Art Monthly Talk Show

Larne Abse Gogarty on the work of artist Adam Farah, whose work was on show at Camden Art Centre, and Benoit Louiseau on Gregg Bordowitz’s AIDS-related exhibition ‘I Wanna Be Well’.

Maria Walsh & Chloe Carroll discuss the remote viewing of moving-image artworks during the pandemic and the work of Irish artist Sam Keogh.

Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.

Artist John Smith discusses his pandemic-era video works ‘Citadel’ and ‘Covid Messages’ with writer Alexandra Hull.

Tom Denman argues that further colonial and racial violences are at play in the institutional framing of so-called post-race and post-black discourses in the US and the UK.

Adam Heardman, Tess Charnley & Saim Demircan on the use of advertising space by artists, the ‘Framework for Resilience’ discussion at Fact and ART CLUB2000 at Artists Space.

Chris Clarke on his interview with Phil Collins; Bob Dickinson asks can we free ourselves from capitalist pressures to keep working; Lauren Velvick on artist Jade Montserrat.

Morgan Quaintance, Stephanie Schwartz and Conal McStravick on art-world manoeuvres over the past decade, photography books by David Levi Strauss and Jörg Colberg, and the work of Scottish artist Jamie Crewe.

Morgan Quaintance, Izabella Scott & Gwen Burlington on the ever-widening gap in the UK art world between social, cultural and political realities; artists’ responses to the US’s denial of its colonial history; and the recent work of Irish artist Eimear Walshe.

Tom Denman and Sophie J Williamson discuss artists who counteract paradigms of racial representation, and also those who reveal unspoken taboos in art through the intimacy of being with someone dying.

Mark Wilsher and Adan Heardman consider the notion of presence in art during a pandemic and discuss Elizabeth Price’s Artangel video installation ‘Slow Dans’.

Amy Budd & Frances Whorrall-Campbell on Onyeka Igwe’s work exploring her family’s Nigerian history, and the changing way that pandemics have been televised by artists, from Stuart Marshall’s Bright Eyes during the AIDS crisis in 1984 to Grayson Perry’s response to Covid-19, Grayson’s Art Club.

Bob Dickinson & Sophie J Williamson discuss the home in art as a place of haunted obsession, and explore silence not as a retreat from the world but as a state from which to enact protest.

Morgan Quaintance, Khairani Barokka & John Douglas Millar discuss the current rush to online content and the failings of prescriptive commissioning policies, ableism in the art world, and new books by Olivia Laing and Paul B Preciado.

Adam Heardman and Adam Hines-Green discuss art, labour and the fall of the Red Wall in the north of England, and Steve McQueen’s locked-down exhibition at Tate Modern.

John Douglas Millar, Andrew Wilson and Morgan Quaintance discuss David Wojnarowicz’s New York, Genesis P-Orridge and the western art world’s blinkered approach to decolonialism.

Luisa Lorenza Corna, Kathryn Lloyd & Conal McStravick ask what has happened to feminism, discuss the work of artist-filmmaker Sophie Cundale and consider two books that examine the work of David Wojnarowicz in relation to New York’s changing waterfront.

Adam Hines-Green & Hana Noorali discuss the work of German–Vietnamese artist Sung Tieu and the exhibition ‘A.O.–B.C. An Audiovisual Diary’ at State of Concept in Athens.

Lizzie Homersham, Elisa Adami, Vera Mey and Amna Malik discuss the changing nature of intimacy and its reflection in art, Anne Boyer’s book ‘The Undying’, the 15th Berwick Film & Media Arts Festival and the photographic project The Found Archive of Hani Jawherieh.

Morgan Quaintance, Elisabetta Fabrizi & George Vasey analyse the problems with Kara Walker’s Turbine Hall commission at Tate Modern, discuss the BFI London Film Festival’s Experimenta strand and explore the coercive role of images as revealed in the work of video artist Imran Perretta.