New Books In African American Studies

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly o

What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized the concert spiritual during their successful tours of the United States and Europe in the 1870s. She expands this narrative, however, by including the crucial contributions of choirs that followed in Fisk’s footsteps especially the Hampton Institute Singers and the Tennesseans. The truly ground-breaking work in the monograph, however, is her study of commercial spirituals and the performers who popularized them in all-black minstrel shows and, at the end of the nineteenth century, in plays with music, such as Uncle T

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 20

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The

Several weeks ago, we had Professor Lilliana Mason on the podcast talking about her book about the process of social sorting that has deepened divides between citizens by aligning race, religion, and region. Mason argues that social sorting acts on a psychological-level, shaping how not just how people view policy but also political opponents. This week on the podcast, Matt Blackwell and Maya Sen extend this conversation back into history. In Deep Roots: How Slavery Still Shapes Southern Politics (Princeton University Press, 2018), the authors (with Avidit Acharya) argue that views on race have deeply historical roots, passed on across generations through cultural practices and other institutional mechanisms. They call this behavioral path dependence. Using sophisticated statistical analysis, they find that the long, disturbing legacy of slavery can be observed in the variation of attitudes of those living in different southern communities. In counties where slavery thrived in the 1860s (compared to similar

A book that strikes at the source of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Ethan J. Kytle and Blain Roberts‘ Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018) reveals the deep roots of these controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the U.S. stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to construct a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining

John Munro’s new book, The Anticolonial Front: The African-American Freedom Struggle and Global Decolonization (Cambridge University Press, 2017) is a transnational study that traces the persistence and continuities of Black radicalism from the end of the Second World War through the period of McCarthyism in the United States. Departing from an insistence on colonialism as the primary historical driver of the twentieth century, the book moves from the Popular Front politics of the interwar years to the beginning of the 1960s. Considering of “long civil rights movement” in relationship to the history of forms of colonialism and imperialism that were global in scope, the chapters of the book travel from key sites and events in the U.S. across the Atlantic to the U.K. and Europe, and further afield to spaces and conversations between activists in Asia and Africa. Reframing the history of Cold-War U.S. politics in relationship to broader histories of decolonization, The Anti-Colonial Front challenges analyses th

Could slaves become Christian? If so, did their conversion lead to freedom? If not, how could perpetual enslavement be justified? In her recent book, Christian Slavery: Conversion and Race in the Protestant Atlantic World (University of Pennsylvania Press, 2018), Katharine Gerbner asks these questions as she traces how religion was fundamental to the development of both slavery and race in the early modern period, as Anglicans, Quakers, and Moravians settled and missionized the Protestant Atlantic world. Katharine Gerbner is Assistant Professor of History at the University of Minnesota. Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Most people know that slavery was foundational to the economic development of the United States in the antebellum period. Fewer people are aware that slavery was also important for American foreign policy in the period. In his book This Vast Southern Empire: Slaveholders at The Helm of American Foreign Policy (Harvard University Press, 2016), Matthew Karp examines how American slaveholders and their allies steered American diplomacy so as to preserve and expand slavery as an institution. Adam McNeil is an incoming PhD student in the Department of History at the University of Delaware in Newark, Delaware. He completed his M.A. in History at Simmons College in Boston, Massachusetts and B.S. in History at Florida Agricultural and Mechanical University (FAMU) in Tallahassee, Florida. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today we talked with Nancy Mitchell about her book Jimmy Carter in Africa: Race and the Cold War, published by Stanford University Press in 2016 as part of the Cold War International History Project Series. Drawn from extensive archival research and personal interviews spanning three continents, Mitchell’s book attempts to recast the Carter administration as an active, and in some cases forceful, participant in the Cold War. By examining key areas of conflict, most notably Rhodesia and the Horn of Africa, Mitchell illustrates the continuity and shifts in American foreign policy on the continent, while highlighting the importance of Carter seeing these crises “through the prism of the civil rights struggle”. Bringing together the interlocking relationships of the likes of Henry Kissinger, Cyrus Vance, Adwar Sadat, Andrew Young, Ian Smith, and Kenneth Kaunda, her book provides one of the most complete pictures of the Carter administration’s dealings with the African continent and its legacies for US and interna

