Off Panel: A Comics Interview Podcast

Writer/artist Caitlin Yarsky joins the show to talk about her upcoming Dark Horse Comics series Living Hell and what goes into soloing a comics project. Yarsky discusses her current slate, working on Black Hammer, how she engages with comics, influences outside of comics, overthinking art, the origins of Living Hell, the appeal of folklore and mythology, domestic life, writing for yourself, the different levels of ideas, the hook of the book, pulling from real life, her process, working with Dark Horse, the business side of comics, the Portland art community, and more.

Writer Kelly Sue DeConnick joins the show to talk about her upcoming Dark Horse Comics series FML and everything that comes with it. DeConnick discusses current stress levels, the origins of FML, its evolution, the glory of David López, FML's visual styles, her collaboration with López, building from her own life, FML's personal nature, embracing the pandemic, finding humor in the nightmare, relearning creator-owned, marketing comics, Dark Horse's fit, figuring out next steps, the human side of creation, and more.

Artist Chris Samnee joins the show to talk about Batman and Robin: Year One and how he does what he does. Samnee discusses how he works, his collaboration with Mark Waid, its evolution, learning about how he wants to work, managing multiple titles at once, the RC Coda experience, how Batman and Robin: Year One came together, what it's all about, the pressure of this project, how his own taste has guided the project, the joy of drawing Batman, working with Mat Lopes, tackling The Last Halloween, Mark Chiarello, the importance of always learning, and more.

Artist Dustin Nguyen joins the show to talk about his career and his upcoming crowdfunded art book, The Art of Descender. Nguyen discusses convention life, what he's working on these days, working with other publishers, his early days as an artist, figuring out your art, the impact of influences, watercolors, breaking in, learning on the job, his Wildstorm experience, comfort's place in his career, working with Jeff Lemire, the origins of The Art of Descender, what's going into the book, his pencils, how he decided what to include, crowdfunding, how the role of an artist has changed, what keeps him excited about art and comics, and more.

IDW Associate Editor Jake Williams and Assistant Editor Nicolas Niño join the show to talk about their roles in the editorial ecosystem and their journeys in comics. The pair discusses the daily life of an editor, how editorial works, being roommates and co-workers, how different their roles are, drawing in new readers, how they got into comics, the value of big, bold takes, carrying that into their editorial work, why they wanted to work in comics, breaking in, finding your angle on properties, figuring out the job, their favorite part of the work, cover artists they'd like to work, a project they nailed, the new TMNT era, what has them excited about comics, hair choices, and more.

Writer/artist Dustin Weaver joins the show to chat about his career, path in comics, and his work on Image Comics releases like Paklis and 1949. Weaver discusses his night owl nature, maintaining a schedule, following whims, embracing himself, revisiting old work in Paklis, when he first got into comics, how his interest in the medium has evolved, being creatively autobiographical, his Wildstorm internship, what he learned at Marvel, the origins of Paklis, doing his own thing, existing on multiple sides, how he decides what to include, his creative process, writing but not drawing, continuing to evolve, and more.

Writer/artist Michael Walsh joins the show to talk about his incredibly busy workload on titles like Universal Monsters: Frankenstein, The Sacred Damned, and Nullhunter. Walsh discusses his full dance card, drawing Magic the Gathering cards, how that Frankenstein book came together, eliciting emotions, the looming shadow of its history, double page spreads, The Horizon Experiment, the twists of The Sacred Damned, the horror shift, Nullhunter's origins, why he's not drawing it, its visuals, pairing interests together, balancing wants and needs as a creator, the world of Magic the Gathering, managing an increasingly busy life, and more.

The Beat's Heidi MacDonald returns to the podcast to talk about Penguin Random House's acquisition of BOOM! Studios and our expectations for San Diego Comic Con. MacDonald discusses the big PRH/BOOM! news, why the former may have wanted to acquire the latter, the big news ahead of San Diego Comic Con, where things are right now, DSTLRY's big move, how SDCC is shaping up, how unique SDCC is relative to other conventions, the big plans The Beat has for the event, her upcoming daily TV show, celebrating 20 years of The Beat, the evolution of comic cons, what keeps her excited about The Beat, and more. There are two corrections from the podcast. First, Filip Sablik's title at BOOM! Studios was actually President of Publishing & Marketing, not Sales & Marketing as I stated in the episode. Second, while Tiny Onion does a lot of design and production work for DSTLRY, Emma Price, Erika Schnatz, Jared K. Fletcher, Francesco Francavilla, and Lee Garbett have also done design work on a variety of individual titl

Writer/aritst Christian Ward joins the show to talk about his new art book, Many Worlds - The Art of Christian Ward - Volume One and his series at DSTLRY, Spectregraph. Ward discusses how his schedule works, leaning into momentum, idea generation, his crowdfunding emotions, the origins of his art book and why he wanted to do it, figuring out what to include in it, revisiting his work, what guides his art, his approach to Spectregraph, thinking out visuals, the appeal of horror, writing for himself, how the role of an artist has changed, and more.

