by a macaque while working on her new book, Fuzz: When Nature Breaks the Law.Go beyond the episode:Mary Roach’s Fuzz: When Nature Breaks the LawFlash back to 2016, when Roach was our very first guestYes: we really did put animals on trial, and it did not go wellAre the parrots of Western cities pests? San Francisco thinks not; Amsterdam disagreesWhat to do when 30-50 feral hogs run into your yard (OK, but they are actually a problem)Tune in every week to catch interviews with the liveliest voices from literature, the arts, scien

For many of us, our very first book wasn’t one that we read ourselves—it was one read to us, the pages pawed by grubby hands eager to flip back to a favorite illustration. The very best children’s books combine a good story—however simple—with enchanting illustrations that can spark a love for reading, writing, art—or all three. Elizabeth Lilly, the author-illustrator of a new book for children called Let Me Fix You a Plate, joins us on the podcast to talk about the process of inviting the littlest readers into a new world.Go beyond the episode:Elizabeth Lilly’s Let Me Fix You a Plate: A Tale of Two Kitchens and GeraldineRead Scholar assistant editor Jayne Ross’s list of “10 Classic Books for Cooped-Up Kids” and her ode to the late Beverly ClearyThe science of how children learn to read, from linguist and Scholar contributing editor Jessica LoveTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in pro

The most groundbreaking ideas in modern physics—the Earth is round, special relativity, the uncertainty principle—were once seen as shocking, impossible, even deviant (recall Galileo’s trial). Even today, wild ideas can be laughed out of a conference, especially if they come from someone perceived as an outsider. Brown University physics professor Stephon Alexander, one such self-identified outsider, joins the podcast to talk about his new book, Fear of a Black Universe, and his own experiences as a Black man in science who has made major contributions, “not in spite of [his] outsider’s perspective, but because of it.”Go beyond the episode:Stephon Alexander’s Fear of a Black Universe: An Outsider’s Guide to the Future of PhysicsRead an excerpt from his first book, The Jazz of PhysicsListen to the whole of Here Comes Now, Stephon Alexander’s album with RiouxScience writer Priscilla Long explains what’s so great about the Higgs bosonMedical doctor Robert Lanza steps out of his lane to propose “A New Theory of t

As of this summer’s Tokyo Games, skateboarding is an Olympic sport—and those of us who didn’t grow up popping ollies and skinning our knees might be wondering how that happened. Originally known as “sidewalk surfing,” skateboarding was invented in midcentury California and Hawaii by surfers looking for something to do when the waves weren’t great. Since the first commercial skateboard was sold in 1962, the sport has ballooned to a billion-dollar industry including magazines, movies, and merchandise. Kyle Beachy, the author of The Most Fun Thing: Dispatches from a Skateboard Life, and a devoted skateboarder and skateboarding critic, joins the podcast to explain how the pastime became a global sensation.Go beyond the episode:Kyle Beachy’s new book, The Most Fun Thing: Dispatches from a Skateboard LifeBehold: skateboarding at the OlympicsFor a taste of feature-length skate documentaries, try Dogtown and the Z-Boys (2001) or Minding the Gap (2018)Three “high-reward skate films” recommended by our guest:Mouse: Spi

Black Beauty, Flicka, Secretariat, National Velvet, Misty of Chincoteague, and all the rest—horse books are a genre unto themselves, occupying an entire shelf (or more, should you add the 112 books in The Saddle Club series) of girls’ bedrooms everywhere. For all of the girls who lived and breathed horses (on the page or in the barn), the infatuation meant something that is difficult—or even embarrassing—to explain outside of the stable. Horse Girls, edited by Halimah Marcus, the executive director of Electric Literature, smashes all the stereotypes you might hold about riders and the way they relate to their horses, with diverse essays from the literary likes of horsewoman Jane Smiley and aspiring horse girl Carmen Maria Machado.Go beyond the episode:Horse Girls: Recovering, Aspiring, and Devoted Riders Redefine the Iconic Bond, edited by Halimah Marcus (read her introduction here)“I Hate Horses” by T Kira Madden, excerpted from the book“How Horses Helped My Ancestors Evade Colonizers, & Helped Me Find M

