Painted Bride Quarterlys Slush Pile

Hello Slushies! Today, we put the “pee” in PBQ when Jason reminds us not to over-hydrate (it’s a thing!). Marion is in the Philadelphia Studio and Samantha in Portland for the Tin House Summer Workshop, which triggers an epic donut-discussion. Must-try doughnuts: VooDoo Doughnuts in Portland, Federal Doughnuts in Philadelphia, and Dough in New York City.  After daydreaming about desserts, and resisting the bullying power of nutrition Apps, we dive into three poems by Tanya Grae. These poems are included in Grae’s book Undoll (YesYes Books, 2019).  All are ekphrastic, allusive, homage poems-- and we pour over the way Grae is adapts, innovates, remixes, and recreates poems across these poems.  We’re drawn to the layered conversation and formal prosody and synchronicity she sets up-- our thumbs are flipped, our heads are spun. The first is after Lorca’s “The Unfaithful Housewife” (translated by Conor O’Callaghan). The second is an intriguing and baffling poetic rant,  “Duchess, A Found Poem.” And the final, the

It’s a beautiful fall day in the neighborhood, slushies. Kathy’s in love with the equinox, Jason’s in his bathrobe, Joe has a new porn name (“Brusque 80”), and Marion is in air-conditioned climate denial. (It’s always sunny in Abu Dhabi!).   We kick off briskly with three poems by Blake Campbell.  “The right parts of the brain light up / for the wrong reasons” in Campbell’s “New Year” and our brains can’t stop sparking about the wonderful terribleness of a bad day. Editors spar over the poem’s potential meaning, threatening each other with Billy Joel lyrics, and delight over debating who’s naked, who is reinventing themselves, and who is caught up in a haunting season.  We turn to “Chicken Hawk,” a long, skinny poem that surveys gay nightclub goers from self-depecating “vulture’s” point of view. From the NAMBLA documentary to Death in Venice, from unrequited lust to line breaks, we found lots to discuss. We talk otters. And bears. And Orville Peck. Addison says it best: the poem puts us in the club.  “Dead

If you are like us, Slushies, then you love a good duality. We're hooked on the way "belly-up" can mean to be a flop and to roll in closer. So, belly-up to this episode where we discuss two poems by Judith Roney-- “Belly-up” and “Relictual Taxon.” After some laughs about how it’s easy to mistake our basement studio’s relative isolation as evidence of a Zombie apocalypse (and name our weapons of choice), we talk about Marion’s vertigo in her new apartment, Jason’s strategies for alternate side street parking, Samantha’s tips on how to properly pronounce Abu Dhabi, and the global proliferation of pumpkin spiced lattes. Judith Roney’s poetry reigns us in and rewards our focus. Listen in as the The Slush Pile crew has an epiphanic, intertextual jam session with “Belly-Up” and “Relictual Taxon.”  We start with “Belly-Up,” which immediately had us contemplating room dividers and family tensions and an array of resonances and literary echoes. Listen for Jason’s references to Rickey Laurentiis’s poems and to Adrienne

A Toilet in Denver or Florida is for the Fraught On today’s episode, we realized that the sound studio needs some naked art! We never thought about it before, but after the Abu Dhabi team and Jason “showed off” about the art in their offices, we got jealous. Joe said we could BYOA, so we’re gonna. Stay tuned. This got us right off on a tangent about Icarus, a sad one, as he apparently is outside of BMCC, warning students “not to aim too high.”  We had our first vote of the day and it was a loud and long “Booooooooo” re: the sheer meanness of its message. We started with “Shops Like That” which immediately began a conversation on sense and syntax. Which lead us to a conversation of the image system of the poem, the descriptive scene, and whether this poem would have appeared in Fence in the 90’s (ask Jason). KVM didn’t tell anyone, but she loves the poem for its Wooly Bully reference. We spent at least 15 minutes dissecting the piece, only to have our vote---end in a tie!!!! We moved on to “Travel Light.

