New Books In African Studies

Contemporary conversations and debates over Confederate monuments underline how memory-making and the legacies of U.S. slavery and the Civil War remains raw and highly contested in public discourse. In her new book, The Weeping Time: Memory and the Largest Slave Auction in American History (Cambridge University Press, 2017), Anne C. Bailey, an associate professor of history and Africana studies at Binghamton University SUNY, tells the story of the largest slave auction in U.S. history. In March 1859, the Butler Plantation estates in Georgia sold approximately 400 enslaved persons in a two-day period. Bailey uncovers the lives of enslaved people before and after their sale at the auction, offering a gripping narrative of the event and the people involved through the use of oral histories, journalistic accounts of the auction, and the papers of the Butlers. Bailey’s book pushes readers to think about how the traditional historical narrative treats slavery, specifically by considering slavery’s ongoing impact on

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press, 2017) offers new insight about how this remarkable woman built political solidarity through the arts. One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. The author makes the argument that Dunham was more than a dancer she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into

Michael Allan‘s In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton University Press, 2016) challenges traditional perceptions of world literature: he argues that the disciplinary framework of world literature levels the differences between different types of literature. He uses colonial Egypt as a geographic focus of inquiry and demonstrates how literary traditions changed the act of reading: his examples include the Rosetta Stone and translations of the Qur’an. He thus demonstrates that literary reading (to be distinguished from how reading was conceptualized in Egypt before the colonial period) requires different ethical capacities and sensibilities and how they were gradually institutionalized by different genres of texts. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcas

This podcast marks the beginning of a new occasional series of podcasts about the genocide in Rwanda. In the next few months we’ll hear from Timothy Longman, Sara Brown, Erin Jessee and others. We start with Michael Barnett. Barnett has recently published a new edition of his seminal text Eyewitness to a Genocide: The United Nations and Rwanda (Cornell University Press, 2016). Barnett was a member of the US mission to the UN (on leave from his academic career for a year) and thus a first hand observer of the UN during the genocide. His book is a careful survey of the forces that led to UN inaction in the spring and early summer of 1994. It is simultaneously a history, an analysis of institutional culture, and a disquisition on moral responsibility. Its position in the literature on Rwanda was well-earned from the moment it was first published. In this new edition, Barnett adds an afterward exploring how what we’ve learned since 2002 has reshaped what we know about and how we evaluate the actions and decisi

In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in Hip Hop Ukraine: Music, Race, and African Migration (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. Multimedia resources for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia. Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing r

In 218 BCE, the Carthaginian general Hannibal Barca launched an invasion of Italy designed to bring the Roman Republic to its knees. Yet for all of his success in defeating Rome’s legions on the battlefield, Hannibal ultimately failed in his lifelong goal. In Hannibal (Simon and Schuster, 2017), Patrick N. Hunt recounts the triumphs and frustrations of the legendary commanders dramatic military career. The son of a Carthaginian leader who fought Rome in the First Punic War, Hannibal was raised to reverse Carthage’s loss in that initial conflict. This he did by taking the fight to Rome, where his outnumbered armies triumphed over the Romans in three successive battles. Yet, as Hunt explains, Rome soon learned from Hannibal’s example, and the Carthaginians’ inability to translate battlefield victories into a Roman surrender left him mired in a war of attrition he could not win. By the time he faced a Roman army at Zama in 202 BCE, the situation was now reversed, as Scipio Africanus used many of Hannibal’s own t

Sarah Ladipo Manyika’s second novel, Like a Mule Bringing Ice Cream to the Sun (Cassava Republic Press, 2016), is an excellent addition to the larger, and ever-expanding, genre of Nigerian literature. The novella begins slowly, teasing out details of the main character’s life as she interacts with the people of her San Francisco neighborhood. Morayao Da Silva, the main protagonist, is an elderly Nigerian woman, who is positive, youthful and independent. A fall interrupts her independence and forces her to become dependent on others, which exposes to the reader a hidden loneliness to her cheer and allows Morayo to reflect back on her life of world travel and eventual limitations brought about by age. Each character in this book, from the young mother named Sunshine, to the older African American man visiting his dementia-afflicted wife at the rehabilitation center, allows the reader to get deeper insight into the world of Morayo, while also exploring other character’s insights on the protagonist from an outsid