If you were to distill the story of King Arthur and the Knights of Camelot down to its essence, you might alight on three nouns: Sword Stone Table. That’s the title of a new collection of Arthurian retellings, edited by Swapna Krishna and Jenn Northington, that imagines the legends of yore in a London coffee shop, a dystopian Mexico City, Anishinaabe country, and even on Mars. Krishna and Jenn Northington join the podcast to talk about the Arthurs, Merlins, Guineveres, Lancelots, Morgans, and more who populate the once and future land of our imagination.Go beyond the episode:Sword Stone Table: Old Legends, New Voices, edited by Swapna Krishna and Jenn NorthingtonReacquaint yourself with the magic of Mary Stewart’s Merlin TrilogyEven the BBC wants to know: King Arthur and Camelot—Why the cultural fascination?The boy king is no stranger to television, but “good adaptations of the King Arthur myth to screen are far out-numbered by the unsuccessful ones”A good one from the Arthur extended universe: The Green Knig

In her cover story for the magazine’s summer issue, Lucy Jones writes about “a renaissance of love for nature” that took place during the pandemic in the midst of so much isolation and death. Why is it, exactly, that going into nature is so therapeutic? Jones’s new book, Losing Eden, examines the wealth of scientific literature on the psychological effects of nature, from neurons to the whole nervous system. She joins us on the podcast to talk about her research into what we lose when we lose contact with nature.Go beyond the episode:Lucy Jones’s Losing Eden: Our Fundamental Need for the Natural World and Its Ability to Heal Body and SoulRead her Summer 2021 cover story, “Rewilding Our Minds” and an essay in Emergence on “The Druid Renaissance”A 2020 instance of a white woman calling the police on a Black birdwatcher sparked new studies and stories on the problems minorities face in parks and other public spaces, but racism in outdoor pursuits is nothing new. Groups like Outdoor Afro aim to make nature more w

The experimental archaeologist Dr. Patrick McGovern, known casually as the “Indiana Jones of Ancient Ales, Wines, and Extreme Beverages,” and Sam Calagione, master brewer and founder of Dogfish Head Brewery, have spent years resurrecting the beverages of the past. In 2017, we sat down with them before an event at the Smithsonian to discuss what it takes to turn millennia-old booze samples at the bottom of a jug into mead fit for a king—or jiahu for an emperor—or tahenket for a pharaoh.Go beyond the episode:Try not to spill any beer on your copy of Ancient Brews: Rediscovered and Re-CreatedExplore Dr. Pat’s work on the intoxicating science of alcohol at the University of Pennsylvania MuseumWatch Patrick McGovern and Sam Calagione work on a recipe for a new ancient aleAnd if you’re in the area … pop over to Dogfish Head Brewery to check out what’s on tapTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cut

Love it or hate it, sweat is the reason why you don’t die of heatstroke in the summer—though you might want to die of embarrassment if you work up too much of it. But perspiration also contains a trove of secrets about our body’s inner workings, from sexy pheromones and disease markers to what we had for lunch. In her new book, The Joy of Sweat: The Strange Science of Perspiration, science journalist Sarah Everts explores what it reveals about our biology and behavior, debunking overheated myths—and maybe even some stigma—along the way.Go beyond the episode:Sarah Everts’s The Joy of SweatDip into the world of custom perfume, which can smell quite different depending on who wears itDon’t cancel your gym membership, but do give your heart a workout in the saunaYes, you really do smell your hand after shaking someone else’s: here is the experiment with the videos to prove itTry out the first “mail odor dating service”Tune in every week to catch interviews with the liveliest voices from literature, the arts, scie