This week, we are bringing you an extra special podcast! That’s right, we recorded LIVE for the first time ever at Philly’s PodFest in the National Liberty Museum. Well...most of us. Marion joined us via Zoom from chilly Cork, Ireland, instead of her usual home base of Abu Dhabi. However, everyone else was on stage in front of old, and new, Slushies! Jason Sneiderman traded up his yellow Parsons table in New York for a yellow Honda, to join us in the flesh. On the other hand, poet and professor Laura McCullough joined us by way of a blue Honda. (And no, Honda did not sponsor this podcast. Unfortunately…) Lastly, present were: Kathleen Volk Miller, Tim Fitts and Joseph Zang (who for once, had the opportunity to just sit back instead of pulling all the strings behind the scenes). Okay, now onto the incoherent babbling and “sweaty festivities.” Jason reminisced on how he came to join PBQ, back in the dinosaur ages of the early 2000s, when he was a graphic designer finding his way in the world. Next, we discus

This week we welcomed a special guest: “busy writing lady,” poet and food journalist for the Midatlantic region, Tammy Paolino. Headlining the discussion on poems by Kyle Watson Brown, were standing desks. Yes, the giraffe of desks! We talked about it all: Drexel’s lottery system for standing desks, Jason’s makeshift standing desk, and DYI portable desks being an indication for becoming the President of the United States and leader of the free world. After desk-related helpful tips, we moved on to discuss the first poem, “Too Many Funerals.” This one had us floored by its “weird” (Jason’s word), syntax and word choices. This piece prompted a diverse conversation on the term “junkie” and its evolution from a label to a condition. Then, to give you whiplash, the discussion switched to sunscreen. Usually, the only new member of our podcast meetings are the poets being discussed, however, this week we welcomed a special guest: “busy writing lady,” poet and food journalist for the Midatlantic Region, Tammy Poli

Well Slushies, it’s summer, which means warm days and summer vacations for the crew, comprised of mostly professors and students. This time around Marion joined us in our homebase of Philly, and Samantha joined us from Portland, where she’s attending Tin House’s Summer Workshop. In this week’s podcast, we discussed poems by Micheline Maylor. The first of her poems up for dissection was “Your Motto.” This piece made us think about the difference between caring and possessiveness in a romantic relationship. HOWEVER, before we could finish our conversation, we had a little surprise: a fire alarm went off a quarter of the way through our podcast! Once the crew (all and well) were able to reconvene, Jason had had a haircut and Marion was in North Carolina, as it was 2 weeks later. However, we tried our best to continue right where we left off. It seemed the break inbetween veered the discussion, as our editors had some time to figure out some things that had tripped them up in our first conversation. (Is it just

Let’s start by celebrating our democratic editorial policy by seeing which of the many titles we came up we should use! “Bag O’Wigs,” “Just the Tip,” or “I Find it Aching (Oh, Yeah)?  This week’s podcast consisted of three of our “well-hydrated” original members, the OGs, Kathleen, Marion and Jason, along with the co-op, Britt. At the center of our table were poems by Sarah Browning, who allowed us to dissect her poems like a turkey (see below) on Thanksgiving.  The first poem up for discussion was “For the turkey buzzards,” which Marion described as “ghasty but beautiful” (both the buzzards themselves and the images in the poem). We’ve provided you with an image so will understand why Britt would never want to be reincarnated into one. This poem possessed metaphors that had our crew members meeting at a crossroads. Be sure to listen in to find out our destination (aha-see what I did there?).  We skipped the main course and jumped right to desert as we discussed the poem “Desire.” Let’s just say Kathleen w

  Although we had a small group for this week’s podcast, we sure had some big discussions.   First and foremost, we are sad that Jason has repurposed his yellow parson’s table. We always loved picturing him there when he did episodes from home, but—we finally got a photo! Now back to business! (For now…)   This was our second go at discussing these three poems written by Gwendolyn Ann Hill. The first time around, everyone had attempted to chime in from remote locations: hotel rooms, the back of cars, Abu Dhabi. So, it was no surprise that after great effort, it all went up in flames. However, here we are again to give it another shot! *fingers crossed*  The first poem up was “Unplanting a Seed,” which was an interconnectedness of tragic events, rewound. It’s ambiguity and ambivalence had the crew awe-struck, and remembering the film Adaptation, “Reverse Suicide” by Matt Rasmussen, and “Drafting a Reparations Agreement” by Dan Pagis. Of course, somehow our conversation on this extraordinary poem somehow t

Welcome back again Slushies! For this podcast, we had a full house ready to discuss three poems by Brandon Thomas DiSabatino.  The first poem was tuscarawas river song. Surprisingly, this piece initially erupted a discussion on the beautiful descriptions of a river, turned quickly to a dialogue on drugs. Trigger warning: This topic could possibly hit home for many of our listeners as opioids have become a pervasive problem, especially in our Slushpile’s home base of Philadelphia. We learned more about opiod overdose than we wanted to know. But forget the drug problem! Joe Zang, our intrepid sound engineer, expressed the top problem today might just be the Ohio-ians, and he revealed his Instagram handle, so…go ahead and slide into his DM’s!  Challenge of the Day: Try saying “hog-tied whippoorwills” three times in a row as quickly as you can! Most of us could not even say it once.  Next up, a portrait of cave fires on walls as the first sitcom in syndication. The first thing that caught the eye of our crew

