Seriously...

Stanley Tucci continues his history of California with the story of Silicon Valley's troubled founder, William Shockley. Shockley was the man who first brought silicon to Silicon Valley in the 1950s. He was an undoubted genius. But he was also a hideous boss and an irredeemable racist. California wants to dazzle you with its endless sunshine and visions of the future – but that’s just a mirage. Stanley Tucci plays a hard-boiled screenwriter uncovering the full, sordid truth. He knows exactly where all the bodies are buried. Academic consultant: Dr Ian Scott, University of Manchester Written and produced by Laurence Grissell

The value society places on physical appearance has never quite made sense to blind presenter Lyndall Bywater and yet she's intrigued to discover why it matters so much to those of us in the sighted world. How much of an advantage is it to be beautiful? And what is physical beauty anyway? We've heard about the gender bias, the age bias, and the racial bias but few people talk about the beauty bias and yet it's one of the very first judgements we make when we meet someone. In this programme Lyndall explores this invisible force that controls how we behave - and reveals that when it comes to physical beauty, we all unconsciously discriminate. Producer: Sarah Shebbeare Researcher: Robbie Wojciechowski

Across the world people were presented with what appeared to be a heart-breaking but straightforward story of a father and his motherless daughter struggling to get to Britain. But behind those headlines lay a far more sinister truth. BBC Journalist Sue Mitchell and former soldier Rob Lawrie discover that the little girl appears to have simply vanished. Can they find her in time? Girl Taken is a 10-part hunt - across closed borders and broken promises - for the truth and to find a little girl, taken. Listen to the rest of the series on BBC Sounds. Producer: Sue Mitchell Studio Production and Sound Design: Richard Hannaford

Kerry Hudson, author of Lowborn, has learned to code switch with the literary elite, but how can people stuck in poverty or middle class bubbles make meaningful connections? Kerry starts her exploration in her native Scotland with a project providing 'pre-loved' school uniforms to families in poverty. As vital a service as this is it’s the way people access it that's important. Founder Julie Obyrne makes it as simple, as discrete and respectful as possible. There are no forms to fill out, no referral process or establishing of need. You phone the number, give your first name and simply explain what you require. Julie will then meet you at the local shopping centre and hand it over. Confidentiality and dignity are at the heart of the service. But if this is the way that people who are struggling need to access help why isn't anyone listening to them? Kerry's next stop is with a project aiming to address just that. Expert Citizens put people with lived experience at the centre of service design. It draws on

The lift comes to life and tells the story of how the elevator changed the way we live. Emma Clarke plays the voice of the lift in this cultural history of the elevator. As we step inside, the doors close and the lift starts to speak, telling us its story. Before the lift, the top floor was the least desired and most unhealthy place to live. The lift changed all that and made the penthouse glamorous and desirable. The lift made life immeasurably easier but it also brought many anxieties - about safety and the strange, forced intimacy of the lift car. It's also been a source of inspiration for writers - from 19th century German literature right through to Hollywood. And now the lift is about to undergo a radical shift - as engineers develop a lift with no limits on how high it can go. Step inside, relax, and allow the lift to tell you its story. Producer: Laurence Grissell

Many animals can navigate by sensing the earth's magnetic field. Not humans, though. But might we have evolved the sense but forgotten how to access it? 40 years ago a British zoologist thought he had demonstrated a homing ability in humans. But his results failed to replicate in America and the research was largely discredited. But new evidence suggests that our brains can in fact detect changes in the magnetic field and may even be able to use it to navigate. Jolyon Jenkins investigates, and talks to a Pacific traditional seafarer who has learned to navigate vast distances across the ocean with no instruments, and who describes how, when all else fails, he has been able to access what he calls "the magic". Is the magic still there for all of us, just waiting to be rediscovered? Producer: Jolyon Jenkins

What lies behind Boris Johnson's overwhelming election victory? In this programme, Anne McElvoy talks to the key figures across the political spectrum about how the 2019 general election was fought and lost. To what extent was this a 'Brexit election' and how did the Conservative Party reach out to voters in places that it had not won for decades and in some cases generations? Why did the Opposition Parties agree to holding the election in the first place? What led to Labour's worst defeat since 1935 and why did Jeremy Corbyn's campaign fail to make the impact he had made in 2017? Why did the Liberal Democrats struggle to make the breakthrough that they had hoped for and what difference did the Brexit Party's decision to stand down in Conservative held seats make to the result. Producer: Peter Snowdon

