New Books In Latino Studies

On March 2, 1945, five Mexican American families and their Jewish American lawyer filed a class-action lawsuit against four school districts in Orange County, California, to end the segregation of ethnic Mexican children. In a shocking decision, the court ruled in favor of plaintiffs, setting a legal and historical precedent in Mendez, et al. v. Westminster School District of Orange County that shook the foundations of Jim Crow America and led to the end of de jure school segregation across the nation. Breaking Down the Walls of Segregation: Mexican American Grassroots Politics and Civil Rights in Orange County, California (Oxford UP, 2025) tells the story of how ethnic Mexicans in a relatively unknown agricultural backwater built the unprecedented movement that led to this decision. Beginning in the 1880s, David-James Gonzales details the social and economic history of Orange County, explaining how citrus capitalists, seeking increased market share and profitability, established the walls of segregation to

In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak. Gabriel S. Estrada is a Caxcan/Xicanx professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Ken Chitwood's Borícua Muslims: Everyday Cosmopolitanism among Puerto Rican Converts to Islam (University of Texas Press, 2025), uses rich ethnographic fieldwork across multiple cities and the digital space to capture the complex lived realities of Puerto Rican Muslims both on the island and in the United States. The study is attuned to the archipelago’s context that accents Puerto Rican Islam, such as through histories that link it to Andalusian Spain, and culture, especially through foodscapes. Puerto Rico also has a diverse Arab Muslim diasporic population, especially Palestinians. Due to this diversity of Muslim experiences, throughout the book there emerge conversations about the boundaries of Islam in relation to culture, ethnicity, and theology. At times, when these varied communities share ritual and communal space together, questions of authenticity unfold, such as over language or notions of piety. Despite moments of tension around tribalism and questions of legitimacy, we learn that often Islam for

From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico's engagement with outer space is fundamental to its identity. Mexico in Space: From La Raza Cósmica to the Space Race (University of Arizona Press, 2026) offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams. Anthropologist Anne W. Johnson reveals Mexico's unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world's cosmic futures. Johnson introduces us to satellite engineers, community astronomers, space generation youth, and artists imagining Mars, each crafting alternative cosmic futures. As space exploration increasingly becomes the domain of billionaires and superpowers, this book offers a compelling count

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on s

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad imp

How police abuse ignited the Chicano movement in the Southwest Brown and Blue: Mexican Americans, Law Enforcement, and Civil Rights in the Southwest, 1935-2025 (UNC Press, 2025)  offers a sweeping history of Mexican American interactions with law enforcement and the criminal justice system in the US Southwest. Looking primarily at Arizona, California, New Mexico, and Texas, Brown and Blue tells a complex story: Violent, often racist acts committed by police against Mexican American people sparked protests demanding reform, and criminal justice authorities sometimes responded positively to these protests with measures such as recruiting Mexican Americans into local police forces and altering training procedures at police academies.Brian D. Behnken demonstrates the central role that the struggle for police reform played in the twentieth-century Chicano movement, and the ways its relevance continues to the present. By linking social activism and law enforcement, Behnken illuminates how the policing issues of to

Taco (Bloomsbury, 2025) is a deep dive into the most iconic Mexican food from the perspective of a Mexico City native. In a narrative that moves from Mexico to the United States and back, Dr. Ignacio M. Sánchez Prado discusses the definition of the taco, the question of the tortilla and the taco shell, and the existence of the taco as a modern social touchstone that has been shaped by history and geography.  Challenging the idea of centrality and authenticity, in this latest addition to the Object Lessons series, Dr. Sánchez Prado shows instead that the taco is a contemporary, transcultural food that has always been subject to transformation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more abou

Immigration is one of the most controversial topics in the United States―and everywhere else. Pundits, politicians, and the public usually depict immigrants either as villains who pose a threat to our economy, culture, and safety, or as victims―needy outsiders whom we must help, at our own cost if necessary. But the data clearly debunk both narratives. From jobs, investment, and innovation to cultural vitality and national security, more immigration has an overwhelmingly positive impact on everything that makes a society successful.In The Truth About Immigration: Why Successful Societies Welcome Newcomers (St. Martin's Press, 2024), Wharton professor Zeke Hernandez draws from nearly twenty years of research to answer all the big questions about immigration. He combines moving personal stories with rigorous research to offer an accessible, apolitical, and evidence-based look at how newcomers affect our local communities and our nation. You’ll learn about the overlooked impact of immigrants on investment and

