New Books In Gender Studies

Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter's health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care. Elizabeth Farfán-Santos spent five years with Claudia. As she listened to Claudia's experiences, she recalled her own mother's story, another life molded by migration, the US-Mexico border, and the quest for a healthy future on either side. Witnessing Claudia's struggles with doctors and teachers, we see how the education and medical systems enforce undocumented status and perpetuate disability. At one point, in the midst of advocating for her daughter, Claudia suddenly finds herself struck by debi

In “Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for

Western sanctions have slowed Iran's economy, causing protests against the absence of freedom and opportunities -- teachers their lack of pay; farmers their lack of water; retirees their fear of economic insecurity. But at the heart of this powerful new movement has been Iran's women, whose frustration with Iran’s misogynist theocracy had been mounting for four decades. This week on International Horizons, RBI Research Associate Ellen Chesler is joined by Mahnaz Afkhami, former Minister of Women's Affairs in Iran, and Kelly Shannon, Associate Professor of History at Florida Atlantic University, to discuss the rise of the women's movement in Iran. The interviewees describe how the different interpretations of the Quran have influenced politics and the role women play in Muslim societies, the prospects of the protests in Iran, and the importance of collective action in bringing about change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://new

Danielle Bean talks about everyday mysticism and learning to listen for God in her book, Whisper: Finding God in the Everyday. God is there in our daily tasks and especially in our daily relationships. She also talks about the special role that women play in the Catholic Church – the feminine genius – from the Virgin Mary to today’s busy moms. Both of these threads are a delightful continuation of our earlier discussion about St. Thérèse of Lisieux and the Little Way (with Heather King and Lauren Nelson, on episodes 04 and 05, respectively). Whisper: Finding God in the Everyday, from Ascension Press Girlfriends podcast The Gist TV show on Catholic TV Heather King on Almost Good Catholics, episode 04: Divine Intoxication A Discussion about Alcoholism, Grace, Sainthood, and Women in the Church. Lauren Nelson on Almost Good Catholics, episode 05: The Little Way Making Friends with the Saints. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium mem

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our

In histories of enslavement and in Black women's history, coercion looms large in any discussion of sex and sexuality. At a time when sexual violence against Black women was virtually unregulated—even normalized—a vast economy developed specifically to sell the sexual labor of Black women. In Consent in the Presence of Force: Sexual Violence and Black Women's Survival in Antebellum New Orleans (UNC Press, 2023), Emily A. Owens wrestles with the question of why white men paid notoriously high prices to gain sexual access to the bodies of enslaved women to whom they already had legal and social access. Owens centers the survival strategies and intellectual labor of Black women enslaved in New Orleans to unravel the culture of violence they endured, in which slaveholders obscured "the presence of force" with arrangements that included gifts and money. Owens's storytelling highlights that the classic formulation of rape law that requires "the presence of force" and "the absence of consent" to denote a crime was i

Though we are all one—“there is neither Jew nor Greek,” St. Paul wrote to the Galatians—each of us brings a particular heritage to the mosaic of God’s universal pilgrim church on Earth. Father Maurice Nutt helps us understand and celebrate the special contribution of African Americans in the Catholic Church. Father Maurice is a redemptorist priest and former director of the Institute for Black Catholic Studies at Xavier University in New Orleans, an apostolate that celebrates and connects Black Catholicism in the United States, the Caribbean, and Africa. And, as fewer Americans are embracing the vocation of the priesthood, more pastors are coming to us from other countries, which brings both cultural opportunities and challenges. In addition, Fr. Maurice tells us about his friend and mentor, Sister Thea Bowman, and the case he and others are making for her sainthood. Father Maurice’s spiritual direction ministry The case for Sr Thea Bowman’s canonization Sr Thea Bowman addressing the US Conference of Ca

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional st

Over the last five decades, Black women have been one of the fastest-growing segments of the global prison population, thanks to changes in policies that mandate incarceration for nonviolent offenses and criminalize what women do to survive interpersonal and state violence. In The Healing Stage: Black Women, Incarceration, and the Art of Transformation (Ohio State UP, 2022), Lisa Biggs reveals how four ensembles of currently and formerly incarcerated women and their collaborating artists use theater and performance to challenge harmful policies and popular discourses that justify locking up "bad" women.  Focusing on prison-based arts programs in the US and South Africa, Biggs illustrates how Black feminist cultural traditions--theater, dance, storytelling, poetry, humor, and protest--enable women to investigate the root causes of crime and refute dominant narratives about incarcerated women. In doing so, the arts initiatives that she writes about encourage individual and collective healing, a process of repai

“Raise your voice!” and “Speak up!” are familiar refrains that assume, all too easily, that gaining voice will lead to empowerment, healing, and inclusion for marginalized subjects. Marlene Schäfers’s Voices That Matter: Kurdish Women at the Limits of Representation in Contemporary Turkey (U Chicago Press, 2022) reveals where such assumptions fall short, demonstrating that “raising one’s voice” is no straightforward path to emancipation but fraught with anxieties, dilemmas, and contradictions. In its attention to the voice as form, this book examines not only what voices say but also how they do so, focusing on Kurdish contexts where oral genres have a long, rich legacy. Examining the social labor that voices carry out as they sound, speak, and resonate, Schäfers shows that where new vocal practices arise, they produce new selves and practices of social relations. In Turkey, recent decades have seen Kurdish voices gain increasing moral and political value as metaphors of representation and resistance. Women’s