Few images attached to Islam and to the Islamic legal tradition (the Sharia) in particular are more often and more disturbingly sensationalized than that of the stoning punishment. In her riveting new book Shari’ah on Trial: Northern Nigeria’s Islamic Revolution (University of California Press, 2017), Sarah Eltantawi, Assistant Professor of Comparative Religion at Evergreen State College, offers a dazzlingly nuanced and lucid account of the past and present of the stoning punishment in Northern Nigeria. Effortlessly moving between pre-modern and contemporary archives and contexts, Eltantawi traces the shifting meanings and political projects that have been invested into the stoning punishment over time. Historically grounded, theoretically exciting, and lucidly composed, this book is sure to spark important conversations and debates in multiple fields. It will also make a wonderful text for undergraduate and graduate seminars for courses on Islam, Islamic Law, Gender and Sexuality, and on Islam in Africa.

Anita Hannig‘s first book, Beyond Surgery: Injury, Healing, and Religion at an Ethiopian Hospital (University of Chicago Press, 2017) is an in-depth, ethnography of two fistula repair and rehabilitation centers in northern Ethiopia. Focusing on the juxtaposition of culture, religion and medicine, Hannig turns the heroic narrative of surgery on its head to expose the realities of life for women treated in, and living at the centers. Utilizing first-person interviews, she show the human face to the surgery and its aftermath. Moving beyond the easy and cathartic narrative promulgated by the media and non-profit fundraisers, Hannig shows the complex reality of life post-surgery. Hannig’s book is a testament to the importance of good, long-term research in the arena of public health in the developing world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the capital of the African nation of Angola today stands a statue to Njinga, the 17th century queen of the Ndongo and Matamba kingdoms. Its presence is a testament to her skills as a diplomat, warrior, and leader of her people, all of which she demonstrated over the course of a reign described by Linda Heywood in Njinga of Angola: Africa’s Warrior Queen (Harvard University Press, 2017). The daughter of the Ndongo king Mbande a Ngola, Njinga grew up in a west central Africa that was facing growing encroachment by Portugal, who were major customers in the regions slave trade. Seeking to extend their control, the Portuguese challenged Njinga’s succession to the throne in 1624, prompting a war that lasted for three decades. To persevere, Njinga had to navigate the complex politics of the region, gaining control of the Matamba kingdom and pursuing ties with both the Vatican and the Dutch to provide a counterweight to the Portuguese. The treaty signed with Portugal in 1656 was a testament to her success, allowin

Apartheid in South Africa formally ended in 1994, but the issue of poverty and what to do about it remained as contentious as it had been a century earlier. In the new book, Poverty Knowledge in South Africa: A Social History of Human Science, 1855-2005 (Cambridge University Press, 2015), Grace Davie shows that the poverty question was up for grabs even into the twenty-first century because of ongoing disagreements about how to measure poverty and to manage the racists assumptions that underwrote it. The book uses the idiom of co-production to show how scientists, activists and other knowledge-makers made and remade poverty in dynamic interaction with the people they sought to know. The book documents the thwarted efforts of scientists to accomplish their political goals as their expert knowledge was variously invoked, reinterpreted, and dismissed not only by white-supremacist governments, but also by social activists, black communities, and labor unions, which all used experts poverty knowledge for their own

Rwanda’s homegrown gacaca law has been widely hailed as a successful indigenous solution to the unprecedented problem of the country’s 1994 genocide. In his book Inside Rwanda’s Gacaca Courts: Seeking Justice After Genocide (University of Wisconsin Press, 2016), Bert Ingelaere complicates this received wisdom by focusing on the way the post-genocide gacaca trials unfolded, rather than on their lofty goals, as framed by the public relations arm of the post-genocide Rwandan Patriotic Front (RPF) government and other interested parties, both internal and external to Rwanda. The Kinyarwandan word gacaca, derived from the word umucaca, originally referred to a plant that was so soft to sit on that people preferred to gather on it during precolonial times to adjudicate disputes and crimes, but most importantly, to restore social order and harmony. During the colonial period, the jurisdiction and prevalence of gacaca was greatly restricted. Its re-emergence as a viable means of transitional justice in Rwanda follow

