Square Notes: The Sacred Music Podcast

What can a parish music director take away from historical research in terms of performance practice? Join Prof. Charles Weaver (Juilliard, CUNY) as we discuss phrasing, rhythm, vibrato, pitch, tuning, and other issues which inform the performance of Renaissance polyphony.  To learn more about Prof. Weaver's work, please visit: https://www.juilliard.edu/music/faculty/weaver-charles To download the app Prof. Weaver mentions, click here: https://apps.apple.com/us/app/pitch-trainer-harmonize/id965614965 To find out more about Prof. Weaver's summer class at St. Joseph's Seminary, please go to: https://www.dunwoodie.edu/dunwoodie-music-classes

We can learn so much from listening to the experiences of others, and this is particularly true when it comes to starting a new job, or just getting started in a professional field. Join us for this episode as we discuss training and formative experiences that help church musicians start off on the right foot in a new job or in the field more generally. Samuel Rowe is here to discuss his journey to Catholicism, things he learned in college and grad school that were important in his development, and how he has been working to invest his time and talents as the director of music at the Basilica of the Assumption in Baltimore.  To learn more about Sam's work, please visit: https://www.americasfirstcathedral.org/music/ To find out more about summer sacred music study at St. Joseph's Seminary, check out: https://www.dunwoodie.edu/dunwoodie-music-classes

The search for new styles or canons of artistic expression in the liturgy throughout the 19th and 20th centuries produced varied results, with some styles possessing little beauty or appropriateness for the sacred liturgy, while others captured something timeless and beautiful while utilizing a modern artistic grammar. The Beuron School, centered at a German Benedictine abbey, is a representative of the latter, and produced artworks of enduring beauty. Join Emily Sottile, the director of the Sacred Space Studio at Evergreene Architectural Arts, as we explore the ideas and canons of Desiderius Lenz and Gabriel Wüger, the founders of the Beuronese School.  To learn more about Emily's work, please visit: https://evergreene.com/people/emily-sottile/ To learn more about the summer sacred music program at St. Joseph's Seminary, go to: https://www.dunwoodie.edu/dunwoodie-music-classes

Looking for some great new repertoire for your parish choir? Join Dr. Aaron James from the Toronto Oratory as we discuss resources and tips for building up a body of pieces that your choir can sing well, and his suggestions for a few lesser-known motets that work well with amateur choirs.  Check out the YouTube page of the Toronto Oratory here: https://www.youtube.com/c/TheTorontoOratory  Learn more about Dr. James' music program here: https://oratory-toronto.org/holy-family-parish/choirs/ Find out more about summer sacred music courses at St. Joseph's Seminary here: https://www.dunwoodie.edu/dunwoodie-music-classes

Secular Music at Mass? In looking at how to deal with this issue now, it's important to understand how the Church and composers dealt with this issue in the past. Join us for an interview with Prof. Andrew Kirkman (University of Birmingham, Binchois Consort) as we look at the use of secular tunes in polyphonic masses of the 15th and early 16th centuries. Learn more about Prof. Andrew Kirkman here: https://www.birmingham.ac.uk/staff/profiles/music/kirkman-andrew.aspx Check out the Binchois Consort here: https://www.binchoisconsort.com Find out more about the summer music program at St. Joseph's Seminary here: https://www.dunwoodie.edu/dunwoodie-music-classes

Are you interested in planning a really great event to introduce people to sacred music? This is the episode for you. We talk with Janet Gorbitz, General Manager of the Church Music Association of America, about the big idea behind an event, as well as the nuts and bolts of planning a successful workshop.  Janet's project-planning booklet: https://sacredmusicpodcast.com/wp-content/uploads/2022/04/Chant-Workshop-Planning.pdf   Check out the website of the CMAA here: https://musicasacra.com   To learn more about summer sacred music courses at St. Joseph's Seminary, please visit https://www.dunwoodie.edu/dunwoodie-music-classes 

Join us for our season opener as we discuss leadership, service, formation, and what the word "pastoral" really means with the Archbishop of San Francisco, Salvatore J. Cordileone.  For more information on the graduate summer sacred music program at St. Joseph's Seminary, visit https://www.dunwoodie.edu/dunwoodie-music-classes

