The Podcast For Social Research

In episode 65 of the Podcast for Social Research's "Practical Criticism" series, the game has changed. For a special live recording of the final episode of 2022, everyone knew in advance that the sonic object would be Pink Floyd's landmark concept album—and favorite laser light show accompaniment—Dark Side of the Moon. A gathering of dedicated listeners joined Rebecca and Ajay "in studio" for an immersive collective listening experience to this classic of prog rock on vintage vinyl. And the surprises spun out from there, beginning with a musicological breakdown of borrowed sounds, followed by a detour through Franz Schubert’s Winterreise song cycle (with insights from Adorno on poetry and escape), thoughts about the concepts at work in concept albums, plagal cadences and passacaglia, receptiveness to the sounds of ordinary life, the reverb of history, the history of lasers, and much more.  This podcast includes the whole of the approximately 45-minute album, so if you’re short on time, hop off at minute 5:56

For the second installment of Faculty Spotlight, hosts Mark DeLucas and Lauren K. Wolfe sit down with faculty Paige Sweet—writer, writing consultant, literary theorist, and practicing psychoanalyst—for a wide-ranging conversation about the many eclectic aspects of her work, including the unconventional classroom and how it transforms pedagogical practice; what constitutes literary “theft” (from Kathy Acker’s Don Quixote to everyone’s Emily Dickinson); the self in autotheory and what it means to theorize “from the skin”; the risky business of writing; how politics enter the psychoanalytic clinic; and thinking with queer-of-color performance theorist José Muñoz. If you enjoyed the podcast, keep an eye out for Paige’s upcoming BISR course on Autofiction in February.

In the second episode of (Pop) Cultural Marxism, Isi and Ajay take up the latest addition to the Star Wars universe, Tony Gilroy’s television series Andor. Their talk touches on topics large and small, from animatronic garbage droids, ordinary social life in the Star Wars universe, and the petty middle managerialism of empire, to labor militancy, Wagner’s Ring Cycle, early Hollywood genre conventions, and more. Shownotes: Twyla Tharp's In the Upper Room, scored by Philip Glass Kyle McCarthy for Lux Magazine, on ballet and feminism Bayonetta 3 controversy Judith Butler, Gender Trouble Susan Sontag, Notes on Camp Mark Fisher's blog post on The Hunger Games: Catching Fire Franz Neumann, Behemoth: The Structure and Practice of National Socialism, 1933-1944 Thomas Hobbes, Leviathan Thomas Hobbes, Behemoth Arash Abizadeh on Hobbes' state of nature John Locke, Fundamental Constitutions of Carolina Films mentioned: Brian de Palma, Carrie; Ridley Scott, Alien; John Carpenter, The Thing; Bernardo Bertolucci, The Confo

In episode 56 of the Podcast for Social Research, BISR faculty Joseph Osmundson joins Ajay Singh Chaudhary and Nafis Hasan for a discussion of his new, highly acclaimed book Virology. Issues at hand include: the structure and mechanics of viruses; how they're perceived, and differentiated, socially and politically; and their power to affect not only individual health, but also our economy, society, and the very ways we speak and think. Joe, Ajay, and Nafis also survey our apparently ever-lasting Pandemic Times, asking: what's happened, why, and where do we go from here? 

In the inaugural episode of Faculty Spotlight, hosts Lauren K. Wolfe and Mark DeLucas sit down with faculty Türkan Pilavci, art historian and field archaeologist, for a wide-ranging conversation about her work, including her archaeological field work in Turkey, the problems with art museums, the meaning and periodization of "Ancient Egypt"; how modern states draw on—and discard—ancient history (for example, the mummy parade!); archaeology in pop culture (Indiana Jones: archaeologist—or adventurer?), and what it's like to be a woman at the dig. If you enjoyed the podcast, please check out Türkan's upcoming BISR course: Ancient Egypt: Art, Archaeology, and Empire.

Introducing Episode 1 of the new Podcast for Social Research subseries (Pop) Cultural Marxism, in which Ajay and Isi (and special guests!) will be exploring the "fantastic form" of pop-cultural commodities—from film and television to toys and games to objects of every conceivable consumer variety. In the premier episode, they turn their attention to the genre of fantasy, and in particular to the recent prequels to The Lord of the Rings and Game of Thrones. Listen in as they discuss, among other things, Amazon aesthetics, "the liberal imagination," beautiful failures, faux and real political realism, gif-able moments, Tolkien for neofascists, mimetic regression, billion-dollar budgets, and potential affinities between fantasy and socialist thought.