Content note: This episode contains discussions of suicide, as well as allusions to graphic anti-LGBTQ+ and anti-Black violence Advances in LGBTQ rights in the recent past—marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation—have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable (Duke UP, 2021), theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to i

In The Made-Up State: Technology, Trans Femininity, and Citizenship in Indonesia (Cornell UP, 2022), Benjamin Hegarty contends that warias, one of Indonesia's trans feminine populations, have cultivated a distinctive way of captivating the affective, material, and spatial experiences of belonging to a modern public sphere. Combining historical and ethnographic research, Hegarty traces the participation of warias in visual and bodily technologies, ranging from psychiatry and medical transsexuality to photography and feminine beauty. The concept of development deployed by the modern Indonesian state relies on naturalizing the binary of "male" and "female." As historical brokers between gender as a technological system of classifying human difference and state citizenship, warias shaped the contours of modern selfhood even while being positioned as nonconforming within it. The Made-Up State illuminates warias as part of the social and technological format of state rule, which has given rise to new possibilities

In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered

Today I talked to Dr. Heidi K. Gardner about her new book (co-authored with Ivan A. Matviak) Smarter Collaboration: A New Approach to Breaking Down Barriers and Transforming Work (HBR Press, 2022) Diversity doesn’t mean much if a range of people are in the room but not really a part of the conversation taking place there. To counter that all-together too frequent shortcoming, today’s guest has focused on a variety of ways to achieve better collaboration where multiple viewpoints enrich the outcome. One way is to understand seven key dimensions of collaboration that focus on the personalities and behavioral tendencies in that room. Are people given to being risk seekers or spotters, for instance? Do they tend to be complex or concrete thinkers? And so on. Another way forward is to understand how the team will be evaluated and rewarded. When pay and promotions are weighted such that 40% is dependent on the outcome for customers, you tend to get a broader, more altruistic vantage point. Underlying it all in this

In this episode of the Blue Beryl Podcast, Pierce Salguero sits down with Wakoh Shannon Hickey, who is a Soto Zen priest, hospice chaplain, scholar, and activist. She talks about her early experiences with social violence in the 1980s, her work as a hospital chaplain, and her 2019 book Mind Cure, which is a groundbreaking social history of religion and mindfulness in the U.S. Resources: Wakoh's Academia.edu page Hickey, Mind Cure: How Meditation Became Medicine (Oxford UP, 2019) Helderman, Prescribing the Dharma: Psychotherapists, Buddhist Traditions, and Defining Religion (2019) Brown, Debating Yoga and Mindfulness in Public Schools: Reforming Secular Education or Reestablishing Religion? (2019) Purser, McMindfulness: How Mindfulness Became the New Capitalist Spirituality (2019) Find all episodes of the Blue Beryl Podcast here. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural

In Administering Affect: Pop-Culture Japan and the Politics of Anxiety (Stanford UP, 2022), Daniel White draws on extensive fieldwork in government ministries and government-adjacent organizations to explore Japan’s current “politics of anxiety,” the ways in which state administrators have transformed anxieties about Japan’s global geopolitical status into future-oriented programs of national branding and revitalization based on a narrowly defined vision of pop-culture as synecdoche and savior. Examining the so-called “Cool Japan” soft-power strategy and policymaking decisions to nominate anime favorite Doraemon as a cultural ambassador and icons of young women’s culture as “Ambassadors of Cute,” White shows that the anxieties driving Japan’s administrators are disseminated into the culture broadly. He also pays close attention to the gender politics of these campaigns and the instrumentalization of women as agents of national branding and soft-power politics. Nathan Hopson is an associate professor of Japan

Today I talked to Ellen Cassedy about her new book  Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie (Chicago Review Press, 2022). Many people may identify 9 to 5 with the comic film starring Jane Fonda, Dolly Parton and Lily Tomlin or perhaps only know Parton’s hit song that served as its theme. But 9 to 5 wasn't just a comic film—it was a movement built by Ellen Cassedy and her friends. Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping

Rebecca Binn's Gee Vaucher: Beyond Punk, Feminism and the Avante Garde (Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognized the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how

Examining infanticide cases in the United States from the late eighteenth to the late nineteenth centuries, Felicity M. Turner's Proving Pregnancy: Gender, Law, and Medical Knowledge in Nineteenth-Century America (UNC Press, 2022) documents how women—Black and white, enslaved and free—gradually lost control over reproduction to male medical and legal professionals. In the first half of the nineteenth century, community-based female knowledge played a crucial role in prosecutions for infanticide: midwives, neighbors, healers, and relatives were better acquainted with an accused woman's intimate life, the circumstances of her pregnancy, and possible motives for infanticide than any man. As the century progressed, women accused of the crime were increasingly subject to the scrutiny of white male legal and medical experts educated in institutions that reinforced prevailing ideas about the inferior mental and physical capacities of women and Black people. As Reconstruction ended, the reach of the carceral state ex

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects