New Books In African Studies

In the lead-up to World War II, the rising tide of fascism and antisemitism in Europe foreshadowed Hitler's genocidal campaign against Jews. But the horrors of the Holocaust were not limited to the concentration camps of Europe: antisemitic terror spread through Vichy French imperial channels to France's colonies in North Africa, where in the forced labor camps of Algeria and Morocco, Jews and other "undesirables" faced brutal conditions and struggled to survive in an unforgiving landscape quite unlike Europe. In Undesirables: A Holocaust Journey to North Africa (Stanford UP, 2023), historian Aomar Boum and illustrator Nadjib Berber take us inside this lesser-known side of the traumas wrought by the Holocaust by following one man's journey as a Holocaust refugee. Hans Frank is a Jewish journalist covering politics in Berlin, who grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing agains

During the late nineteenth century, tens of thousands of diggers, prospectors, merchants, and dealers extracted and shipped over 50 million carats of diamonds from South Africa to London. The primary supplier to the world, South Africa's diamond fields became one of the formative sites of modern capitalist production. At each stage of the diamond's route through the British empire and beyond-from Cape Town to London, from Amsterdam to New York City-carbon gems were primarily mined, processed, appraised, and sold by Jews. In A Brilliant Commodity: Diamonds and Jews in a Modern Setting (Oxford University Press, 2023), historian Dr. Saskia Coenen Snyder traces how once-peripheral Jewish populations became the central architects of a new, global exchange of diamonds that connected African sites of supply, European manufacturing centers, American retailers, and western consumers. Centuries of restrictions had limited Jews to trade and finance, businesses that often heavily relied on internal networks. Jews were we

In the space of a few months in 1975, more than 500,000 Portuguese settlers fled their homes in Angola, Mozambique, Guinea-Bissau, Sao Tomé and Principe, and East Timor and “returned” to Portugal. These so-called retornados led to a 5-9% population surge during the tumult of the Carnation Revolution. How did Portugal, with its weak economy, handle this influx as its transitioned out of decades of dictatorship under the Estado Novo? Christoph Kalter’s Postcolonial People: The Return from Africa and the Remaking of Portugal (Cambridge University Press, 2022) analyzes this previously neglected chapter in the history of decolonization. Postcolonial People explores how European nations were remade by the end of empire, through the history of 'returning' settlers from Portuguese Africa. Christoph Kalter is a historian of modern Western Europe in its global contexts. Currently Professor of Modern History at the University of Agder, Norway. He holds a PhD (2010) and a venia legendi (2019) in Modern History from the F

Droughts, Floods, and Global Climatic Anomalies in the Indian Ocean World (Palgrave Macmillan, 2022) explores histories of droughts and floods in the Indian Ocean World, and their connections to broader global climatic anomalies. It deploys an interdisciplinary approach rooted in the emerging field of climate history to investigate the multifaceted effects of global climatic anomalies on regions affected by the Indian Ocean Monsoon System – regularly conceived of as the macro-region’s ‘deep structure.’ Case studies explore how droughts and floods related to anomalous climatic conditions have historically affected states, societies, and ecologies across the Indian Ocean World, including in relation to food security, epidemic diseases, political (in)stability, economic change, infrastructural development, colonialism, capitalism, and scientific knowledge. Tracing longue durée patterns from the twelfth to the early twentieth centuries, this book makes a significant contribution to our understanding of global cli

How does the art market work? In Contemporary Art from Nigeria in the Global Markets: Trending in the Margins (Palgrave Macmillan, 2022), Jonathan Adeyemi, who holds a PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, sociology, and cultural policy themes, to show how and why contemporary artists from Nigeria are not afforded the same status as their western counterparts. An important addition across a range of academic fields, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in art today. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becomin

Touts: Recruiting Indentured Labor in the Gulf of Guinea (de Gruyter, 2022) is a historical account of the troubled formation of a colonial labor market in the Gulf of Guinea and a major contribution to the historiography of indentured labor, which has relatively few reference points in Africa. The setting is West Africa’s largest island, Fernando Po or Bioko in today’s Equatorial Guinea, 100 kilometers off the coast of Nigeria. The Spanish ruled this often-ignored island from the mid-nineteenth century until 1968. A booming plantation economy led to the arrival of several hundred thousand West African, principally Nigerian, contract workers on steamships and canoes. In Touts, Enrique Martino traces the confusing transition from slavery to other labor regimes, paying particular attention to the labor brokers and their financial, logistical, and clandestine techniques for bringing workers to the island. Martino combines multi-sited archival research with the concept of touts as "lumpen-brokers" to offer a deta