For something that seems so simple, the act of adorning one’s face with a smudge of lip color or a flick of eyeliner can mean getting a promotion, getting home safely, and being taken seriously—or not. As journalist Rae Nudson writes in her new book, All Made Up: The Power and Pitfalls of Beauty Culture, from Cleopatra to Kim Kardashian, makeup has, for better or worse, shaped cultural narratives and standards of beauty for centuries. Red lipstick is patriotic—and it’s an act of protest—and it’s a sign of sex appeal—all depending on when you lived, and who and where you are. Nudson joins us on the podcast to talk about the choices we make when we wear makeup, and whether those choices are ever entirely ours to make.Go beyond the episode:Rae Nudson’s All Made Up: The Power and Pitfalls of Beauty Culture, from Cleopatra to Kim KardashianNudson wrote about the camouflage paint industry and the the makeup mogul crafting the U.S. Army’s exclusive supplyRead more about Sabella Nitti, whose 1920s makeover saved her

In her 25 years as a music journalist, Jessica Hopper has profiled the doyennes of modern rock and pop music: Björk, Kacey Musgraves, St. Vincent, Liz Phair, Robyn, and many more. Her reviews run the gamut from the latest Nicki Minaj album and the “mobile shopping mall that is the Vans Warped Tour” to the only album by D.C.’s first all-women punk band, released three decades after they broke up. The new second edition of The First Collection of Criticism by a Living Female Rock Critic expands on the 2015 one. That the provocative (and mostly accurate) title still works six years later points out that rock criticism has even fewer women in it than rock music does. Hopper joins us on the podcast to discuss her writing, from her beginnings as a local Chicago critic to her expansive oral histories of Hole and the women who transformed Rolling Stone in the 1970s. Go beyond the episode:Jessica Hopper’s The First Collection of Criticism by a Living Female Rock CriticRead “Building a Mystery,” her oral history o

If you were a small child who grew up near a coastline—or maybe especially if you didn’t—nothing was more enchanting about summer than collecting seashells on the beach. People have been using conches and scallops and whelks as musical instruments, jewelry, canvas, and even money, pretty much since we evolved enough to pick them up. But the future of seashells and the creatures who make them is uncertain. The smallest shells are dissolving in an acidifying ocean, and today mollusks that have survived 500 million years of ice ages and heat waves are facing an enemy undeterred by their hardened exteriors: humans, and the climate change we've created. Science writer Cynthia Barnett's new book, The Sound of the Sea, is a plea to listen to what shells are telling us, both about the ocean and ourselves. Go beyond the episode:Cynthia Barnett’s The Sound of the Sea (watch the book trailer here)Listen to the haunting sound of the conch horn found in the temple of Chavín, and read about Miriam Kolar’s archaeoacous

There are a lot of very good, very long books out there: Middlemarch, War and Peace, Don Quixote, the Neapolitan Novels. And then there are the very long books you probably won’t ever want to read, like Leonid Brezhnev’s memoirs, Saddam Hussein’s hackneyed romance novels, or the Kim family’s film theory. This show is about that kind of very long book, and the man who decided to read all of them: Daniel Kalder, who joins us on the show to talk about his journey through The Infernal Library and what these books tell us about the dictatorial soul, assuming there is one. This episode originally aired in 2018.Go beyond the episode:Daniel Kalder’s The Infernal Library: On Dictators, the Books They Wrote, and Other Catastrophes of LiteracyDive into Turkmenbashi’s Ruhnama, if you dare.Daniel Kalder reviews Saddam Hussein’s prose—he “tortured metaphors, too”—or you can read it yourselfOr check out Kalder’s dispatches from The Guardian’s “D