What is the fundamental experience of music? How does a notated piece of music relate to that fundamental experience? What are the limits of musical notation in conveying sound? Why does all this matter for the Catholic musician? We look at these topics and more with Charles Weaver, who teaches in the historical performance program at Juilliard.  To learn more about the class Professor Weaver is teaching this summer, Medieval & Renaissance Music Notation Practicum, please visit: https://www.dunwoodie.edu/dunwoodie-music-classes

Join us for some good, old-fashioned love stories, the history behind finding a spouse in a Catholic choir, inspiration for lay vocations and family life, and the role singing can play in it all.  Check out summer sacred music study at St. Joseph's Seminary: https://www.dunwoodie.edu/dunwoodie-music-classes Take a look at the mission and work of the New York Metropolitan Catholic Chorale: https://nymcc.org  

We look to a great Spanish saint for inspiration in his holy life, devotion to the Most Blessed Sacrament, and his care for the sacred liturgy and its accompanying sacred arts. St. Juan de Ribera (1532–1611) is an inspiring example of establishing foundations which take seriously the role of beauty in cultivating worship in the faithful, and inspiring them to love Christ in all they do, and especially in the Eucharist. Join us for this conversation with James Monti, a true devotee of this great saint, as we look for inspiration in prayer and patronage of the sacred arts. Articles about St. Juan de Ribera: https://www.degruyter.com/document/doi/10.14315/arg-2004-0108/html https://dialnet.unirioja.es/servlet/articulo?codigo=4541898 Books about St. Juan de Ribera: https://www.google.com/books/edition/El_B_Juan_de_Ribera_y_el_R_Colegio_de_Co/FmkAAAAAMAAJ?hl=en&gbpv=0 https://www.google.com/books/edition/Vida_del_beato_Juan_de_Ribera/eFmn2xPm3OUC?hl=en&gbpv=0 Writings of St. Juan de Ribera: https://w

Eminent chant scholar, Dr. Joseph Dyer, explains the Roman origins of Gregorian chant, the role of the Roman Schola Cantorum in the development of Roman chant, and what happened to that chant once it interacted with Franco-Gallican chant to become Gregorian chant. Join us for an episode which brings clarity to a complex history, and helps us better understand the roots of our Catholic sacred music traditions.  Follow Dr. Dyer's work at: https://um-boston.academia.edu/JosephDyer  Learn more about the summer sacred music study at St. Joseph's Seminary at: https://www.dunwoodie.edu/dunwoodie-music-classes

We venture east in this episode for a look at Russian Orthodox music that impacted the life and compositions of Sergei Rachmaninoff (1873-1943). Dr. Richard Fountain, professor of piano at Wayland Baptist University and convert to Eastern Orthodoxy, shares with us some of his insights into Rachmaninoff's piano works and his compositions for the Divine Liturgy. Visit Dr. Fountain's webpage here: https://richardfountainpianist.com Performance credits: The Bells at St. Alexander Nevsky Russian Orthodox Cathedral in Howell, NJ, rung by hand. www.nevskys.com. View the complete video of Russian bell ringing here: https://www.youtube.com/watch?v=qbn_Fzcxw3o Sergei Rachamaninoff, Suite No. 1 in G Minor, Op. 5, IV. Pâques. Allegro maestoso, in G minor. (Easter): Dr. Richard Fountain, piano. Rachmaninoff, Symphonic Dances, Op. 45 (for two pianos): Dr. Richard Fountain and Dr. James Rauscher, pianos; live recording in Harral Auditorium, Wayland Baptist University, Plainview, TX on October 12, 2010. Liturgy: Rev. Fr. Pet

Join us for a guided tour through the liturgical changes of Reformation-era England through the lens of the composer Thomas Tallis. Our guest, Dr. Kerry McCarthy, offers a look at the challenges these times posed for musicians, for Catholics, and for the modern scholar studying them today.  Buy Dr. McCarthy's book here: https://global.oup.com/academic/product/tallis-9780190635213?cc=us&lang=en&  Learn more about summer classes at St. Joseph's Seminary here: https://www.dunwoodie.edu/dunwoodie-music-classes

