New Books In Biography

S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound

There was once a notion that black people had no meaningful history. It’s a notion Dorothy Porter Wesley spent her entire career debunking. Through her 43 years at Howard University, where she helped create the Moorland-Spingarn Research Center, her own publishing endeavors and collecting, and her unfettered support of the researchers she encountered, Wesley devoted her entire life to the preservation of black history. Her career was once summed up as that of a “historical detective”, and the characterization is apt. As Dr. Janet Sims-Wood writes in her excellent study, Dorothy Porter Wesley at Howard University: Building a Legacy of Black History (The History Press, 2014) she was unrelenting in her mission: “To supplement her meager acquisitions budget, Porter appealed to faculty to donate manuscripts of their published works as well as any letters from noted individuals. […] she appealed to publishers, authors and friends who were collectors to donate their materials. She also rummaged through the attics a

Thomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during a military coup that brought down his government. Although his time in office was relatively short, Sankara left an indelible mark on his country’s history and development. But as Ernest Harsch explains in his engaging biography, Thomas Sankara: An African Revolutionary (Ohio University Press, 2014), Sankara’s influence extends beyond Burkina Faso. Sankara was a moral force and an ardent spokesman for African dignity and struggle against neocolonial forces and Western economic domination. Harsch traces Sankara’s life from his student days to his recruitment into the military, his early political awakening, and his increasing dismay with his country’s extreme poverty and political corruption. Sankara and his colleagues initiated economic and social policies that shifted Burkina Faso away from dependence on foreign aid and toward a greater use of the country

In the early 1830s, the French school teacher Eugénie Luce migrated to Algeria. A decade later, she was a major force in the debates around educational practices there, insisting that not only were women entitled to quality education, but that women’s education served a fundamental role in the French mission in the colonies. “Woman is the most powerful of all influences in Africa as in Europe,” she wrote in 1846, the year after she founded a school for the instruction of indigenous Muslim girls. In A Frenchwoman’s Imperial Story: Madame Luce in Nineteenth-Century Algeria, Rebecca Rogers (Stanford University Press, 2013), a Professor at the Université Paris Descartes and an expert in the history of the French educational system, lucidly explores Luce’s work in the field, bringing  a wealth of precise details– everything from what the lessons in the school room were like to prize-giving ceremonies and hygiene inspections. But Rogers also lets the reader in on the questions that remain about Luce’s own life.

If group biography is one of the exciting new trends in life-writing (and some say it is), Karen Abbott– the historian, not to be confused with the novelist-proves one of its deftest practitioners- first, in her debut Sin in the Second City, then in the follow-up American Rose (which we discussed back in 2012) and now in her new book: Liar, Temptress, Soldier, Spy: Four Women Undercover in the Civil War (Harper, 2014). Tracking four women- two Confederates and two Unionists- across battle lines, continents and even, at times, genders, with great verve Abbott weaves together a series of stories, connected by the conflict in which they are occurring and yet also uniquely each women’s own. The story of the American Civil War has been told umpteen times, but it is an unexpected element within the familiar which Abbott is concerned with exploring here. Tales of our heroines- Belle Boyd, Emma Edmonds,Rose O’Neale Greenhow and Elizabeth Van Lew, all women most readers will be encountering for the first time- yield

"Why write the biography of a nobody?" That is the question with which Melanie C. Hawthorne begins Finding the Woman Who Didn't Exist: The Curious Life of Gisele d'Estoc (University of Nebraska Press, 2014) but in justifying the writing of such a life and then, in turn, excavating its contours, Hawthorne winds up exploring a number of issues fundamental to the genre of biography. In particular, the biographer's inability fill all gaps, the frequent encounters with dead ends and his/her reliance, at times almost wholly, upon sheer luck. Also, the legacies of the biographers who have gone before us. In d'Estoc's case, as Hawthorne writes, "It is almost as though these experts avoided finding proof of d'Estoc's existence and one has to ask why." One of the significant contributions of Finding the Woman Who Didn't Exist is its transparency- Hawthorne's willingness to include in her text the details of research, alongside serious critical engagement with the notion of what it means to be a researcher in the humani

For those who are savvy about all things psychoanalytic, be they analysts, analysands, or fellow travelers, the existence, presence, work, writing, and imprimatur of Adam Phillips is given long, as opposed to short, shrift. It is safe to say that his voice is singular in its mellifluousness and its range. I first encountered his writing at one of my dearest friend’s, and any second now new NBiP host and psychoanalyst Anne Wennerstrand’s wedding. Her husband, (doyen of the world of choreography), Doug Elkins, insisted I read a snippet from Phillip’s book, On Monogamy, before they slipped on their rings. This request placed the thinking of Phillips squarely into my casually bridesmaided lap. That Elkins, a dancer with what we then called “downtown” street credibility knew from Adam Phillips perhaps 15 years ago says something; and it says something about Phillips and his reach. In Phillips’ most recent book, Becoming Freud: The Making of a Psychoanalyst (Yale UP, 2014), we encounter the biography of a man who