In this episode of International Horizons, RBI's director, John Torpey interviewed Laetitia Bucaille about the factors that explain variation in resentment and grievances in former colonies drawing from the cases of Algeria and South Africa. Bucaille delves deeper into the case of Algeria and the affected populations whose identities were crossed cut by institutions and personal experiences as a former colony. Moreover, she explains how Algeria, considered not a colony but a French territory, still implemented discriminating laws against native Algerians who were deemed as second-class citizens. Finally, the author discusses the long-lasting consequences of this decolonization process and how it gets intertwined with politics and anti-Islam narratives in France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In The Briny South: Displacement and Sentiment in the Indian Ocean World (Duke University Press, 2023), Nienke Boer examines the legal and literary narratives of enslaved, indentured, and imprisoned individuals crossing the Indian Ocean to analyze the formation of racialized identities in the imperial world. Drawing on court records, ledgers, pamphlets, censors' reports, newsletters, folk songs, memoirs, and South African and South Asian works of fiction and autobiography, Boer theorizes the role of sentiment and the depiction of emotions to the construction of identities of displaced peoples across the Indian Ocean. From Dutch East India Company rule in the seventeenth and eighteenth centuries to early apartheid South Africa, Boer shows how colonial powers and settler states mediated and manipulated subaltern expressions of emotion as a way to silence racialized subjects and portray them as inarticulately suffering. In this way, sentiment operated in favor of the powerful rather than as an oppositional weapo

In the decade before and after independence, Nigerians not only adopted the novel but reinvented the genre. Nigerian novels imagined the new state, with its ideals of the rule of law, state sovereignty, and a centralized administration. Neil Ten Kortenaar's book Debt, Law, Realism: Nigerian Writers Imagine the State at Independence (McGill-Queen's UP, 2021) argues that Nigerian novels were not written for a Western audience, as often stated, but to teach fellow citizens how to envision the state. The first Nigerian novels were overwhelmingly realist because realism was a way to convey the understanding shared by all subject to the rule of law. Debt was an important theme used to illustrate the social trust needed to live with strangers. But the novelists felt an ambivalence towards the state, which had been imposed by colonial military might. Even as they embraced the ideal of the rule of law, they kept alive a memory of other ways of governing themselves. Many of the first novelists - including Chinua Achebe

Landlocked and surrounded by South Africa on all sides, the mountain kingdom of Lesotho became the world's first "water-exporting country" when it signed a 1986 treaty with its powerful neighbor. An elaborate network of dams and tunnels now carries water to Johannesburg, the subcontinent's water-stressed economic epicenter. Hopes that receipts from water sales could improve Lesotho's fortunes, however, have clashed with fears that soil erosion from overgrazing livestock could fill its reservoirs with sediment.  In The Fluvial Imagination: On Lesotho’s Water-Export Economy (U California Press, 2022), Colin Hoag shows how producing water commodities incites a fluvial imagination. Engineering water security for urban South Africa draws attention ever further into Lesotho's rural upstream catchments: from reservoirs to the soils and vegetation above them, and even to the social lives of herders at remote livestock posts. As we enter our planet's water-export era, Lesotho exposes the possibilities and perils ahead

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial educ

Today I had the pleasure of talking to Jay Ke-Schutte on his just released book, Angloscene: Compromised Personhood in Afro-Chinese Translations (U California Press, 2023). Angloscene examines Afro-Chinese interactions within Beijing's aspirationally cosmopolitan student class. Jay Ke-Schutte explores the ways in which many contemporary interactions between Chinese and African university students are mediated through complex intersectional relationships with whiteness, the English language, and cosmopolitan aspiration. At the heart of these tensions, a question persistently emerges: How does English become more than a language—and whiteness more than a race? Engaging in this inquiry, Ke-Schutte explores twenty-first century Afro-Chinese encounters as translational events that diagram the discursive contours of a changing transnational political order—one that will certainly be shaped by African and Chinese relations. A free ebook version of this title is available through Luminos, University of California Pre

Content note: This episode contains discussions of violence, including rape and mutilation Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, Testimony: Found Poems from the Special Court for Sierra Leone (Bucknell University Press, 202) is a remarkable poetry collection, which won the IBPA Benjamin Franklin Award (gold, poetry category), aims to breathe new life into the records of Sierra Leone’s decade-long civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Testimony finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. The use of innovative literary techniques, along with the author's own experience around the Special Court for Sierra Leone, works to share the voices of survivors of this violence across the world. A heartbreaking and ambitious book, Testimony will be of great interest to human rights, leg

Moroccan Other-Archives: History and Citizenship After State Violence (Fordham UP, 2023) investigates how histories of exclusion and silencing are written and rewritten in a postcolonial context that lacks organized and accessible archives. The book draws on cultural production concerning the “years of lead”—a period of authoritarianism and political violence between Morocco’s independence in 1956 and the death of King Hassan II in 1999—to examine the transformative roles memory and trauma play in reconstructing stories of three historically marginalized groups in Moroccan history: Berbers/Imazighen, Jews, and political prisoners. This book demonstrates how Moroccan cultural production has become an other-archive: a set of textual, sonic, embodied, and visual sites that recover real or reimagined voices of these formerly suppressed and silenced constituencies of Moroccan society. Combining theoretical discussions with close reading of literary works, the book reenvisions both archives and the nation in postco