Writer/aritst Ryan Stegman joins the show to talk about his work on the upcoming X-Men at Marvel and the upcoming The Missionary at DSTLRY. Stegman discusses his work on the X-Men, refining his process, how his input changed the team, his personal X-Men history, the energy he wants for the team, character designs, finding his own visual identity, how the project came together, The Missionary's mash up nature, canon texts, the origins of The Missionary, collaborating with Jason Howard, his work as a writer, idea creation, and more, before we close with a little talk about the Detroit Pistons and the NBA.

Writer James Tynion IV joins the show to talk about his busy dance card of late on books like The Department of Truth and The Nice House by the Sea. Tynion discusses Stephen Sondheim's influence, learning from other creators, finding power in old forms, how adaptations shift his view of his work, balancing everything, what exactly the new Tiny Onion is, maintaining momentum, the importance of availability, w0rldtr33's surprises, the new direction in The Nice House by the Sea, what he learned from his recent Kickstarter, crowdfunding's power, how far his plans go out, and more.

Artist Terry Dodson joins the show to talk about his life as a working artist on comics like AdventureMan and The Manchurian. Dodson discusses his recent European trip, his European lean, the Lake Como Comic Art Festival experience, keeping himself excited, his video game work, how he decides which projects to take on, the appeal of risk, collaborating with his wife and inker Rachel, his recent art book, how his decision making process has evolved, what covers do for him, the places his job take him, how industry variance affects his thinking, his longevity, and more.

Popverse's Editor Graeme McMillan joins the show to talk about his new role at the comics and pop culture site before we dig into an array of hot topics and trends in the world of comics. McMillan discusses his new role at Popverse, how it came together, the evolution of the comics journalism space, the impact of adaptations on comics, the end of Krakoa, what's next for the X-Men, the destruction of social media, comics marketing, the fractured conversation, newsletters, the power of comic lines, publishers crowdfunding, converting comics to other formats, Miracleman's struggles, The Power Fantasy, what he's excited for in the rest of the year, and more.

Writer/artist Jim Starlin joins the show to talk about his career and the soon-to-be crowdfunded omnibus for his comic series, Breed. Starlin discusses his freestyling ways, how he approaches storytelling, the projects he's the most proud of, learning from his collaborators, The Death of Captain Marvel, the comings and goings of publishers, bringing Breed back, how he views himself, where he starts with his stories, creating and building on characters, writing for others, KGBeast, the evolution of comics, what keeps him motivated, and more.

Retailer Steve Anderson joins the show to talk about what he's seeing at his comic shop chain in Maryland and Virginia, Third Eye Comics. Anderson discusses Free Comic Book May, the importance of turning your shop into a destination, being more than a comic shop, creating crossover appeal, how the year has been in his shops, standout performers, the area of effect of big hits, marketing comics, Third Eye's expansion, his product mix, what's working, what isn't, the X-Men transition, the cyclical nature of comics, and more.

Artist/writer Sanford Greene joins the show to talk about his work in this week's Doom #1 and where he's at in his career. Greene discusses the origins of his Doom book, its nature as a story, the book's focus, working with Jonathan Hickman, writing comics for the first time, his art on the book, the title's unusual nature, Doom's NBA comp, how Bitter Root changed things for him, how his career is shifting, future interest in writing, his work on Spider-Man: Across the Spider-Verse, art style, and more, before we close with a chat about the NBA playoffs (as of May 6th).

Artist Humberto Ramos joins the show for a rare in-person episode, as we chat about his career, art, and love of comic book artists. Ramos discusses the different types of conventions, experiences, his love of art and artists, the artists that inspired him, the early days of his career, learning from each project, Mark Waid's impact, learning from his peers, becoming an influence himself, what keeps him motivated, how he views his own art, and more.

Cartoonist Patrick Horvath joins the show to talk about his path to comics and his IDW series Beneath the Trees Where Nobody Sees. Horvath discusses the convention experience, the appeal of comic art versus movies, the costs of creativity, learning on the job, how his route to comics changed his approach, the origins of Beneath the Trees Where Nobody Sees, thinking in story, the book's lead, serial killers, selling anthropomorphic characters, his creative process, knowing where you're going, his use of gouache, his learning curve, Hassan Otsmane-Elhaou's lettering, the book's hit nature, where he's headed, and more.

Artist Jacob Phillips joins the show to talk about his career and busy dance card with Newburn, That Texas Blood, and The Enfield Gang Massacre. Phillips discusses how he works, managing schedules, his speed, how coloring himself impacts his process, tackling multiple roles, how he ended up as a comic artist, illustration work, the different steps in the process, happy accidents, his work on Megalopolis, his crime heavy slate, genre requirements, balancing multiple projects, drawing for yourself, photo reference, finding solutions, his cover work, what's next for him, and more.

ShortBox and ShortBox Comics Fair's Zainab Akhtar join the podcast this week to talk about her journey in comics, the recent closure of ShortBox, and what's next for the Comics Fair. Akhtar discuss how things have changed since ShortBox closed, the different roles of a publisher, ShortBox's evolution, the amount of work connected to it, the path to closing, how ShortBox Comics Fair came to be, the variety of comics in the Fair, Fair comics versus ShortBox comics, production value, the quarterly boxes, staying true to yourself, her love of comics, how her experiences have changed those feelings, and more.