Jay Carter‘s new book follows the life of one man as a way of opening a window into the lived history of twentieth-century China. Heart of Buddha, Heart of China: The Life of Tanxu, a Twentieth-Century Monk (Oxford University Press, 2011; paperback edition 2014) is less a traditional biography than a life of an emergent modern nation as told through the experiences of a single individual whose relationships embodied the history of that nation in flesh, bones, and blood. Born in 1875 as Wang Shouchun, the man who would become Tanxu worked various jobs as laborer, minor government official, fortune-teller, and pharmacist before finding his calling, leaving his family, and setting off on a journey to become a Buddhist monk. His travels spanned the physical and spiritual worlds – one of his earliest voyages took him beyond death to the underworld and back. After leaving home, Wang experienced treaty-ports in the aftermath of the Sino-Japanese War, the Boxer uprising, and Russo-Japanese tension over Manchuria. His

Originally, particularly in American writings, one of the explicit purpose of biography was to teach readers how to live. As Scott E. Caspar writes in Constructing American Lives (1999), in nineteenth-century America “biography remained the essential genre for creating American pantheons: collections of lives that represented the nation’s history, aimed to promote values or virtues or both.” This function, however, often flies under the radar. People read biography to learn about real lives; they may not be consciously paying all that much attention to the lessons they transmit. In What Jackie Taught Us: Lessons from the Remarkable Life of Jacqueline Kennedy Onassis (Perigree paperback reprint, 2014), author Tina Santi Flaherty (philanthropist, businesswoman and former radio broadcaster) drops all pretense and explicitly mines the life of Jackie O- a life with which, 20 years after her death, many Americans still feel intimately familiar- to see what we can learn from it. The result isn’t a self help book so

It’s hard to overestimate the role of Raphael Lemkin in calling the world’s attention to the crime of genocide.  But for decades his name languished, as scholars and the broader public devoted their time and attention to other people and other things. In the past few years, this has changed.  We now have a greater understanding of Lemkin’s role in pushing the UN to write and pass the Convention on the Prevention and Punishment of Genocide.  Moreover, researchers have a newfound appreciation for the depth and insights of his research.  Genocide scholars talk about their field experiencing a ‘return to Lemkin’ It seems an appropriate time, then, to reexamine Lemkin’s ideas and career. We’re doing so in a special, two-part series of interviews with scholars who have edited and published Lemkin’s writings.  Earlier this month, I posted an interview with Steve Jacobs, who carefully edited and annotated an edition of Lemkin’s writings about the history and nature of genocide, simply titled Lemkin on Genocide. Th

Winner of the 2013 Samuel Johnson Prize, Lucy Hughes-Hallett‘s biography of Gabriele d’Annunzio is a book with a big mission: to write inventively about the life of someone with whom most everyone outside of Italy is entirely unfamiliar whilst also promoting the literary legacy of a man celebrated within his own country and little translated (much less read) everywhere else. In the end, Gabriele d’Annunzio: Poet, Seducer, and Preacher of War (Knopf, 2013) succeeds on both fronts, which is precisely why it remains one of the most lauded biographies of the last year. It’s not a straightforward day-by-day narrative. Rather, the story zooms in and out, taking flight and exuberantly soaring through whole weeks, months, years only to, at other moments, slow down to sensuously revel in the details of a weekend on the beach or an afternoon spent in bed. There’s something about this technique that beautifully mimics the ways in which we often reflect upon our own lives, with whole boring years blotted from memory whi

Jonathan Allen and Amie Parnes are the co-authors of authors of HRC: State Secrets and the Rebirth of Hillary Clinton (Crown Publishers 2014). Allen is White House bureau chief at Bloomberg; Parnes is White House correspondent for The Hill. This is a big, buzzy book that has gotten a lot of media attention. Much of the book is about how important trust is to Hillary Clinton. Allen and Parnes refer to the “concentric circles of trust” that dominate the political decisions made by the Clintons. They also write that Hillary Clinton has a “bias for action” that compels her to focus on doing rather than debating. One of the most interesting parts of the book is about how Secretary Clinton embraced technology and relied on staff to integrate technology into diplomacy innovative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In America, biographies of Presidents and First Ladies are a staple of the genre, but the relationship that exists between the two receives surprisingly less exploration, as though the biographies needed to be kept as separate as the offices in the East and West Wings. (The relationship of the Clintons being the notable exception.) Hopefully Will Swift‘s Pat and Dick: The Nixons, an Intimate Portrait of a Marriage (Threshold Editions, 2014)) augurs a new biographical trend towards serious examination of presidential relationships. It’s a daunting task- to not only humanize but probe the relationship that existed between a pair still, fifty years on, more easily reduced to the stereotypes of ‘Tricky Dick’ and ‘Plastic Pat’- but Swift gives a welcome corrective, portraying a surprisingly vulnerable Nixon whilst, perhaps even more importantly, providing a historically significant re-evaluation of his wife. For, of all the recent First Ladies, it’s Pat Nixon’s accomplishments that have been most overlooked, obs