Migration between the United States and Mexico is often compared to the river that runs along the border: a "flow" of immigrants, a "flood" of documented and undocumented workers, a "dam" that has broken. Scholars, journalists, and novelists often tell this story from a south-to-north perspective, emphasizing Mexican migration to the United States, and the American response to the influx of people crossing its borders. In Caught in the Current, Irvin Ibargüen offers a Mexico-centered history of migration in the mid-twentieth century. Drawing on Mexican periodicals and archival sources, he explores how the Mexican state sought to manage US-bound migration. Ibargüen examines Mexico's efforts to blunt migration's impact on its economy, social order, and reputation, at times even aiming to restrict the flow of migrants. As a transnational history, the book highlights how Mexico's policies to moderate out-migration were contested by both the United States and migrants themselves, dooming them to fail. Ultimately,

News media and pundits too frequently perpetuate the notion that Latinos, both US-born and immigrants, are an invading force bent on destroying the American way of life. Leo R. Chavez challenges the basic tenets of this assumption and other myths of the "Latino threat," providing a critical investigation into the fears and prejudices that are used to malign an entire population. In this updated and expanded third edition of his groundbreaking book, Chavez incorporates Donald Trump's emergence in American political life, with particular focus on the US-Mexico border as a site of political theater and the further sharpening of anti-Latino and anti-immigration rhetoric in public discourse. He also includes new discussions of "anchor babies," Dreamers and DACA, Latina reproduction and white replacement theory, and the emotional and psychological effects of negative political rhetoric on those whom it targets. Through trenchant analysis, this book reexamines urgent questions about what it means to be American. Lea

How can habits of racialization be affected by art, in its reception and its creation? How can a carnal aesthetics help us understand Latinx life? What if we listen to photographs? How might they undo us? Can we be undone? In Carnalities: The Art of Living in Latinidad (Duke UP, 2025), Mariana Ortega focuses on photography using a hermeneutics of love and critical phenomenology to think about and with creative practices of primarily Latinx artists. Moving from the ocular to the mouthly, Ortega opens up possibilities for being affected by art. She also shows how artists use aesthetic practices to transform themselves, the possibilities for life, and as means to refuse to forget the dead. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of me

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular spee

In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode revea

“No country is ever just one thing.” In her new book Cuba: An American History (Scribner, 2021), NYU historian Ada Ferrer shows this again and again. In clear and engaging prose, Ferrer narrates five centuries of history from a decidedly different angle than previous one-volume studies; the main drivers of history in this book are not just familiar political figures and abstract historical forces, but a whole range of typically marginalized historical actors. Ferrer integrates the voices of the enslaved, ordinary Cubans, and her own family to reimagine what it means to tell the history of the island. Part of this reimagining also involves showing the many points of convergence between the history of the United States and Cuba. Ferrer uses many anecdotes—such as the story of the inauguration of a Vice President of the United States on a sugar plantation in Cuba—to suggest how the lines between Cuban and American history were often blurred together. The result is a finely crafted and deeply personal book that e

Community voices are often an underrepresented aspect of our historical and cultural knowledge of the U.S. Southwest. In this episode, we sit down with Vanessa Fonseca-Chávez and Anita Huízar-Hernández, editors of meXicana Roots and Routes: Listening to People, Places, and Pasts (U Arizona Press, 2025). In this collection, established and emerging scholars draw upon their rootedness in the U.S. Southwest and U.S.-Mexico borderlands. The meXicana contributors use personal and scholarly inquiry to discuss what it means to cultivate spaces of belonging, navigate language policies, and explore and excavate silences in various spaces, among other important themes.From the recruitment of Latinas for the U.S. Benito Juárez Squadron in World War II, to the early twentieth-century development of bilingual education in Arizona, to new and insightful analyses of Bracero Program participants and their families, the book details little-known oral histories and archival material to present a rich account of lives along the

Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive

While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how t