In this Podcast for Social Research Shortcast, BISR's Ajay Singh Chaudhary and Isabella Likte consider the genre of teen comedy—or, in this case, a macabre critique of the genre. Sitting down for a short discussion in advance of our People's Choice Back-to-School screening of Michael Lehmann's 1989 film Heathers at BISR Central, Ajay and Isi probe (late) Gen-X social utopias and the dark side of Reagan's "morning in America." This Shortcast is a sneak preview of Ajay and Isi's new podcast subseries Pop-Cultural Marxism, which debuts next week, so stay tuned!

In episode 26 of the Podcast for Social Research’s “Practical Criticism” series, Ajay Singh Chaudhary surprises Rebecca Ariel Porte with György Ligeti. They talk the newness of New Music, sparkling dissonance, champagne dissonance, weak shock, the poetry of Monk and Evans, generosity and difficulty, Adorno, modernism, working pluralism, theory and praxis.

In episode 55 of the Podcast for Social Research, BISR faculty Ajay Singh Chaudhary, Rebecca Ariel Porte, and Isabella Katrina Litke sit down after our Occasional Evening screening of Bernardo Bertolucci’s 1987 masterpiece The Last Emperor to discuss the film’s making, themes, and fascinating approach to the grand sweep of 20th-century Chinese history. What can The Last Emperor, in its depiction of the Pu Yi’s fall from emperor to re-educated common gardener, teach us about the interplay of aesthetics, politics, and history? How does the film manage, where so many period pieces fail, to aestheticize history while also eschewing nostalgia? And what does it mean, cinematically, to democratize the past?

Episode 54 of the Podcast for Social Research, a companion piece to Episode 53, is a live recording of Suzanne Schneider’s 11pm lecture at the 2022 Night of Ideas. In answer to the evening’s prompt “Where are We Going?” Schneider delves into the realm of risk, which has come to structure ever-increasing portions of individual, social and political life. And as risk has become “privatized,” its management has become a site for profit-making, with industries ranging from health care to firearms selling “safety” products pitched to privileged, middle- and upper-middle class subjects. How can we distinguish risk, fear, and paranoia? In what sense is risk a commercial concept? And what are the effects—individual and societal—of assuming an actuarial mindset when navigating social and political interactions? Does the culture of constant vigilance, of security hoarding as a lifestyle, in fact make us less safe?

Episode 53 of the Podcast for Social Research is part one of two episodes recorded live at the 2022 Night of Ideas at the Brooklyn Public Library, co-sponsored by Villa Albertine. The theme of the evening was "Where are We Going?" Ajay Singh Chaudhary's response, "Against Resilience: Exhaustion, Ecology, and Emancipation" traces the genealogies and uses of the concept of resilience and its limitation in social and political theory. The foundation for "left-wing climate realism," Ajay argues, are to be found in rejecting the atomizing and internalizing imperatives of "resilience" in favor of the externalization of "exhaustion" into a real politics of power and conflict, citing anti-colonial and even Civil War precedents. Why is the ubiquitous concept of resilience so vague and yet so deleterious? How should we understand ecological and social exhaustion today? And what are the discomfiting implications of a political theory entirely structured by this ecological moment?

In episode 52 of the Podcast for Social Research, BISR faculty Nara Roberta Silva, Sophie Lewis, Jenny Logan, Abby Kluchin, and Alyssa Battistoni discuss Samuel Alito's Dobbs draft opinion, recently leaked, and the impending overturning of Roe v. Wade. Questions considered include: Alito’s reasoning, its implications for other rights, the validity of the “rights-based” approach itself (grounded in what’s implicitly a masculine (while also dis-embodied) liberal subject), abortion discourse (and the tendency to euphemize), the violence of enforced gestation, political strategy, the need for a truly mass feminism—and beyond.