The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around. You can still read his work and profit. He was the intellectual godfather of several notable British Marxist historians of the “New Left” of the 1960s and 1970s: Rodney Hilton, Christopher Hill, E.P. Thompson, among others. And, perhaps most importantly, his life gives us a window into a forgotten time, one in which a economists took communism seriously and fellows at Cambridge could earnestly believe in a bright communist future. This, I think, is a time we must not forget. Thanks to Timothy Shenk‘s well-researched, readable biography Maurice Dobb: Political Economist (Palgrave-Macmillan, 2013), we won’t have to. Shenk tells Dobb’s tale in all its tortured complexity. A member of the establishment and an anti-establishmentarian. A dyed-in-the-wool Marxist and a deadly serio

Just as there is no one way to write a biography, nor should there be, so there is no rule dictating that biography must be about the life of a person. In recent years, the jettisoning of this tradition has led to a number of compelling explorations of the lives of commodities (such as salt or the banana), texts (Gone with the Wind, for example), diseases (including cancer or cancer cells), and even the Atlantic Ocean. The latest entry into this realm of biographical inquiry is Robert Neer‘s Napalm: An American Biography (Harvard University Press, 2013). As the title suggests, this is a consciously American biography, meaning that Neer (a core lecturer at Columbia University) traces the arc of the life of the incendiary gel whilst also situating it in a national context. Napalm is, after all, an American invention and, as Neer writes in the prologue, “It’s history illuminates America’s story, from victory in World War II, through defeat in Vietnam, to its current position in a globalizing world.” Much as

Few historians have influenced their field the way that C. Vann Woodward (1908-99) changed the writing of southern history. First at Johns Hopkins and then at Yale, Woodward’s books, reviews, and mentoring turned southern history into one of the most dynamic fields of historical scholarship. These letters, edited by Michael O’Brien of Jesus College, Cambridge University, follow Woodward from his early, hesitant steps into academia to his rise to the top of the historical establishment — an establishment whose moves toward multiculturalism and specialization he came to question. Woodward was a deeply private man, and while these letters focus on his professional life they nevertheless showcase the wit, humanity, and unselfishness for which he was renowned. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Alex Haley’s 1976 book Roots: The Saga of an American Family still stands as a memorable epic journey into the history of African Americans during the enslavement period and after. The 1977 televised miniseries was a must-watch event of the day, and it remains an important production in television history. However, a little more than a decade after his success, Haley was in trouble. His wealth had dwindled and he had strained relationships with other writers. What happened? Adam Henig tells us in his new book Alex Haley’s Roots: An Author’s Odyssey (2014). Listen to this lively interview with the author. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Patricia Ebrey‘s beautifully written and exhaustively researched new book introduces readers to an emperor of China as artist, collector, father, ruler, scholar, patron, and human being. Emperor Huizong (Harvard University Press, 2014) explores the person and the reign of the eighth emperor of the Song Dynasty, who ascended the Song throne in 1100 (at age 17) and ruled almost 26 years until 1125. Huizong is perhaps best known as a ruler who was so caught up in a sensual life (painting, calligraphy, Daoism, etc.) that he failed to properly govern and left the dynastic door open to invading Jurchen forces. Ebrey offers us a much more complex and even-handed account of this fascinating figure and his world, following the life and rule of Huizong in intricate detail to try to understand the circumstances that ultimately led this man to pretend to have a stroke so that his son could ascend the throne and try to succeed where the father had failed to avert a Jin takeover. (Both were unsuccessful, and as Jurchen for

Everybody knows the author of The Jungle was Upton Sinclair (or, if they’re a little confused, they might say Sinclair Lewis). As Lauren Coodley shows in her new biography Upton Sinclair: California Socialist, Celebrity Intellectual (University of Nebraska Press, 2013), there was a lot more to Upton Sinclair. For one thing, he was the author of nearly eighty books that were not entitled The Jungle. One of those, Dragon’s Teeth (part of the World’s End series), won him the Pulitzer Prize for fiction. Sinclair was also a socialist, feminist, anti-communist, dietary reformer, and prohibitionist. And, as Coodley reminds us, he was a prominent celebrity, a born contrarian who took almost as much pleasure at defying his fellow socialists as he did infuriating the rich, powerful, and complacent. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

It’s almost a cliché by now to say that we need stories of strong women, but that doesn’t lessen the fact that we do. And biography is a field uniquely poised to transmit such stories- of compelling, complex and, at times, contradictory female characters- to a broad audience. Case in point: Clare Mulley‘s The Spy Who Loved: The Secrets and Lives of Christine Granville (St. Martin’s, 2013). Yes, she loved and had a number of love affairs but, as Mulley makes clear, the significance of Granville’s life isn’t that she was, to all appearances, pathologically alluring to men. Rather, her life is riveting- it has meaning in the present day- because she seems not to have craved men nearly so much as she craved adventure, challenging work that put her at great risk. This was not simply adventure for adventure’s sake either, but adventure in service to a greater good, especially that of her homeland of Poland. For all her efforts as a secret service agent during World War II were in aid of her country, which is, in