Composer Of The Week

James P. Johnson is known as the Father of Stride Piano, and composed the most iconic work that captures the essence of the Roaring Twenties, the Charleston. Both pianist and composer, he not only wrote jazz but also music for theatrical shows, symphonic works and opera too. He performed alongside jazz greats such as Fats Waller, Willie The Lion Smith and Sidney Bechet, and also collaborated with George Gershwin as well. Johnson was an early pioneer in the recording industry, and made many studio recordings as a soloist and with his own jazz band. Yet despite all of this, his name has been largely forgotten today. One possible reason for this is that being a transitional figure between ragtime and jazz, he’s been hard to categorise. This week, Donald Macleod will explore five periods in Johnson’s life where Johnson strove to achieve a different role: recording artist, theatre composer, performer and teacher, and also a Tickler - a ragtime saloon pianist.Music featured: Charleston Carolina Shout Fascination Co