Composer Of The Week

This week, Donald Macleod explores Wagner’s world of dreams – musical, romantic and revolutionary. Wagner didn’t just write operas; he imagined entire worlds, reshaping reality to fit his ideals. His stories blur fact and fantasy, turning myth into truth and politics into drama. From youthful ambitions and radical uprisings to scandal, patronage and the creation of Bayreuth, we follow a composer whose dreams were as grand as his music.Götterdämmerung, Act III: Siegfried’s Funeral March Die Feen, Act II: Weh uns, weh!; O musst du, Hoffnung, schwinden Piano Sonata in B-flat Major, WWV 21, Op. 1 (ii. Larghetto) Lohengrin, Act III: Prelude and Bridal Chorus Das Liebesverbot, Act 1: Kennst du das Leid der Elternlosen; Herbei, betrognes Volk The Flying Dutchman, Extract from Act III Rienzi, Overture Das Rheingold, Prelude and Scene 1 Tristan und Isolde, Act 3: Isoldes Liebestod Albumblatt (arr. August Wilhelmj) Huldigungsmarsch Lohengrin, Act III: In fernem Land “Grail Narration” Tristan und Isolde, Extract from Ac