New Books In Asian American Studies

One of the first members of Albert Samaha’s family introduced in his memoir Concepcion: An Immigrant Family’s Fortunes (Riverhead Books, 2021) is his uncle Spanky: a baggage handler in San Francisco’s airport. Spanky emigrated to the United States from his home country, the Philippines, where he lived a very different life as a rockstar: one of the founding members of VST & Co., one of the country’s most famous bands. That’s merely one of the family members Albert Samaha profiles in Concepcion which traces the lives of generations of Filipinos, and Filipino-Americans, trying to find a better life for themselves and navigating the ups-and-downs of American society and politics. Albert Samaha is an investigative journalist and inequality editor at BuzzFeed News whose work has appeared in The New York Times, the Village Voice, San Francisco Weekly, and the Riverfront Times, among other outlets. A Whiting Foundation Creative Nonfiction Grant recipient, he is also the author of Never Ran, Never Will: Boyhood and F

Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism. Colleen and Viet refle

All nations make rules -- through their constitutions, legislatures, bureaucratic practices – about who counts as a citizen. American by Birth examines the role of the Supreme Court – particularly a ruling from 1898 that is still precedent today. Wong Kim Ark v. United States interpreted the language of the 14th Amendment to answer whether a man born in the United States was a citizen. The Court ruled in favor of Wong Kim Ark and held that the 14th Amendment extends to children of immigrants who were born in the United States. Using the work of legal scholars, political scientists, and historians, Drs. Julie L. Novkov and Carol Nackenoff provide an extended biography of Wong Kim Ark and the historic 1898 landmark case – but also a biography of US Citizenship from the colonies to the present. American by Birth: Wong Kim Ark and the Battle for Citizenship (UP of Kansas, 2021) concludes with an impressive chapter that contextualizes birthright citizenship globally and within the context of American politics and

White middle-class eaters are increasingly venturing into historically segregated urban neighborhoods in search of "authentic" eating in restaurants run by-and originally catering to-immigrants and people of color. What does a growing white interest in these foods mean for historically immigrant neighborhoods and communities of color? What role does foodie culture play in gentrification? In The Sixteen-Dollar Taco: Contested Geographies of Food, Ethnicity, and Gentrification (U Washington Press, 2021), Pascale Joassart-Marcelli sheds light on food gentrification and the emotional, cultural, economic, and physical displacement it produces. She explores three neighborhoods of San Diego, California where "authentic" ethnic food attracts growing numbers of affluent white consumers, while the black and brown people who make this food continue to struggle with economic insecurity and food apartheid.  Drawing on rich interviews with the locals who work, live, cook, and eat in these contested landscapes, Joassart-Mar

Political Scientist Efrén Pérez’s new book, Diversity's Child: People of Color and the Politics of Identity (U Chicago Press, 2021), explores the term and category “people of color” and how this grouping has been used within politics, but also how it is has been used by those who are classified as people of color. Pérez examines group identity, language and public opinion, and implicit cognition to explain how marginalization of non-white groups can form a collective group identity that is interchangeable for the individual. Diversity’s Child fills in a rather substantial gap in research about racial and ethnic identity in the United States by surveying people of color about how they think and feel about racial disparities that impact them as well as other groups that are often categorized as people of color. Part of what Pérez finds in the multi-method approach is that politics can be seen as a solution to the inequality that many of those within this broad umbrella category experience and understand. Pérez’

In the past four hundred years, the cultural position of Taiwan has been undergoing a series of drastic changes due to constant political turmoil. From the early seventeenth century to the late twentieth century, the ruling power of Taiwan shifted from Spaniard and Dutch to the Late-Ming Zheng regime, then to the Qing court and imperial Japan, and finally to the Kuomintang (KMT) government from China. In this regard, Taiwan has long been regarded as a supplementary addition to its cultural Other: China, Japan, or imperial western powers, despite its rich Aboriginal cultures. To create a self-claimed subjectivity, the localist camp of the island has been promoting the Taiwanese consciousness via political movements and literary writings in a century-long campaign. Its focus on the native soil and experience is well connected with the Sinophone studies, which has been a prominent field across geographical and disciplinary barriers. As Taiwan’s community grows more diverse, Taiwan literature is enriched by a ser

Minarets on the Horizon: Muslim Pioneers in Canada (Mawenzi House 2021) by Murray Hogben is an incredible archive of some of the early Muslim settlers in Canada. The book is a collection of wonderful oral histories of the early Muslims and their descendants from the east to the west coast of Canada. Be they the settlers from Syria/Lebanon or Punjabi men who worked in timber mills of British Columbia, to those who migrated later in the 20th century as a result of the changes to the Canadian immigration law, such as South Asian Muslims, Hogben captures the trials and tribulations of migration, and the challenges of adapting religious and cultural practices as minorities in a new nation state. Central are the voices of Muslim women, such as Hilwie Hamdon, who led the way to building the first mosque in Canada, the al-Rashid masjid, in Edmonton, while stories of inter-religious friendships abound through the early formation of the Muslim communities across Canada. This is an important book that adds deep texture