"When I was in primary school, I remember being asked to draw our house. I drew our temporary accommodation, which back then was just an ordinary house. And I think about children living in these office blocks - what would they draw?" When Immie was growing up, she lived in emergency and then temporary accommodation with her mum and three sisters. Temporary can be permanent for many people, but today she feels much more secure. Then one day something odd happened. She was on the bus, on the to deck, looking into the first floor of an ugly office block on the side of the busy A12 in north east London. She could see it had been converted, and there were people living up and down all seven floors. In tiny flats. Some of them were much smaller than the government's minimum space standard. Immie wanted to know how this was possible. We often hear that there is a national housing crisis, but don't always understand what that means. Immie, who is just 22, has made over 80 freedom of information requests to find o

Eddie was set to become another statistic, another teenager killed by rising levels of knife crime. But Eddie’s life was saved by the new field of trauma science. It is revolutionising the way people are treated after shootings, traffic accidents or any injury that causes catastrophic bleeding. The doctors that pioneered the work call it Code Red. Your chances of surviving major bleeding are now higher than ever before. So what changed? Quite simply trauma medicine has been turned on its head. Before 2007, doctors would have treated Eddie’s catastrophic bleeding by trying to replace the fluid leaking out of his stab wounds. Salty water, called saline, and just one component of our blood – the oxygen carrying red blood cells – would be put back into Eddie’s body - in what's called a massive transfusion. It seemed like a good idea. Keep the blood pressure up, keep oxygen moving round the body and keep the patient alive. But that’s not what happened - around half of people died on the operating table. The pr

In the hands of artists, smog, landfill and sewage become beautiful, witty and challenging statements. As the scale of pollution intensifies, Emma meets the artists who are finding original and compelling ways to make us understand and feel the crisis of filth. Zack Denfeld and Cat Kramer harvest air pollution in cities around the world, whipping up egg whites on street corners. They bake them into meringues and hand them out to the public who can’t help but react to eating the city’s pollutants. Mexican collective Tres guide Emma through their studio, piled high with collected rubbish: they’ve filled a gallery with 300,000 stinking cigarette butts, taken over the streets to preserve fossilized chewing gum and crawled for months on Australian beaches filtering through marine plastic. Nut Brother has courted controversy with his performance of dragging 10,000 bottles of polluted water from Shaanxi to Beijing while John Sabraw wades through Ohio’s filthy streams, capturing iron oxide from unsealed mines

In the heart of Hitler’s Nazi Germany, members of the Resistance worked tirelessly and at great risk to themselves to help those whose lives were threatened. Amongst them was Elisabeth Charlotte Gloeden – known as Liselotte or “Lilo” – who, along with her husband Erich, hid Jews in their home in Berlin, before arranging safe passage for them out of Germany. Both Lilo and Erich had Jewish fathers. Hers was a prominent skin specialist and he was hounded from his job by the Nazis. Lilo’s Jewish heritage led to her being driven from the legal profession at the outbreak of war in 1939. The couple’s efforts went undetected until 1944 when they took in General Fritz Lindemann, who was being hunted by the Gestapo for being part of the plot to assassinate Hitler. They stood trial in November 1944 before one of Germany’s most feared judges, Roland Freisler. This programme tells the remarkable story of the couple and of others who hid and were hidden in Nazi Berlin. Presenter: Fergal Keane Producer; Alice Doyar

The KLF aka The Jams aka The Timelords aka The K Foundation aka K2 Plant Hire aka The Justified Ancients of Mu Mu... it's complicated. Whatever name or weird mythology they happened to be operating under at the time, Bill Drummond and Jimmy Cauty managed to top the UK pop charts in the early nineties with songs about love and ice-cream vans - often with plastic horns strapped to their heads. Then they turned their backs on the music industry, deleted their entire back catalogue and cremated £1 million of their own earnings on a remote Scottish island. Scroll forward 23 years and Drummond and Cauty re-emerge to announce they're building a pyramid in Liverpool out of bricks containing the cremated remains of just under 35,000 people. As more bricks are added to The People's Pyramid at the 2019 Toxteth Day of the Dead, Conor Garrett tries to work out what's going on... Produced and presented by Conor Garrett.

Photographer Garry Fabian-Miller has spent much of the last 30 years either in his dark room, or out walking on Dartmoor. That is about to end. Fabian-Miller began his career in the 1960’s but quickly tired of the typical black and white verite’ style that was then so much in vogue. Rejecting both the city streets, black and white film, and eventually the camera itself - his camera-less photography gives his work an utterly unique and other worldly quality - light pulses from deep yellow circles; the flicker of a naked flame peers through a slashed curtain of deep blue. His inspiration the moors he walks twice daily, passing through his eyes, his imagination and onto the photosensitive paper. The result is a body of work which plays with light and dark, exposure and developing – producing an acclaimed body of work recognised by both buyers and museums as like no other - collectors range from Sir Elton John to the V & A. But the onslaught of digital has signalled to him that things are changing – both