The title of Lisa A. Lindsay’s book Atlantic Bonds: A Nineteenth-Century Odyssey from America to Africa (University of North Carolina Press, 2017),  invokes enduring family ties, as well as the connections between slavery, migration, and colonization in the Atlantic world of the nineteenth and twentieth centuries. The book returns, again and again, to the theme of vulnerability as a consequence of the fragile freedoms of African Americans and Africans of the period, and charts the unusual story of two families – one African American and the other Nigerian – connected by a common ancestor, who have managed against significant odds, to keep in touch over many generations. The life story of one of the sons of Scipio Vaughan (the common ancestor), Churchwill Vaughan, forms the arc of Atlantic Bonds and traces, among other things, a “reverse migration” from South Carolina to West Africa. In the interview, Lisa Lindsay, discusses the ways in which this family was both typical and exceptional. Mireille Djenno i

Today we are joined by Averell “Ace” Smith, The Pitcher and the Dictator: Satchel Paige’s Unlikely Season in the Dominican Republic (University of Nebraska Press, 2018). Smith is a political consultant and a lifelong baseball fan who became enamored with the game when he bought a copy of the 1956 edition of The Official Encyclopedia of Baseball at a school rummage sale. In a descriptive and richly detailed narrative, legendary pitcher Satchel Paige, along with several Negro League stars, are enticed to play in a tournament in the Dominican Republic. Paige, offered an eye-popping $30,000, is amazed by the lack of racial discord on the island, the relaxed baseball schedule and the ease in obtaining good food, wine and women. But there is a dark side. Paige is playing for Ciudad Trujillo in a tournament created to support and celebrate the “re-election” of the country’s ruthless dictator, Rafael Trujillo. And “El Jefe” does not like to lose. So, when Paige and his teammates struggle early in the tournament, Truj

Keisha N. Blain teaches African American and gender and women’s history at the University of Pittsburg. Her book Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom (University of Pennsylvania Press, 2018) tells the story of an overlooked group of black women leaders in the aftermath of a declining Marcus Garvey’s black nationalist movement of the 1920s. Building on numerous religious and political ideologies, Garveyite women organized black workers from the Mississippi Delta to Harlem and built transnational alliances in the pursuit of global black liberation and nationalism. They followed strategies such the Greater Liberia Bill seeking funding from the U.S. government for black emigration to Africa. In doing so, they formed unlikely alliances and remained outside the established civil rights organizations tapping the frustrated aspirations of thousands of African Americans in mid-century America.  Over a period of four decades, they never gave up on their dream of a return to

In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understand

The United States leads the world in incarceration. That’s a problem, especially the disproportionate impact of “mass incarceration” on low-income men of color. In their new book Start Here: A Roadmap to Reducing Mass Incarceration (The New Press, 2018), Greg Berman and Julian Adler take us though a series of concrete, practical, and practicable steps that we could take to radically reduce the number of people we incarcerate while, at the same time, making our communities healthier and safer. Listen in. Stephen Pimpare is Senior Lecturer in the Politics and Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by

Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? Imani Perry answers this question in her recent book May We Forever Stand: A History of the Black National Anthem (University of North Carolina Press, 2018). Through her history of “Lift Every Voice and Sing,” Perry powerfully shows how and why throughout the Black liberation struggles in the twentieth and twenty-first century, Black Americans adopted the song as the “Black National Anthem.” Adam McNeil is a soon-to-be Ph.D. in History and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/afr

Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic (University of Georgia Press, 2016), Lisa Ze Winters traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora, while engaging with issues of gender, theorized race and freedom, and identity. Lisa Ze Winters is an associate professor of African American Studies and English at Wayne State University, where she teaches African American literature, African diaspora studies,

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing th

The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien’s The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America’s most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @C

The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Supp