Hello Slushies, new and old. Welcome to another episode of the Slushpile! On this week’s podcast, we will be discussing poems by Yumi Dineen Shiroma.  First up is a MEGApoem and no, we are not over-exaggerating. However, here at the Painted Bride Quarterly, we always go big or go home, so Kathleen took two deep breaths and jumped right into reading the first poem, “Welcome to Connecticut”. Immediately, we were quick to realize that even though it would be a difficult one to read for a podcast, it was oh so worth it.  Samantha compared this to the work of Tommy Orange and his book, "There, There." Marion recalled Middlemarch, and other literary works came to mind (if we can call The Omen literary?). This is a piece that took us into the mind of Yumi and its rhythm was “like a flood”. The crew felt as if the inner-dialogue brought them into a world of its own with memories so grand, we just want to stay in that moment, or literally-speaking, re-read certain lines to relive it.   This poem brought a lot of s

It was a blustery day in Philadelphia when this podcast was recorded. That is how we learned that Tim is one of the few people who can say that the wind works for his hair. To add to this trying weather, most of the crew was suffering from a terrible case of jet lag, as they had just come back from AWP's conference in Portland, Oregon. After some light reminiscing about rooftops and candy in Portland, it was time to get into the poems! Get your buttered popcorn ready for the first piece written by Erin Kae, "Q&A: (Of World's Anatomy At The End)." This one opened the way for one interpretation after the other. However, the most important question remained: What would you do if you knew the world was about to end? The next piece was by Amy Bilodeau. Due to its smart wording, "(It’s warm here inside the fierce)" many of the gang liked it before even trying to fully understand it. It just had that pa-zazz, you do not see too often in the world of poetry. Kathleen teased that she was stealing it for the tit

In this week's podcast, we welcomed Samantha from Abu Dhabi to the home team in Philly! The group was in a celebratory mood for lots of reasons. Did You Know: Tim Fitts is the co-founder of Philly's Home Brew Reading Series, which will not only provide you with free beer, but also, an experience only to be described as a "full blast". Before we got into the poems, Kathleen could be heard chanting, "I love my job, I love my job." That's right, speak it into existence! The first of several poems, was written by *robo voice* Stephanie Berger. (Listen to the episode and you’ll get it.) "Just To Give You An Idea," is a dense piece with surreal lines. Or according to Jason, "feels like the whole universe. Incredibly expansive and intimate at the same time." Whew! Just take my breath away, while you're at it. Next up, is a fun read titled, "It Doesn't Hurt That She Is Beautiful." After reading the poem, do you agree that it has "little land mines" or "pop rocks" (or both)? This piece brought a wave of nostalgia

Hello all and welcome to another episode of Slushpile! In this episode, look forward to not only critiquing a few poems along with the gang, but also some discussion on the original tale of Hansel and Gretel. Setting a new precedence, rather than lots of jackassery before we got down to business, we quickly moved into the poems (below the bio!) by Susannah Sheffer. (Though we tussled a bit over who of us found these poems!) The first poem titled, "After: An Introduction" was read by a sniffly Ali.                              However, instead of a discussion on the poem itself, following the reading, a discussion on the history of the IPod's evolution ensued. Nevertheless, we just as quickly got back on track! The crew decided that the poem was crafted as a re-telling of the story, "Hansel and Gretel" and prompted a fascinating conversation that will have you glued to your audio device (whether that be an IPod or IPhone). This piece even had Jason and Tim agreeing with each other, which if you have been

Welcome to Robe-isode II—the one where Kathleen is in her robe instead of Jason! Though Tim Fitts, Ali (The Co-op) and Zoe Heller were in the studio in Philly, (hopefully in their outdoor clothes) most of the gang was not present in the studio for this recording. Instead, they could be found in the comfort of hotel rooms, coffee shops and such, relying on modern technology to bring everyone in on the show! After some fun banter about ice cream sandwiches rolled in bacon bits, chocolate milk spiked with salt, and other reminiscences, they were ready to get down to business.  (We never believed for a second that Jason now works as a barista.) Both poems discussed in this podcast were by Ryan Clark. (Poems below the bio!) First up was “Creta Mine.” Jason described its initial tempo as adagio. Everyone else seemed to agree, in their own words, as the first part was slow and soothing, while the rest was more upbeat. They also applauded this poem as it focused on a topic rarely given the light of day: abandoned