For most of her life, Janice Wilson suffered from strange and terrifying attacks at night. She would wake up, suddenly, feeling as though she was being choked or strangled. The next day, there would be blood on her pillow. Sometimes she’d have up to 50 of these attacks a night. It left her terrified and exhausted. For years, doctors put it down to psychological problems due to a trauma in her past. Then she met a doctor who found the astonishing, true cause. In “The Diagnosis”, Janice and the doctor who diagnosed her come together in a studio, to tell this remarkable story. The programme is presented and produced by Helena Merriman, who was inspired to tell other people’s stories of diagnosis after receiving her own surprise diagnosis a few years ago. Editor: Emma Rippon

Life is getting better. Child mortality rates have tumbled worldwide, more girls are in education, malaria is in decline and hunger is a thing of the past for most of us. So why don't we believe it? Why are so many of us convinced that we're heading for hell in a handcart? It's a question that really bothers the editor of the Spectator, Fraser Nelson. Is it the fault of journalists like him, peddling conflict and disaster rather than tales of human progress? Or are we all born with a negativity bias? Do we seek out stories of death and danger just as our ancestors listened out for sabre-toothed tigers padding ever closer to our cave? In search of answers Fraser meets some of the best-selling thinkers on human happiness- Harvard psychology professor, Steven Pinker, author of Notes on a Nervous Planet, Matt Haig and co-author of Factfulness, Anna Rosling Ronnlund. Armed with the combined intellectual heft of these purveyors of positivity Fraser returns to his Whitehall office to persuade his cynical staff

Why do we hold our opponents in contempt? Former politician Douglas Alexander believes that disagreement is good, it's how the best arguments get refined. But, today, public discourse has become so ill-tempered, snide and lacking in respect that we are no longer engaged in a battle of ideas but a slanging match. He talks to people with personal tales about how we might all raise our game and disagree better, among them a relationship counsellor, an ex-soldier, a peace broker and a foster mother. Their tips? Civility is not enough. And knowledge is essential, as well as radical honesty, fierce intimacy and openness. So, dial down the rhetoric, rein in the insults - they will persuade no-one that your opinion is worth listening to - and pay attention. Producer: Rosamund Jones Researchers: Kirsteen Knight and Gabriela Jones

Sally Marlow talks to some of the men and women who have self-harmed, and the experts who treat them, to find out what is driving so many people to self-harm. Clinical guidelines define self-harm as any act of self-poisoning or self-injury carried out by a person irrespective of their motivation. However, research reveals a worrying association between self-harm and the risk of suicide. While rates of self-harm are particularly high among teenage girls, the true picture is far more nuanced. Rates have gone up in all age groups and both genders and, more recently, in groups such as middle-aged men. So what is driving so many people to hurt themselves, and what can be done to help them? The media is quick to point the finger at social media, but Sally discovers that the reasons behind this question are as varied and complex as the people who do it. Producer: Beth Eastwood

In the first of the three-part series "Playing Well" Chris Hawkins has an intimate conversation with the band mates of Scott Hutchison, who took his own life in May 2018. In conversation with Scott's brother Grant, drummer in Frightened Rabbit, and guitarist Andy Monaghan, Chris discovers more about the anxious child who reframed his family nickname as a band name - and how he channeled a rare lyrical talent, determination and energy into the creation of one of Scotland's most important and influential rock bands. Charting the rise of the band and Scott's intense, occasionally hilarious approach to live performance, Grant frankly addresses the pressures his brother faced - and the structural pressures faced by anyone in the music industry. Charting the exhausting aftermath of suicide, Grant talks about defining Scott as a songwriter, in the hope that the existence of works which appear to presage his death don't create a misleading impression of Scott's life. It's a moving portrait of a fascinating artist,

As a teenager, the writer Varaidzo lost interest in school. She investigates the so-called "educational dip" and talks to teenagers about ways they think the school curriculum might be made more appealing and useful to them in later life. She also meets Lord Baker, the minister responsible for setting up the national curriculum more than thirty years ago; and she talks to futurists and those researching the future of work, to find out what they think the students of today should be learning. Producer: Ellie Richold

Between the fall of the Berlin Wall on 9 November 1989 and the policy's hastily enforced end on 29 December 1989, East German citizens claimed an estimated four billion Deutschmarks in so-called ‘Begrüßungsgeld’ or ‘welcome money’ from the West German authorities. Tens of thousands stood in line at banks and town halls up and down West Germany, waiting to collect their state-sanctioned gift of 100DM (around €80 today). For most East Germans, shortages of basic goods were a fact of daily life and luxuries were all but non-existent, this modest windfall represented the first true spending money that they had ever possessed, and in spending it they would have their first encounters with modern-day capitalism and consumerism. In this programme, journalist and teutonophile Malcolm Jack heads to Berlin to find out what East Germans bought with their Begrüßungsgeld and, 30 years on, what became of those purchases. In Berlin, Malcolm meets Jens ‘Tasso’ Muller from Saxony, who, on his first trip west, travelled with