Brandon Kendhammer takes a fresh approach to the juxtaposition of Islam and democracy in his latest book, Muslims Talking Politics: Framing Islam, Democracy and Law in Northern Nigeria (University of Chicago Press, 2016). Rather than employing a top-down approach to understanding Islam’s compatibility with democracy, Kendhammer chose to speak with blue-collar, working-class Muslims in cities across Northern Nigeria. Through this approach, Kendhammer exposes the pragmatic views of ordinary citizens more concerned with economic stability than jihadist rhetoric. As the political situation gets more violent and the idea of democracy more remote in Nigeria, Kenhammer offers a viewpoint of deep understanding for the complex situation. Based upon hundreds of conversations with ordinary citizens, he sketches a picture of how Islam and democracy can, and often is, reconciled in the neighborhoods and marketplaces of urban Nigeria’s centers, where Christians and Muslims live side-by-side. It is in the daily political a

In my time doing this podcast, I’ve covered a number of books about transitional justice. All have been insightful and interesting. But few of them focused carefully on the trials themselves. Anuradha Chakravarty seeks to remedy this. Her book Investing in Authoritarian Rule: Punishment and Patronage in Rwanda’s Gacaca Courts for Genocide Crimes (Cambridge University Press, 2016) looks carefully at the processes and people involved in Rwanda’s Gacaca courts. She looks at the recruitment and training of judges. She looks at the incentives offered for denouncing others as genocidaires. And she examines the ways in which the incentives and context led many defendants to confess. In doing so, Chakravarty significantly advances our understanding of the workings of transitional justice in Rwanda. But she also uses Rwanda as a lens to try and understand the challenges faced by authoritarian leaders. She argues that the RPF engaged in a kind of clientalistic bargaining with Hutus. By offering targeted grants of cle

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of

The unprecedented crime of the 1994 Rwandan genocide demanded an unconventional legal response. After failed attempts by the international legal system to efficiently handle legal cases stemming from the genocide, Rwandans decided to take matters into their own hands and reinstate Gacaca law, which had been the sole legal system in Rwanda prior to colonization. Gacaca, a Kinyarwanda word referring to a type of grass or traditional lawn, is also a metonym for place and mediation. Gacaca law allows perpetrators and victims to resolve their differences before the community, and a panel of eminent persons, inyangamugayo. Gacaca seeks not simply to punish crime but to repair the social fabric rent by crime. In his book Practical Challenges in Customary Law Translation: The Case Of Rwanda’s Gacaca Law (Organization for Social Science Research in Eastern and Southern Africa, 2015), Telesphore Ngarambe uses a fusion of cultural and translational studies, with emphasis placed on cultural contextualization, to make

“There were black Germans?” My students are always surprised to learn that there were and are a community of African immigrants and Afro-Germans that dates back to the nineteenth century (and sometimes earlier), and that this community has at times had an influence on German culture, society, and racial thinking that belied its small size. Germany’s role in colonizing Africa has received increased attention lately, with an exhibit on German colonialism appearing at the Deutsches Historisches Museum in October and recent headway on a deal for Germany to pay reparations to the descendants of Herero and Nama genocide victims in Namibia. In Black Germany: The Making and Unmaking of a Disapora Community, 1884-1960 (Cambridge University Press, 2015), Eve Rosenhaft and Robbie Aitken supply a part of the colonial story that gets even less attention than that of Germans in Africa: what about Africans in Germany? Focusing primarily on a community of West-African-born black Germans and their families, Rosenhaft and Ai

Medieval Egypt had a rapid influx of Sufis, which has previously been explained through reactionary models of analysis. It was argued that the widespread popularity of Sufism was marked by a public adoption of practices that satisfied the masses in ways the religious elite were not fully addressing. In The Popularisation of Sufism in Ayyubid and Mamluk Egypt, 1173-1325 (Edinburgh University Press, 2015), Nathan Hofer, Assistant Professor at the University of Missouri, critiques the social binary that these assumptions create, as well as, rethinks the mechanisms within the social production of Sufi culture. He explores these concerns in the context of the Ayyubid and Mamluk states and their relationships with Sufi masters and communities. First, a state-sponsored Sufi lodge serves as the site for professionalization of Sufis and the public consumption of Sufi culture that aligns with state objectives. The emergence of the Shādhilīya sufi order serves as a case of the textualization of an idealized sufi identit

Zombifying a Nation: Race, Gender and the Haitian Loas on Screen (McFarland, 2016) dwells on the intersections of memory, history, and cultural production in both Africa and the African diaspora. The figure of the zombie that entered the popular imagination with the publication of William Seabrook’s book The Magic Island (1929) during the American occupation of Haiti still holds cultural currency around the world. Zombifying a Nation: Race, Gender and the Haitian Loas on Screen calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat la presidence … ou les amours dun zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism. Author Toni Pressley-Sanon holds a Ph.D.