In episode 60 of the Podcast for Social Research's Practical Criticism Series, Ajay Singh Chaudhary plays Lingua Ignota for Rebecca Ariel Porte, who, as usual doesn't know what the object of the week will be. They discuss commitment, committing to the bit, metal and its iconographies, ritual, decadence, Hildegard von Bingen, Audre Lorde, catharsis, exorcism, and choosing an enemy.

In episode 51 of the Podcast for Social Research, Rebecca Ariel Porte welcomes the poet Yanyi for a discussion of his newly published collection Dream of the Divided Field. The episode kicks off with readings from Yanyi's work, before turning to a discussion, both playful and serious, of the genesis of Dreams, the role of dreams in the writing process, the power of the poetic line, and how writing can move one from a place of loss to new self-understandings.

In Episode 63 of the Podcast for Social Research's "Practical Criticism Series," Ajay Singh Chaudhary plays "The Band Played Waltzing Matilda," as covered by The Pogues, for Rebecca Ariel Porte, who, as usual, doesn't know what the sonic object of the week will be. Their conversations covers resonances between World War I and our own historical moment, uses and abuses of nationalism, internationalism, periphery and metropole, proxy wars, balladry, pastiche, trauma, missed opportunities, disillusionment, and propaganda.

In episode 58 of the Podcast for Social Research’s “Practical Criticism” series, Ajay Singh Chaudhary plays Pavement’s “Stereo” for Rebecca Ariel Porte, who, as usual, doesn’t know what the object of the week will be. Over the course of the discussion, they explore the strange aesthetic, social, and economic category of “indie”, the potential virtues and vices of non-virtuoso performance and “de-skilling”, musical absurdism, the Benjaminian physiognomy (and anxiety) of the slacker, the surprising genius of doggerel lyrics, the vaudevillian, the dark undercurrents of comfortable emptiness in a tired nation, and music with its corners chipped.

In episode 59 of the Podcast for Social Research, Ajay Singh Chaudhary, Lygia Sabbag Fares, Rebecca Ariel Porte, Suzy Schneider, and Michael Stevenson look back at their 2021 in cultural experiences: painting of the Italian Renaissance, language lessons, television, film, poetry, theater, translations, music, games, high-brow, the low-brow, and the middle-. Common threads include exhaustion, recycling (for better and worse), recuperation, the kitsch of "art experiences," and making a liveable life right now, wherever we happen to find ourselves.

In episode 57 of the Podcast for Social Research's "Practical Criticism" series, the first of a new season, Rebecca Ariel Porte plays Nala Sinephro and Pharoah Sanders and Floating Points for Ajay Singh Chaudhary, who, as usual, doesn't know what the object of the week will be. Their conversation ranges over promises, promissory structures, broken promises, avant-jazz and minimalism, Coltrane's "sheets of sound," phasing, convalescence, composition and the medicinal, conversations and echoes, and the sound of nothing to prove.

In episode 47 of the Podcast for Social Research’s “Practical Criticism” series, Ajay Singh Chaudhary plays Nirvana for Rebecca Ariel Porte. They talk pop avant-gardes, Kurt Cobain’s voice, exhausted croons, experiments in sound, experiments in masculinity, depression and melancholy, Burton’s anatomy of melancholy, developing variation, word play, disillusion and disaffection, and Nirvana's Gen X musical legacy in the sonic avant-garde and depressive realism of the (largely feminine and queer) singer-songer writers of today. Songs include: "Smells Like Teen Spirit"; "The Priest They Called Him" by Kurt Cobian and William S. Burroughs; "Pennyroyal Tea"; "All Apologies" and Mitski's "Your Best American Girl." P.S. Our (Millennial) editor Cora would like to note that Mitski is indeed a proper Millennial, not Gen Z as indicated in the episode. PPS.  Omitted further thoughts on the class nature of Nirvana hopefully forthcoming. You can read Ajay on generational and class politics in "OK, OK, Boomer: The Critical T

In episode 48 of the Podcast for Social Research's "Practical Criticism" series, Rebecca Ariel Porte plays Björk for Ajay Singh Chaudhary. They converse about pop avant-gardes, Bruegel's *Land of Cockaigne,* utopian fantasies of Iceland, islands and the insular, the state of emergency, music designed to be remixed, protean pop personae, female friendship, nascent solidarities, music as muse, and why Björk is more like Taylor Swift than you'd think.