One of the things we love about our podcast is that it  brings together speakers from all over the world. Getting to see and hear Marion and Samantha is our main reason to love modern technology!  The topic of discussion rotated around three poems written by Anne V. Devilbiss (apologies again, Ann!  Maybe it’s a nice thing that Kathleen saw your name containing “bliss?”  ).  More about the poet: Ann V. DeVilbiss has had poems in BOAAT, Crab Orchard Review, The Maine Review, Pangyrus, and elsewhere. She is the recipient of the 2017 Betty Gabehart Prize in poetry and an Emerging Artist Award from the Kentucky Arts Council. Via the Love in the Street project, Ann has a poem forthcoming on a sidewalk in downtown Louisville, Kentucky, where she lives with her partner and two perfect cats.    It was a wonder how Kathleen was able to function normally after drinking enough to coffee wake up a classroom full of college students during finals week. In fact, she was quick to volunteer and took on the task of reading

Greetings everyone, Slush Pile is fast approaching three years of publication. To honor this we have a rather excellent episode today. After some introductions, the gang discusses what they have been up to since their last sightings. Kathleen informs us of a catastrophe she had back at home involving her new kittens. Luckily Marion’s mother was in prime position to swoop in and save the day with a valuable shred of information. Afterwards we get right into the work of Stephanie Bolster.  Stephanie Bolster has published four books of poetry, the most recent of which, A Page from the Wonders of Life on Earth, was a finalist for the Pat Lowther Award. Work from her current manuscript,Long Exposure, was a finalist for the 2012 CBC Poetry Prize. Her first book, White Stone: The Alice Poems, won the Governor General’s and the Gerald Lampert Awards in 1998. Her work has been translated into French (Pierre Blanche: poèmes d’Alice), Spanish, German, and Serbo-Croatian. Editor of The Best Canadian Poetry in English

Welcome back to another Painted Bride Quarterly Slush Pile. Today we have an excellent episode with a bit of something different. After a set of introductions in which Marion gets out her glue gun the gang dives right into a piece of non-fiction by Andrew Bertania labeled “The Offering”.   Andrew Bertaina's work has appeared or is forthcoming in many publications including: The Best American Poetry 2018, The ThreePenny Review, Tin House online, Redivider, Crab Orchard Review and Green Mountains Review. More of his work is available at www.andrewbertaina.com  After an excellent reading by Kathleen, Tim describes how churches offer less of a sense of community these days; being more concerned with hellfire and crucifixion. Next, Marion describes how the piece offers a sense of timelessness while lamenting on her own exhaustion from various teaching duties. Marion contends that the piece allowed her to compose herself and gave her a sense of fulfillment. Samantha speaks a bit on curation, and how

Today the Philadelphia is blessed with Marion Wren’s presence, who is the director of NYU’s Abu Dhabi writing program. The discussion started with the flu epidemic hitting Philadelphians, which Marion even said made her feel as if she was “swimming in a petri dish”. Then, Kathleen once again, regales the listeners about CBD and the miracles of a concoction of B12 and Vitamin C that has saved her from catching any kind of sickness going in and out of the hospital to visit her father. Moreover, she vouches that CBD has helped her with sleep after “15 years of sleep meds”. Talk about a miracle drug!    Then, without further adieu, the gang jumps in to the poems for the day. The three poems discussed on this podcast were written by Emily Cousins, a teacher and poet in Denver, Colorado.   The first poem was titled, “Refuse To Write You”. The gang discussed how some lines were a bit awkward, but were masterfully saved by the following lines. Hilariously, Ali compares Cousins writing “I’m not going to write you a

Painted Bride Quarterly presents another especially excellent episode of Slush Pile. This is of course because we are joined by Pushcart Prize winner and newly annointed #PeopleOfThePile BJ Ward! BJ Ward is an American poet. Ward is a recipient of the Pushcart Prize (Anthology XXVIII, 2004) for poetry and two Distinguished Artist Fellowships from the New Jersey State Council on the Arts. He has published three full books of poetry and has been featured in many journals including: Cerebellum, Edison Literary Review, Journal of Jersey Poets, Kimera, Lips, Long Shot, Maelstrom, Mid-American Review, Natural Bridge, Painted Bride Quarterly, Poetry, Puerto del Sol, Prairie Winds, Spitball, and TriQuarterly. His poem "For the Children of the World Trade Center Victims," is cast in bronze and featured at Grounds for Sculpture, an outdoor sculpture museum in Hamilton, New Jersey. Ward is an Assistant Professor of English at Warren County Community College and has served as University Distinguished Fellow at Syracuse