Hanging Out With Audiophiles

Tycho is Scott Hansen and Scott is a deeply friendly and humble chap. I didnt know too much about his background or what made him tick but I tried to get to “know” him and makes some guesses about that by tuning into his music. It’s clearly so well crafted and put together with meticulous attention to detail that this man had to be fastidious but how would that quality manifest? He manages to ride us on a carpet of textures which guide the process of musical flight, once a mood is found, it’s held with patience so the listen can dwell in a land. It’s a style that has been really honed and has found a large following for good reason! It was a real treat to get on the ramble road with him. I left the interview unedited for maximum deviation potential (you’re welcome) _____ This episode is sponsored by A tasty pixel and their excellent LOOPY PRO! As many of you are aware, I’ve spent years of my life with loopers of all kinds from the crudest guitar pedals to my own Max/MSP effort in 2000 to Tim Exile’s wonderful

Hainbach must be such a busy man! Just today I received a post on his patreon that he uploaded to Medium where he eloquently described the history and character of the electronic music company Vermona that started in the GDR and now lives on. It was a review of sorts of the DRM drum machine from 1987 but he surrounded that feature with some wonderful insights into the company’s history whilst painting a picture of former East Germany. He put all this together after having made a highly compelling video on the same subject for his now legendary youtube channel where so many of us find ourselves happily gazing in on his wild sonic adventures. I’ve learnt so much from him over the years and feel a undeniable connection with him. I certainly share his passion for beguiling tone and that marveling at human inventiveness and endeavor. A tremendous story teller and tireless adventurer, we could have discussed any number of things. There was absolutely no plan to this chat and you’re going to hear what is essentially

David Haskell is a professor of biology and environmental studies at the University of the South and a Guggenheim Fellow. His 2017 book The Songs of Trees won the John Burroughs Medal for Distinguished Natural History Writing. His 2012 book The Forest Unseen was a finalist for the Pulitzer Prize and the PEN/E.O. Wilson Literary Science Writing Award, and won the 2013 Best Book Award from the National Academies, the National Outdoor Book Award, and the Reed Environmental Writing Award. His new book, Sounds Wild and Broken is out now and I was thrilled to have a chance to sit down in person with him in my studio here Nashville to discuss it briefly. Here’s a quick summary of the book from the official press release: Starting with the origins of animal song and traversing the whole arc of Earth history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that

Merry Chrimble y’all! Here’s a sonic present for your ears to unwrap.  It’s in the form of a nice fireside ramble with the excellent Stephen James Wilkinson aka Bibio.  He’s a wonderful and thoughtful chap with a very unique touch and a searching soul.  I love his musical range, his tones, his playing. YES He’s rather good! Im assuming you all know his stuff? If not you fools!  You must immediately have a listen  As in go here NOW! https://bibio.co   It’s super ooper dooper inspiring stuff and I was mighty chuffed when he agreed to come on the pod. Our paths never crossed as label mates on warp records which is a shame. God knows why.  A couple of shy dudes making waves in different countries might have had something to do with it! Ha. Anyway we are finally in a chat and even talking about working on something together which sounds good to me.  Watch this space.   He’s a wise lad so of course he has a nagra. A stereo nagra in fact.  In fact it was this conversation that really made me want to find one of my o

Such a treat to chat with Jeremy aka Red Means Recording. Now you must know who he is right? If not well you're in for a treat. He's an amazing creative soul and funky chap that makes excellent music, teaches and creates exceptional YouTube videos that go deep into the synth and electronic musical world. Highly recommended viewing. He's just great. Link to his YouTube here HELLO! Yes, I realize this has been a lonnnnng time coming. What's been up? The studio build is now hitting a new level of intensity and my Mum just left after a long visit and things have been a tad upside down so Im off my funk but here we are!   LINKS Please go and grab this new release from friend of the pod Marta Salongi and Floating points. It's a fund raiser for the charity Free Youth Orchestra which focuses on removing financial barriers between children and access to musical equipment and lessons so cool. the music is here to buy and thus support looking for something to fill the digital stocking? I can recommend this max for liv

Hello! Jamie again. I caught up with this busy Fred on his current US tour.  He’s been busy you ask?  Oh yes. I mean so so busy.  For one thing he’s penned massive pop numbers with Ed Sheeran, Stormy and other huge acts Did you know that?  I mean BIG BIG songs.  And YET his mentor and good friend is none other than  Brian Eno!   Wait.. what? Ah yes, all shall be revealed. See the thing about Fred is he will write a huge song for an act like Clean Bandit in the afternoon, then be on the phone to fourtet for arrangement advice on his solo work by dinner time.  He can write on the road, he can write in the club. He’s prolific as they come this man!   Fred has been doing so well and it was great to get this chance to chat with him  What an exceedingly positive and fun chap he is. So much talent and a very good outlook Lots of nuggets in this chat. Obv we get into the Eno connection and the come up and  Fred reveals some massive beat making secrets he learned directly from Boi-1da.  I get some advice mid show too

