New Books In French Studies

Paris, 1599. At the end of the French Wars of Religion, the widow Renée Chevalier instigated the prosecution of the military captain Mathurin Delacanche, who had committed multiple acts of rape, homicide, and theft against the villagers who lived around her château near the cathedral city of Sens. But how could Chevalier win her case when King Henri IV's Edict of Nantes ordered that the recent troubles should be forgotten as 'things that had never been'?  A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France (Oxford UP, 2024) is an original and wide-ranging account of the impact of the religious wars on daily life. Based on neglected archival sources and an exceptional criminal trial, it recovers the experiences of women, peasants, and foot soldiers, who are marginalized in most historical accounts. Tom Hamilton shows how this trial contributed to a wider struggle for justice and an end to violence in postwar France. People throughout the society of the Old Regime did not co

How can territory and peoples be organized? After the dissolution of empires, was the nation-state the only way to unite people politically, culturally, and economically?  In Post-Imperial Possibilities: Eurasia, Eurafrica, Afroasia (Princeton UP, 2023), historians Jane Burbank and Frederick Cooper examine three large-scale, transcontinental projects aimed at bringing together peoples of different regions to mitigate imperial legacies of inequality. Eurasia, Eurafrica, and Afroasia—in theory if not in practice—offered alternative routes out of empire. The theory of Eurasianism was developed after the collapse of imperial Russia by exiled intellectuals alienated by both Western imperialism and communism. Eurafrica began as a design for collaborative European exploitation of Africa but was transformed in the 1940s and 1950s into a project to include France’s African territories in plans for European integration. The Afroasian movement wanted to replace the vertical relationship of colonizer and colonized with a

Mediterranean maritime art and the forced labour on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France (Getty Research Institute, 2022) by Dr. Gillian Weiss & Dr. Meredith Martin changes that. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasises the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circ

In The French Invention of Menopause and the Medicalisation of Women's Ageing (Oxford University Press, 2022), Alison Downham Moore discusses her contribution to the history of women's ageing. Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years.  This is the first comp

Charles Coutino discusses Ridley Scott's film "Napoleon" with military historian Jeremy Black. Is it accurate? Is it inaccurate? Does it matter? Listen in to the discussion.  Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Camelids are vital to the cultures and economies of the Andes. The animals have also been at the heart of ecological and social catastrophe: Europeans overhunted wild vicuña and guanaco and imposed husbandry and breeding practices that decimated llama and alpaca flocks that had been successfully tended by Indigenous peoples for generations. Yet the colonial encounter with these animals was not limited to the New World. Llamas Beyond the Andes: The Untold History of Camelids in the Modern World (University of Texas Press, 2023) by Dr. Marcia Stephenson tells the five-hundred-year history of animals removed from their native habitats and transported overseas. Initially Europeans prized camelids for the bezoar stones found in their guts: boluses of ingested matter that were thought to have curative powers. Then the animals themselves were shipped abroad as exotica. As Europeans and US Americans came to recognize the economic value of camelids, new questions emerged: What would these novel sources of protein and

Privilege, Economy and State in Old Regime France: Marine Insurance, War and the Atlantic Empire Under Louis XIV (Boydell Press, 2023) closely analyses the rise and fall of Louis XIV's marine insurance institutions in Paris, which were central to the French monarchy's efforts to stimulate commerce, colonial enterprise and economic growth. These institutions were the projects of two leading ministers, Jean-Baptiste Colbert and his son, the Marquis de Seignelay. While both men recognised that marine insurance was crucial for protecting commercial investment in French maritime endeavours, Colbert looked to private enterprise to lure capital away from passive investments in state debt towards the marine insurance industry. Seignelay, by contrast, leveraged the tools of privilege on which the French economy was built by creating the first chartered company in the history of marine insurance. In exploring the global insurance portfolios of the men and women who joined these institutions - and the conflicts that aro

Judith Surkis's Sex, Law, and Sovereignty in French Algeria, 1830-1930 (Cornell UP, 2019) traces the intersection of colonialism, law, land expropriation, sex, gender, and family during the century after the French conquest of Algeria in 1830. Seeking to assimilate Algerian land while differentiating Algerian Muslims from European settlers, colonial authorities developed a system that confined Muslim law to family matters while subjecting Algerian property to French Civil law. Securing and extending French sovereignty over Algeria, this system deprived Algerian Muslims of full citizenship rights while reinforcing French colonial authority. Sex, Law, and Sovereignty is a rigorous and provocative critical "history of the present" that illuminates the persistence of the "Muslim question" in contemporary France. In chapters focused on polygamy, repudiation, and child marriage, the book traces the ways that the French fantasies of the family, including the sexualization of Muslim women and a preoccupation with the

