Tonebenders Podcast

The new film Nuremberg is a surprisingly dense and complicated film for it's sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic.  The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor Ulrika Akander & Re-Recording Mixer/Sound Designer/Supervising Sound Editor Michael Babcock joined me to talk about their unique approach to the audio post on this film. Using what they refer to as a "rolling premix" the film was tackled over a longer period of time with a small crew. They discuss their approach to dial cleaning, historic footage, ADR recording and using audio to focus the audiences attention.______ On Thursday January 8th, Tonebenders will be hosting a free screening of the film F1, at the Glen Glenn Film Center, that will be followed by a live interview with the sound team behind the film. Glen Glenn’s studio one is about the greatest place possible to hear a film with such dense and powerful sound design