Sandfuture (MIT Press, 2021) is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects—the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York—were both destroyed on national television, thirty years apart, makes his relative obscurity all the more remarkable. Sandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life, Sandfuture spirals outward to include reflections on a wide range of subjects, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how, and for whom, cities are built. The result is at once s

Despite the fact that two thirds of U.S. Buddhists identify as Asian American, mainstream perceptions about what it means to be Buddhist in America often whitewash and invisibilize the diverse, inclusive, and intersectional communities that lie at the heart of American Buddhism. Chenxing Han's Be the Refuge: Raising the Voices of Asian American Buddhists (North Atlantic Books, 2021) is both critique and celebration, calling out the erasure of Asian American Buddhists while uplifting the complexity and nuance of their authentic stories and vital, thriving communities. Drawn from in-depth interviews with a pan-ethnic, pan-Buddhist group, Be the Refuge is the first book to center young Asian American Buddhists’ own voices. With insights from multi-generational, second-generation, convert, and socially engaged Asian American Buddhists, Be the Refuge includes the stories of trailblazers, bridge-builders, integrators, and refuge-makers who hail from a wide range of cultural and religious backgrounds. Championing nu

Between 1942 and 1945, the United States government forcibly removed approximately 120,000 people "of Japanese ancestry" from their homes and into self-proclaimed concentration camps across the American West and South. At every step in the way, social workers played integral roles in the intricate machinery of racism and bureaucracy that allowed this process to take place. Dr. Yoosun Park, an associate professor of social policy and practice at the University of Pennsylvania, describes the role of social workers in Japanese Internment in her new book, Facilitating Injustice: The Complicity of Social Workers in the Forced Removal and Incarceration of Japanese Americans, 1941-1946 (Oxford UP, 2020), in a history that has not heretofore been told. From processing, to daily life in the camps, to relocation after the war, social workers played roles in every step of the process, a fact that, Park argues, the field of social work has never truly reckoned with. This is a landmark study examining an old story under a

This is the last episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies (AAAS). This episode focuses on the winner of the award in Humanities and Cultural Studies in Media, Performance, and Visual Studies: Kandice Chuh’s The Difference Aesthetics Makes: On the Humanities “After Man.” This insightful and critical book challenges our divisions of aesthetics and politics, while showing how liberal humanism has persisted within the ways we organize in institutions, the ways we teach, and the ways that we think of ourselves. Kandice Chuh is a professor of English, American studies, and Critical Social Psychology at the CUNY Graduate Center. She’s currently working on The Disinterested Teacher, a collection of essays on pedagogies and praxis, and When/Where/How ‘Asia’, a project on Asian racialization in the contemporary era. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University o

This is the third episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies (AAAS). This episode features two of the winners in Creative Writing Prose: Xuan Juliana Wang, whose collection Home Remedies explores the new generation of Chinese diasporic wanderers, and Ricco Villanueva Siasoco, whose collection The Foley Artist provides a new treatment of queer Filipinx diasporic lives. Xuan Juliana Wang was a Wallace Stegner Fellow at Stanford University and received her MFA from Columbia University. Her work has appeared in The Atlantic, Ploughshares, The Best American Nonrequired Reading and the Pushcart Prize Anthology. Her collection Home Remedies won the 2021 AAAS award in Creative Writing: Prose. Ricco Villanueva Siasoco received his MFA from the Bennington Writing Seminars and is finishing his Ed.D. from Teachers College, Columbia University. He has received fellowships from The Center for Fiction, Lambda Literary, The

The US military camptowns were established shortly after the Second World War in 1945, appropriating the Japanese comfort stations. The Korean government actively supported the creation of camptowns for its own economic and national security interests. Utilizing the Japanese colonial policy, the US military and the South Korean government sought to control camptown women’s bodies through vaginal examinations, isolation wards, and jails, monitoring women for potential venereal diseases. Denigrated as a “traitor” for “mixing flesh with foreigners,” camptown women and their labors were disavowed in Korean society.[1] However, the Korean government also depended on camptown women for its economic development: camptown women’s earnings accounted for 10% of Korea’s foreign currency.[2] Speaking against this silence, Grace Cho’s new memoir, Tastes Like War (Feminist Press at CUNY, 2021), brings to light not only the pain and trauma of militarized violence as experienced by her mother who worked as a camptown woman i