Humanitarianism and Security: Trouble and Hope at the Heart of Africa (Palgrave MacMillan, 2020) contends that the search for stability and peace remains central to the political environment within the Democratic Republic of Congo (DRC). Despite some positive political and economic progress observed in the Central African Region and the DRC in particular, the future of the region remains uncertain. Due to many unaddressed issues, including the multidimensional manifestations of humanitarian crises, the region is fragile with the potential for a relapse into violent conflict. Moreover, the DRC's humanitarian crises have yet to be effectively addressed as consequences and promoters of insecurity and violence.  Based on the "humanitarian-security-development" paradigm as an inclusive operational framework, Humanitarianism and Security articulates the trend of peace recovery in the DRC as contingent upon issues of security and the refugee/internally displaced population crisis. It claims and demonstrates that eff

Rachel Gillett's At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris (Oxford University Press, 2021) explores the world of the French "Jazz Age" in the years after the First World War. Tracing the common ground and differences between communities of African American, French Antillean, and French West African artists who lived, performed, and interacted with one another in the French capital during the 1920s and 30s, the book asks questions about Blackness, Frenchness, colonialism, racism, identity, and solidarity through a focus on the experiences of a diversity of historical actors and sources. Connecting the rich and complex world of entertainment to social and political change and resistance, the book draws attention to class and gender as well as race to think through issues of nationalism, transnational movement and exchange, and anti-colonialism. Its chapters work with a range of materials including police records, recordings, biography and autobiography, and a wealth of images o

How did the Serengeti become an internationally renowned African conservation site and one of the most iconic destinations for a safari? In Our Gigantic Zoo: A German Quest to Save the Serengeti (Oxford UP, 2020), Thomas M. Lekan illuminates the controversial origins of this national park by examining how Europe's greatest wildlife conservationist, former Frankfurt Zoo director and Oscar-winning documentarian Bernhard Grzimek, popularized it as a global destination. In the 1950s, Grzimek and his son Michael began a quest to save the Serengeti from modernization and "overpopulation" by remaking an imperial game reserve into a gigantic zoo for the earth's last great mammals. Grzimek, well-known to German audiences through his long-running television program, A Place for Animals, used the film Serengeti Shall Not Die to convince ordinary Europeans that they could save nature. Yet their message sidestepped the uncomfortable legacies of German colonial exploitation in the region that had endangered animals and exc

Jonathan Brown’s Islam and Blackness (Oneworld Academic, 2022) is a thorough and thoroughly riveting study of the tensions and conceptions of Blackness in Muslim intellectual traditions and social histories, premodern and modern, in a variety of contexts. At once deeply reflective, philologically majestic, and theoretically productive, Islam and Blackness engages and examines a range of texts from a wide expanse of scholarly genres to show that the question of whether Islam is antiblack is immensely complicated and knotty. Unafraid to pose and address difficult and provocative questions on issues of race, class, and difference in Islamic thought, this book not only represents a profound meditation on Islam and Blackness, but is also a painstakingly researched presentation of the depth and complexity of Muslim scholarly traditions and debates more broadly. The ethical perceptiveness of this book competes fiercely with the clarity of its prose and propose, and the intellectual cum political significance of its

The lens of apartheid-era Jewish commemorations of the Holocaust in South Africa reveals the fascinating transformation of a diasporic community. Through the prism of Holocaust memory, Roni Mikel Arieli's Remembering the Holocaust in a Racial State: Holocaust Memory in South Africa from Apartheid to Democracy (1948-1994) (de Gruyter, 2022) examines South African Jewry and its ambivalent position as a minority within the privileged white minority. Grounded in research in over a dozen archives, the book provides a rich empirical account of the centrality of Holocaust memorialization to the community's ongoing struggle against global and local antisemitism. Most of the chapters focus on white perceptions of the Holocaust and reveals the tensions between the white communities in the country regarding the place of collective memories of suffering in the public arena. However, the book also moves beyond an insular focus on the South African Jewish community and in very different modality investigates prominent figu

Anjan Sundaram is an award-winning journalist who has written three books on African people and places: Democratic Republic of Congo in Stringer, Rwanda in Bad News and now Central African Republic in Breakup. Each of Anjan’s books are glorious for their storytelling, told in great detail through years professional engagement with violence, war and genocide from the perspective of those living through it. I’m delighted to have Anjan with me today to talk about his forthcoming book: Break Up: A Marriage in Wartime (Catapult 2023). I read the book in a single sitting, for the prose is unflinching in its human rights reporting of the ongoing civil war in the Central African Republic. It is also about the demise of a marriage, meaning Break Up documents the ways in which war and marriage tear people apart. At the end of our interview, Anjan recommends A House Without Windows, a graphic novel by Didier Kassaï (Simon & Schuster 2021). Susan Thomson is Professor of Peace and Conflict Studies at Colgate University.