Suzanne Simard, an ecologist at the University of British Columbia’s Department of Forests and Conservation Sciences, has dedicated her life to mapping the relationships between trees: how they send nutrients to one another, remember the past, warn their neighbors of disease or drought, and support their offspring. Her new memoir, Finding the Mother Tree, tells how her work has unfolded from her first discoveries of mycorrhizal fungi in the “wood wide web” to the inheritance left behind by dying trees and the life-giving force of the largest elders. Simard used isotopes and mass spectrometers to quantify the Indigenous knowledge that inspired her to study the interconnectedness of forest communities—and our human ones. She joins us on the podcast to discuss what we might all learn from trees.Go beyond the episode:Suzanne Simard’s Finding the Mother TreeRead Miranda Weiss’s review from our Summer 2021 issue hereExplore the Mother Tree Project, an experiment on forest resilience in the face of climate chan

In the past 30 years, electronic dance music (or EDM) has gone from underground culture to a global phenomenon. Journalist Matthew Collin drew on the British rave scene for his earlier work—a book called Altered State. But in the 20 years since that book came out, and even in the time it took to write it, EDM and its culture have completely transformed. The tunes on the radio and the DJs who put on giant shows in places like Ibiza look—and sound—very different from the originators of the genre, like the musicians who invented acid house in 1980s Chicago. Collin traveled around the world to figure out whether the EDM of today still holds onto its liberating roots—or whether commercialization killed the music. This episode originally aired in 2019.Go beyond the episode:Matthew Collin’s Rave On: Global Adventures in Electronic Dance MusicRead about the clash between techno fans and extremists in TbilisiRead some of the many effusive obituaries commemorating Frankie Knuckles, “Godfather of House Music”Watch a tra

Despite the rampant success of books like Marie Kondo’s The Life-Changing Magic of Tidying Up, intellectual circles tend to look down on anything that sells itself as self-help. And yet, in a certain light, the most original form of self-help might actually be philosophy—an older and more respected genre, even, than the novel. So this week, we’re going back to the past and asking that old chestnut: what is a meaningful life? The Stoics are awfully popular these days, but the philosopher Catherine Wilson joins us this episode to pitch a different kind of Greek: Epicurus, whose teachings live on most fully in Lucretius’s On the Nature of Things. For a few centuries, Epicurus was wrongly remembered as the patron saint of whoremongers and drunkards, but he really wasn’t: his philosophy is rich with theories of justice, empiricism, pleasure, prudence, and equality (Epicurus, unlike the Stoics, welcomed women and slaves into his school). Epicureanism advocated for a simple life, something that appeal

If when you read a work of fiction you are never alone, since you can hear the voice of the author, then when you read in translation, you're in sort of a threesome. The translator, as Cervantes is said to have said, is there at the edge of the frame, revealing the other side of the tapestry. Susan Bernofsky has been translating from German into English for decades, focusing on the writers Robert Walser, Yoko Tawada, and Jenny Erpenbeck. Her latest book is a biography of Walser, Clairvoyant of the Small, and she is now translating Thomas Mann’s The Magic Mountain, a (very) brief excerpt of which we published earlier this year. Bernofsky directs the literary translation program at Columbia’s School of the Arts. She joins us on the podcast to talk about the joys and struggles of bringing another writer’s words into English. Go beyond the episode:Susan Bernofsky’s latest book is Clairvoyant of the Small, a biography of Robert WalserYou can find her translations on her website and on her long-running blog, T

The first Gilded Age was a time of rampant corruption, the big business crooks of Tammany Hall, and lavish displays of wealth rivaled by abject poverty. It was also the period when America’s elite mastered the art of crafting the perfect cocktail. Though there were a few missteps along the way—including the Black Velvet, which included equal parts champagne and, disturbingly, porter—the era birthed the classic cocktails that we drink to this day. But what parties, what people, were around for the debut of the Manhattan? Or the martini, the daiquiri, the pisco sour? Cecelia Tichi, professor of American literature and culture at Vanderbilt University, tells all in her new book, The Gilded Age of Cocktails.Go beyond the episode:Cecelia Tichi’s The Gilded Age of CocktailsTichi mentioned a few other keepers of bartending history: David Wondrich, who wrote Imbibe!; and our own Wayne Curtis, who wrote And a Bottle of Rum and Neutral Ground, a long-running column on our website about all things New Orleans (including