Edison Hark, the star of The Good Asian (Image Comics: 2021), the new comic series written by Pornsak Pichetshote and illustrated by Alexandre Tefenkgi, never signed up to investigate a murder in Chinatown. As the only Chinese-American law enforcement officer in the United States, he travels to San Francisco in 1936 to help find a Chinese maid who has run away from the household of the man who raised him. But he stumbles upon a crime scene that harkens back to an old crime legend: a hitman for the old Tongs, back for revenge. But while The Good Asian tells a thrilling noir story of crime, detectives and investigations, it also tells the story of the Chinese community, who at the time were still under scrutiny under laws like the Chinese Exclusion Act. The comic grapples with ideas of racial prejudice, respectability politics, and identity. In this interview, Pornsak and I talk about the setting and genre of The Good Asian, and what it means to star a Chinese-American lead in such a well-known genre. Pornsak P

Richard Alba, Distinguished Professor of Sociology at the Graduate Center, City University of New York, has written an intriguing new book on our understanding of American demographic data, and how we, as citizens, see each other as part of the fabric of the United States. The Great Demographic Illusion: Majority, Minority, and the Expanding American Mainstream (Princeton UP, 2020) examines the long historical narrative of the experience of immigrants to the United States while also mapping out various forms of data to help us understand the actual experience of immigrants, over time, in the U.S. Part of Alba’s research in this project is highlighting the issue of what kind of assimilation actually happened in the U.S., especially in the post-World War II period. He explains that there was mass assimilation, after World War II, of the children of immigrants who had arrived in the U.S. in the earlier waves of immigration, prior to WWII. But Alba is not only interested in the immigrant experience, what he is re

Spies deep behind enemy lines; double agents; a Chinese American James Bond; black propaganda radio broadcasters; guerrilla fighters; pirates; smugglers; prostitutes and dancers as spies; and Asian Americans collaborating with Axis Powers. All these colorful individuals form the story of Asian Americans in the Office of Strategic Services (OSS), the forerunner of today's CIA. Brian Masaru Hayashi brings to light for the first time the role played by Chinese, Japanese, and Korean Americans in America's first centralized intelligence agency in its fight against the Imperial Japanese forces in east Asia during World War II. They served deep behind enemy lines gathering intelligence for American and Chinese troops locked in a desperate struggle against Imperial Japanese forces on the Asian continent. Other Asian Americans produced and disseminated statements by bogus peace groups inside the Japanese empire to weaken the fighting resolve of the Japanese. Still others served with guerrilla forces attacking enemy su

Mahjong: many have played the game, but few are familiar with its rich and complex history. In Mahjong: A Chinese Game and the Making of Modern American Culture (Oxford University Press, 2021), Annelise Heinz (University of Oregon) follows this beloved pastime from the International Settlement in Shanghai, to the detention facilities on Angel Island Immigration Station, to Wright-Patterson Air Force Base in Ohio, to Jewish American bungalow colonies in the Catskill Mountains—and beyond.  Heinz examines the intersection of leisure and Orientalism to show how the game shaped the lives and identities of Chinese and Americans alike over half a century. Equally fascinating is Heinz’s discussion of mahjong’s evolving materiality, from artisanal bone-and-ivory production to mass-manufactured plastic. To tell this story, Heinz combines a wide array of sources, including not only manuscript material and newspapers, but also novels, popular music, and dozens of oral history interviews. Mahjong will interest scholars of

Based on longitudinal ethnographic work on migration between the United States and Taiwan, Time and Migration: How Long-Term Taiwanese Migrants Negotiate Later Life (Cornell UP, 2021) interrogates how long-term immigrants negotiate their needs as they grow older and how transnational migration shapes later-life transitions. Ken Chih-Yan Sun develops the concept of a "temporalities of migration" to examine the interaction between space, place, and time. He demonstrates how long-term settlement in the United States, coupled with changing homeland contexts, has inspired aging immigrants and returnees to rethink their sense of social belonging, remake intimate relations, and negotiate opportunities and constraints across borders. The interplay between migration and time shapes the ways aging migrant populations reassess and reconstruct relationships with their children, spouses, grandchildren, community members, and home, as well as host societies. Aging, Sun argues, is a global issue and must be reconsidered in

In Unstable Masks: Whiteness and American Superhero Comics (Ohio State UP, 2020), Sean Guynes and Martin Lund have assembled more than fifteen chapters that interrogate our thinking about superheroes, especially those written and created in the United States, and how those heroes participate in reifying the whiteness of American politics, culture, and worldview. Even as we have seen attempts to diversify the representation within the superhero genre, there is a continued reinscribing of the normative whiteness that frames not only the narratives themselves, but the ideas and images conveyed by the authors, artists, and producers of these works. As Lund and Guynes note, much analysis has been done about the superheroes, especially paying attention to those heroes who deviate from the norm in terms of race, gender, and sexuality. But what has been missing in a great deal of the scholarship is an analysis of the predominant whiteness of superheroes and how the constructed narrative of the genre, of defeating a t

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC. Empire’s Mistress, Starring Isabel Rosario Cooper (Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood. In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”. Vernadette Vicuña Gonzalez is