Jennifer Cazenave’s An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah (SUNY Press, 2019) is a fascinating analysis of the 220 hours of outtakes edited out of the final nine and a half-hour 1985 film with which listeners and readers might be familiar. Well known around the world as one of the greatest documentary films ever made, and certainly one of the most important works/artifacts of Holocaust history and memory, Lanzmann’s eventual finished film emerged from an astonishing 230 hours of interview footage shot in various locations. Commissioned originally by the State of Israel to make a film about the catastrophe, Lanzmann collected these testimonies over a period of several years before beginning the epic task of editing the film. He saved the outtakes as a vital repository of accounts of those who had lived through the Shoah. The footage has since been acquired, preserved, and digitized as an archive by the United States Holocaust Memorial Museum. The chapters of Cazenave’s boo

When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East.  The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to cont

Emma Kuby’s new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism’s “concentrationary universe” and to oppose any repetition of its crimes in the postwar world. Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC’s members and activism were caught up in the politics of the Cold War. This included receiving funding support f

The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. At 12.00 midnight, Maximilien Robespierre, the most prominent member of the Committee of Public Safety which had for more than a year directed the Reign of Terror, was planning to destroy one of the most dangerous plots that the Revolution had faced. By 12.00 midnight at the close of the day, following a day of uncertainty, surprises, upsets and reverses, his world had been turned upside down. He was an outlaw, on the run, and himself wanted for conspiracy against the Republic. He felt that his whole life and his Revolutionary career were drawing to an end. As indeed they were. He shot himself shortly afterwards. Half-dead, the guillotine finished him off in grisly fashion the next day. The Fall of Robespierre (Oxford UP, 2021) provides an hour-by-hour analysis of these 24 hours. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War B

The Illuminated Window: Stories Across Times (Reaktion, 2023) is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration. Dr. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris’s Sainte-Chapelle to Swiss guildhalls, Iran’s Pink Mosque, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works. This interview was conducted by Dr. Miranda Melcher whose forthc

Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, th

The moorlands of Gascony are often considered one of the most dramatic examples of top-down rural modernization in nineteenth-century Europe. From an area of open moors, they were transformed in one generation into the largest man-made forest in Europe. Body and Tradition in Nineteenth-Century France: Félix Arnaudin and the Moorlands of Gascony, 1870-1914 (Oxford University Press) explores how these changes were experienced and negotiated by the people who lived there, drawing on the immense ethnographic archive of Felix Arnaudin (1844-1921). The study places the songs, stories, and everyday speech that Arnaudin collected, as well as the photographs he took, in the everyday lives of agricultural workers and artisans. It argues that the changes are were understood as a gradual revolution in bodily experiences, as men and women forged new working habits, new sexual relations, and new ways of conceiving of their own bodies. Rather than merely presenting a story of top-down reform, this is an account of the flexi

How did the "Reign of Terror" end? In his new book, The Afterlives of Terror: Facing the Legacies of Mass Violence in Postrevolutionary France (Cornell University Press, 2019), Ronen Steinberg explores the end of "the Terror" of 1793-94 as a process that included a range of legal, material, ethical, psychological, and emotional challenges. From the vocabulary and stories people used to describe the experience of revolutionary violence, to debates about accountability, redress, and commemoration, Steinberg's book traces the complicated aftermaths of a period that different observers have since characterized as either a part of or apart from the Revolution and its values. Throughout its caerful and provocative chapters, The Afterlives of Terror takes up concepts that have most often been used to think about and examine the Holocaust since the middle of the twentieth century: trauma, transitional justice, and coming to terms with the past. Not seeking to equate the violence of the Terror with the violence of the

Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury), Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its

How did Foucault become a public, political intellectual? In Foucault: The Birth of Power (Polity Press, 2017), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick, follows up his book on Foucault’s Last Decade with research on Foucault’s work from the late 1960s to the middle 1970s. As with Foucault’s work at the time, the book is focused on the emergence of a new understanding of power, alongside detailed engagements with archival materials and the recently published College De France lecture series. The book offers an alternative reading to traditional periodisations of Foucault’s work, suggesting engagements with ancient Greece, ‘repressive’ theories of power, and his public political work, can be rethought to add nuance and depth to current understandings of Foucault’s theories of the ‘productive’ nature of power and the practice of his scholarship. The book is part of Elden’s broader project on Foucault much of which is detailed on his Progressive Geographies blog. The

Many of our presumptions about the Panama Canal Zone are wrong; it was not carved out of uninhabited jungle, the creation of Lake Gatún did not flood towns and force them to move, people living in the zone prior to the construction of the canal were not out of step with modernity. In her new book, Erased: The Untold Story of the Panama Canal (Harvard University Press, 2019), Marixa Lasso argues compellingly that the construction of the Panama Canal prompted the destruction of a bustling network of towns, along with the livelihoods and democratic traditions of their inhabitants. Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union’s castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacL