Analysis

Offence, Power and Progress

Informações:

Sinopse

In 2017 it's easier than ever to express offence. The angry face icon on Facebook, a sarcasm-loaded tweet or a (comparatively) old-fashioned blog post allow us to highlight the insensitivities of others and how they make us feel - in a matter of moments. Increasingly, offence has consequences: people are told what they can and cannot wear, comedy characters are put to bed. Earlier this year, a white artist was condemned for her depiction of the body of a murdered black teenager. Those who were offended demanded that the painting be destroyed because 'white creative freedoms have been founded on the constraint of others'. It's easy to scoff. Detractors refer to those asking for a new level of cultural sensitivity as "snowflakes" and insist the offence they feel is self-indulgent. But history teaches that fringe discussions often graduate to mainstream norms. So are these new idealists setting a fresh standard for cultural sensitivity? A standard that society will eventually come to observe? Mobeen Azhar puts a