Max Tundra is Ben Jacobs A man that was a child that grew up in London. As pointed out on his bandcamp, he went to the same school as Jude Law and a Chemical Brother, but didn’t know them. In this disposable content age, there’s an undeniable urge to go for quantity over quality is there not? The music Ben makes as Max Tundra comes as rarely as a celestial event. We forget the rising and falling of the sun each day but we don’t forget a total eclipse now do we? This is how it felt when Mocky and I came across the LP “Mastered by guy at the exchange”. We were without sun for a while. In an unknown land that felt Most welcoming and yet most peculiar. It was genuinely new music. Something so rare that still feels fresh all these years later. Here’s what hyper pop bloke A. G. Cook said of Max Tundra’s legacy: “‘Mastered by Guy at the Exchange’ is a true cult album - a playful monolith that sounds both nothing and everything like the 2000s. Stumbling across it as a teenager, it reinforced a hunch I had: that music

TEED has an excellent new LP out now called “When the Lights Go” available on his Nice Age label. Check it ooot! HERE is Link to the album, tour info and loads of ace merch! If you didnt already get the Chamberlin ADT sample instrument I made here https://www.patreon.com/HOWA 4.64 Gb sample instrument of the instrument used by Bowie on Low! ahhh yes…let’s get on with the show….. It’s high time I chatted with this chap. We’ve hung out at multiple LA gatherings over beers and somehow never ended up in a suitable setting for a good chin wag. This has now been completely set right in what is a true alpine ramble twixt myself and the excellent TEED. We pass many a scenic wonder on our winding adventures. Touching on: the LA twilight zone Honesty and ambition Being cool TEED history Unknown music! The making of the new tones Equal love of jungle and Bach It’s just my kind of hang. Hope you enjoy it! Music comes from Andrew Huang ! he made his track exclusively with the Chamberlin ADT sample instrument I made from

Nigel is my kind of producer He has a strong sense of quality, a strong sense of who he is and what potentials artists have to be cultivated and captured. He’s my kind of producer because he gets his hands dirty and doesn’t just act as a fan of the band and take on that guru role but he’s in the trenches, setting up the mics for perfect phase alignment, getting all the sonic chains correct but without a limiting rule book. There’s so much inventiveness in the productions alongside the incredible, undeniable tone. Of course there’s that ego and strong sense of self and I ran into his resolute perspective a couple of times by asking questions he deemed sub par or misguided. Let’s put it this way, you know where you stand with Nigel and of course he has a strong perspective. Imagine the courage and strength of conviction it would take to tell Thom Yorke or Paul McCartney that they could better a take or that a lyric felt cheesy or what have you. We might all think we want to be told yes all the time but Nigel, i

You may know him for his soaring solo musical adventures or maybe you’re old school and you were always down with his band The Invisible. Perhaps you’ve seen him playing with Amy WInehouse or Grace Jones. Perhaps you’ve heard his collaborations with Adele, Yoko Ono or Tony Allen? Perhaps you’ve not come across him yet, in which case I’m very happy to make the connection. I know him as  a genuine, fascinating, generous and ultra simpatico friend that I see far too infrequently. There are few people I know that enjoy talking as much as Dave. He leads you into wild and wonderful places in his delightful and engaging explorations and I’m always keen to see where we might end up. In his presence, time seems to slow down and I find that deeply relaxing and very welcome. I often feel a tad in my head, or even headless but Dave brings a groundedness that is very settling. Those who know him have experienced his radiant smile and his tremendous, heart felt hugs. I feel very lucky to be friends with Dave. He’s a real o

  Mr maker of the odd circuits, Mr man with a vision to create a company from the ground up that dramatically changed the modular synth world forever, Mr maker of synth woven musics. Please welcome Mr Make Noise himself, Tony Rolando! We get into chatting about his excellent new album “Breakin’ is a Memory” Which you can find here Come and delve into this new work and imagine where Tony’s head is at. Making all these incredible instruments for us all make NOISE with whilst keeping his passion for the original motivation ---- the music making itself. He has the irresistible urge to create sound and frame these nocturnal excursions into an LP. He's made all this in his few free hours outside MN to stretch out and fashion a record, his way in his home studio. I’m really glad found space for this. It’s a great result and this LP is a rich listen! We get into all the juicy inside knowledge about how it was made from Tony himself. What machines were used and how. The mindset, the techniques, it’s all here! This cha

Holly Herndon is an American composer, musician, and sound artist based in Berlin Germany.After studying composition at Stanford University and completing her Ph.D. at Stanford University's Center for Computer Research in Music and Acoustics, she pursued a music career internationally. Herndon's music often includes human singing voices (including her own), is primarily computer-based, and regularly uses the visual programming language Max/MSP to create custom instruments and vocal processes. She has released music on the labels RVNG International. and 4AD. Her most recent full-length album Proto was released on May 10, 2019 which was the first full length record to utilize singing neural networks. She's recently released a way to interact with her digital twin called Holly plus and as of now you can upload polyphonic material to her homepage and receive a version of your recording with Holly plus as the voice for all parts. She is well informed about the most modern issues relating to digital rights that go

