Fright Club Podcast

From Truffaut’s Day for Night to Burton’s Ed Wood and countless others, films frequently take the setting of filmmaking as their playground. For horror, the meta-possibilities seem endless. What if a serial killer hired a documentary crew to capture him as he lived the tropes of the slasher? I give you Behind the Mask: The Rise of Leslie Vernon. Or what if a horror veteran reinvigorated a dying genre by creating a horror film where life imitated art – a serial killer struck a small town using all the slasher cliches in his arsenal – just as a horror film was being released about that town? Oh Wes Craven, you genius. The options are numerous, but today we focus on those films that use filmmaking as a backdrop to explore both horror and filmmaking, all the while entertaining and horrifying us all.

It is that time again – the time of year where the Academy of Motion Picture Arts and Sciences honors the best of the best, and we honor the worst of those best. Yes, Skeletons in the Closet: Oscar Edition is back. It’s the day we dig around in Oscar nominee closets to find those low budget, horror bones hiding behind the fancier schmancier stuff. And we can always find them. The great Viola Davis wasted her talent in the Rear Window/Fright Night knock-off Disturbia. The also-great Michael Shannon spent some time early in his career in the actually quite decent Dead Birds, while Ryan Gosling co-starred in the intriguingly titled Frankenstein and Me. Meanwhile, Octavia Spencer slummed it up in Pulse. But there’s worse – and yet, somehow better – material to discuss. Here are our favorite not-good horror hiding in these A-listers’ closets.

Everybody’s first experience with horror is a nightmare – their own bad dreams. Surreal horror manages to recreate the anxiety, confusion and dreamlike quality of those nightmares. In fact, it’s such fertile ground for horror that there are dozens of excellent possible films to celebrate – beginning with Bunuel and Dali’s 1929 head trip Un Chien Andelou to Bergman’s 1968 film Hour of the Wolf, Shin’ya Tsukamoto’s fantastical 1989 fantasy Tetsuo, the Iron Man to Turkey’s latest foray into the genre, Can Evrenol’s 2015 head trip Baskin. All of these films are required viewing for horror fans, but something had to be set aside.

So much great horror in 2016! We may not have had that much to be happy about last year – besides the Cavs national championship (hooray!!) – but at least we can celebrate one outstanding 365 days of horror. Joined by Killumbus Horror’s fearless leader Bridget, we argue about what is and is not horror – and whether Neon Demon thrills or disappoints – plus a few words on scissoring.

Here’s our guess: you have no idea how much great horror comes out of Belgium. A lot! So much that we weren’t even able to talk about the excellent camp horror Cub or the bloody head trip that is The Strange Color of Your Body’s Tears – but we still had to mention them because you should see them. But keep in mind – there are five movies from Belgium that are even better! And here they are!

Finally! We’ve been kicking this one around for a long time, but this week – with the help of Vince and Grant of the podcast In the Record Store – we finally tackle the best black and white films in horror. What a list! We had no choice but to employ fuzzy math for this one, and even so we had to leave off so many greats – including some that Grant and Vince would have included.

It’s been too long since we took a trip around the world to see how certain corners view horror. Today we head to the cluster of chilly Norse and Scandinavian countries to seek trolls, wolves, Nazi zombies – and to steer clear of household tools, if possible.

Horror loves it some weirdos – and so do we! Be honest, Carrie would not have done nearly so much damage had she fit in somehow, right? Oh, Carrie – how we love you and your nutcase of a mom. And the White women are hardly alone. Freaks and misfits litter the horror cinema landscape – and thank God for it! Whether Edwin Neal – the hitchhiker and harbinger of what’s to come in West Texas – or an unseemly Pit Bukowski, white gown and katana bedecked in Der Samurai. You want to get really weird? How about anybody from Calvaire? Possession’s swinging Heinrich? Let’s not forget our favorite prom non-goer, The Loved Ones’ Lola (Robin McLeavy). And these aren’t even the best. Who are the five best weirdos in horror cinema?

All the single ladies, all the single ladies – unfortunately, life does not always turn out as well for us as it does for Beyonce. Today we celebrate and fear the horror that can befall the single parent. Your kids may be monsters. Monsters may be after your kids. You may be the monster. Maybe it’s all three at once. Whatever the case, horror filmmakers have found a way to hit some very effective buttons when exploring the horror potential in a single parent home.

How is it we haven’t done this one yet? So many to choose from – most of them bad. Grizzly? Or Grizzly 2: The Concert? You know how we feel about Monkey Shines. But, an animal attack has to be the human’s most primal fear, and it is sometimes mined for real terror when the story is in the right hands. Though there are a handful that fell just off the list – Burning Bright, Black Water, Lake Placid, The Shallows – these made the most lasting impression. They left bite marks.

Prepare to be pissed off. Why? Well, because we’re going to explore the best zombie comedies today and there are hundreds of options. We guarantee that we will leave something off this list that you want to see on it. There’s really no question about it. Probably at #5. So just know that we know that there are at least a dozen great zombie comedies that we do not address here, given that we’ve limited our list to five.

For some filmmaker and even audiences, a horror film can provide catharsis. It can be a way to channel one particularly horrifying experience into art. A crumbling marriage can inspire this kind of horror. Of course, it can also become the tidy underpinning of a mystery or a comedically evil revenge plot.

Are these the worst movies ever? Hell no – most of the are actually quite good. This is a list of films that can’t live up to the accolades and high expectations that come with them. When we think of films that people just love too much, usually they are impressive on some level – just not impressive enough to merit all the commotion. Here’s our list of the films that best fit that bill. (And when I say “ours,” take that with a grain of salt. George highly disagrees with one choice, in particular.)

When aren’t vacations a horror show? Remember that time the car a/c broke and your dad wouldn’t let you roll the windows down because the wind made his hearing aids whistle? God, that sucked. But our research had led us to believe that there are worse miseries than driving cross country with Mark Madden. Hundreds, actually – traveling abroad, camping, boating, island adventures. Here are a handful that will make you want to just stay home.

The evil stepmother has been a source of fear and dread for eons. The Grimm brothers knew it – they disliked stepmothers as much as they disliked wolves. Horror has picked that same scab again and again over the years, but it’s not just that mom-substitute that you need to worry over. As we discover this week, stepdads – especially the heavily bearded, ax-weilding variety – are just as problematic.

From the earliest horror films, physical disabilities have plagued characters. It’s the inherent vulnerability that makes the topic such a draw for the genre, but some films – like these five – defy your expectations.

Horror movie remakes are legion – most of them needless, many of them abominations, one or two really work out well. The Ring – that’s a great one. Let Me In – OK, we will! But today, rather than crucify the sub-par remakes, what we really want to do is to remind you of the bloody good original you may have missed, or maybe saw years back and need to check out again. Here is our list of horror movies where you should skip the remake and seek out the original.

Who’d have guessed that deep inside the most notorious genre in film beats the heart of a dancer? Well, we guessed. You can’t hide your sensitive soul from us! We are here to admire your dancer’s heart and your boogie shoes as we count down the 5 best dance scenes in horror movies!

Today we salute a man whose career teems with ideas that have been both universal and wildly ahead of their time. There may be no horror filmmaker who’s had more of an influence on his genre than George Romero, whose political leanings and social commentary have given his inventive monster movies the relevance to stand the test of time. A great line, an original idea, and a fantastic pair of glasses – George A. Romero has it all.

War is hell, which makes it obvious fodder for horror films. It’s kind of amazing there aren’t more that really mine the carnage and insanity of battle, but those that do it well can make social commentary while getting under the audience’s skin. The films we celebrate today do both really well, plus – monsters! Hooray!