Watch This With Rick Ramos

Pier Paolo Pasolini's Saló, or the 120 Days of Sodom (1975) For most serious cineastes, Pier Paolo Pasolini's Saló, or the 120 Days of Sodom is a bridge that we all arive at and struggle with crossing; a cinematic rite of passage that challenges each of our ideas of art. Is Pasolini's final film - an interpretation of the Marquis de Sade's The 120 Days of Sodom - A Political Critique exploring Fascism and Fascist Abuse or simply an opportunistic and transgressive exploitation piece designed to simply shock without artistic merit? Fifty-one years later, audiences continue to be disgusted, angered, confused, excited, and polarized by a film that many consider a masterpiece of Italian Cinema. This week Mr. Chavez & I struggle with these same reactions as we watch this film in the long shadow of a 2026 rife with controversy: ICE, The Epstein Files, Murder, Political Lies & Propaganda and - of course - the heavy and hateful hand of the Trump Administration and its Leader. Take a listen and ask yourself how