It's a first here at HOWA. YES  I've a returning guest ...... Si Bonobo ! He was here before on EP29 and now he's back to walk us deep into the making of his latest live show. It's an amazing spectacle, with a full band, ample electronics, guest vocalists, wonderful immersive visuals and a very ambitious, scalable delivery. Huge stuff! Was a treat to have him swing by my studio here in Nashville to share a coffee and have a good look into what REALLY makes such a superb show.  Hope y'all enjoy :)

First of all please send music, comments and jokes to lidellmakeswaves@gmail.com and I’ll check em :) Feel free to join the pod patreon for the best sounds and max patches in the known universe and all that! link HERE Let's get on with the show! Ive been lucky enough to work with Daniel on my album Compass (2010) where he overdubbed a stack of these double speed, beautiful burnt crystaline, shimmering pentatonic runs that wind their way through the song “completely exposed” I was working with Chris Taylor from the Band Grizzly bear which is how many of you will have doubtless discovered the magic of Mr Rossen’s voice and song craft and what a craft it is! His style is so singular and he’s got that passion in his writing and playing that sets him apart with an intricate, elegant touch on guitar that has both urgency and solidity. There’s real fire in him and at the same time a soft vulnerability and it all races around in these huge landscapes he paints in sound. Amazingly this is his first LP and what a beaut

I feel like I’ve been very close to meeting Marta for sometime now. When I went to the Sonic Ranch and met Brad Cooke he was mentioning this amazing woman who was a tape whisperer and I was determined to meet her. She sounded like the coolest! I had also heard her name through the master of mastering, Heba Kadry and then she sounded even more like the coolest! I managed to get in touch with Marta and we started talking about this interview a long time ago. I almost thought it might not happen but here we are! Marta is a force. She’s worked on some very special music and I think that’s no coincidence. She brings a deep understanding and passion to everything she does and the extra care and analog workflow really makes a huge difference when she does it, expecially with the tape effects and treatments in full view. Love that! She’s worked with Bjork, Animal Collective, M.I.A., Frank Ocean, FKA Twigs, Black Midi, Holly Hearndon and the list goes on and on! just much great work. At the MPG Awards, she won

my guest is Joe Gallagher ! I wanted to speak to him after I saw he was heavily involved in the making of the album Heaux Tales by Jazmine Sullivan which is just such a great record. I was curious to hear how he works in this capacity and in general seeing as he’s quite a private person and not super vocal on the socials etc. He’s worked as an engineer on music by Kehlani, Ariana Grande, Kindness, Usher and much more. A humble badass. I hope you enjoy this chat. thanks once again to Diana Walsh for her help on the edit. I’ve been working with Rob Burger to make new music to share in order to raise money for the terrifying, escalating Ukraine situation. I’ll be sure to alert you all when it’s ready. I’ve been VERY busy with a hefty piece of max for live meets Touch OSC to control a rather excellent and dreamy pedal over MIDI. It’s coming super soon for you all to check. Im very proud of it. I hope it’ll be a new way to make sound for those of you that own the mystery pedal.. all shall be revealed VERY soon. My

Dustin O’Halloran is an American pianist and composer with five acclaimed solo albums under his own name.  He released his first EP Sundoor with renowned classical musical label Deutsche Grammophon in 2019, and followed that up with his solo album Silfur in 2021.    He’s also a member of the band A Winged Victory for the Sullen with Adam Wiltzie, and they released their album The Undivided Five with Ninja Tune in 2019 and self-released their latest album Invisible Cities in 2021.    He’s the winner of a 2015 Emmy Award for his main title theme to Amazon’s comedy drama Transparent (2014–2017), and was nominated for an Oscar, a Golden Globe, a BAFTA and a Critics Choice Award for his score to Lion (2016), written in collaboration with Volker Bertelmann (aka Hauschka).   We get into many topics such as the old analog vs digital debat, habits at the piano, inner timing, the music of Hans Otte, the power of the ocean, icelandic breakfast, how to record the piano, working to picture and much more :)               

Welcome to Crimble escape pod EP 91.  Happy to share this chat with Jonathan Rado ! You may know him from his band Foxygen or perhaps his productions with   The Killers,  The Lemon Twigs, Tim Heidecker, Whitney, Alex Cameron, Father John Misty or perhaps Weyes Blood? I had a blast meeting him in the covid lull a while back where we had a rare face to face chinwag. We talk about his work with the killers, his come up and his early sonic adventures. How Richard Swift was a hugely pivotal force, both as a musical inspiration and then as a teacher. We get into his working alongside the magical Shawn Everett on many projects and the secret of his success in terms of the mystical “Rado effect”! ___  In the nitty I get into the rare world of the double head. Yes, not one but 2 Neumann ku100s were used to produce this one. Working a little with the idea of creating a far far away mic fade. We shall answer the age old question, are 2 heads are better than 1? Check it  ____ I chat about my new big modular case. A thing