What was sacred music in America like in the mid-20th century? Dr. Francis Brancaleone, former head of the department of music at Manhattanville College, shares with us his experience as a boy being educated in the Palestrina Institute of Liturgical Music in Detroit, and his research in the history of the remarkable Pius X School of Liturgical Music at Manhattanville College in New York.  Read more from Dom Guéranger's Liturgical Year here: http://www.liturgialatina.org/lityear/ Subscribe to the CMAA's journal Sacred Music here: https://musicasacra.com/about-cmaa/membership/  Access the archives of Sacred Music here: https://musicasacra.com/journal/archives/ Access previous installments of Dr. Brancaleone's Chronicle of the Pius X School here: https://media.musicasacra.com/publications/sacredmusic/pdf/sm146-1.pdf https://media.musicasacra.com/publications/sacredmusic/pdf/sm145-1.pdf https://media.musicasacra.com/publications/sacredmusic/pdf/sm139-2.pdf Find out more about summer sacred music study at St. J

Do some aspects of the meaning in Gregorian chant seem difficult to understand? Join us as we take a look an approach to understanding the chant through understanding the music theory it's built on. Our guest today is Dr. William Mahrt of Stanford University.  A few handouts for this episode are available here: https://sacredmusicpodcast.com/wp-content/uploads/2021/03/Table-of-Modes.pdf https://sacredmusicpodcast.com/wp-content/uploads/2021/03/Modes.pdf https://sacredmusicpodcast.com/wp-content/uploads/2021/03/Archetypal-Melodies.pdf Check out the brochure for the summer sacred music classes at St. Joseph's Seminary: https://www.dunwoodie.edu/documents/2021/3/Summer-2021-Brochure%2018Mar2021.pdf 

Join us for our Christmas special, highlighting chants of the Christmas midnight Mass with Dominican rite and chant expert, Fr. Innocent Smith, O.P.  Innocent Smith, O.P., is a doctoral student in Liturgical Studies at the Universität Regensburg and is an associate member of DFG Research Group Metropolität in der Vormoderne. His research interests are at the intersection of liturgy and theology, including liturgical manuscripts, scholastic theology, ecclesiology, and sacred music. He is a Roman Catholic priest and a member of Province of St. Joseph of the Order of Preachers. He is presently assigned to the Priory of St. Kajetan in Munich, Germany, where he assists at the Theatinerkirche.

Dr. Jay Hershberger joins us to share the story of his conversion to the Catholic faith by way of the Anglo-catholic tradition. We also discuss his work in developing the sacred music program at the Cathedral of St. Mary in Fargo, North Dakota.  Learn more about Dr. Hershberger here: https://www.concordiacollege.edu/directories/faculty-staff/details/dr-jay-a-hershberger/ View Dr. Hershberger's YouTube channel here: https://www.youtube.com/user/jayhershberger Listen to our season 2 interview with Dr. Hershberger which paints a Catholic portrait of Franz Liszt: https://sacredmusicpodcast.com/se02-ep15-a-catholic-portrait-of-abbe-franz-liszt-with-dr-jay-hershberger

Fr. James Bradley, J.C.D., an Assistant Professor of Canon Law at The Catholic University of America and priest of the Personal Ordinariate of Our Lady of Walsingham, joins us to discuss his musical upbringing in the church of England and his conversion to Catholicism. Possessing a masterful knowledge of canon law, the sacred liturgy, and sacred music, he shares his thoughts about musical gems from the Anglican patrimony in the life of the Ordinariate, as well as their use in the Ordinary and Extraordinary forms of the Roman rite.  Fr. Bradley's faculty webpage is available here: https://canonlaw.catholic.edu/faculty-and-research/faculty-profiles/bradley-james-rev/index.html More information about the Personal Ordinariate of the Chair of St. Peter is available here: https://ordinariate.net Information about the Spring 2021 class "State Persecution of the Church in Modernity: An Historical Study through the Lenses of Source Documents and Film" co-taught with Dr. Jacek Nowicki at St. Joseph's Seminary is avail

What is a motet? Where did this musical genre come from? What has the word "motet" meant throughout history? What can motets of the past teach us about incorporating non-obligatory texts into the sacred liturgy? How can the music and texts of motets make the other texts of the Mass, especially those of the lectionary, come to life? We explore these questions with Dr. Aaron James, the Director of Music for the Toronto Oratory of St Philip Neri, serving the music program at Holy Family Church in Toronto. He’s a graduate of the Eastman school of music, earning there both the PhD in musicology and a DMA in organ performance. He shares helpful scholarly insights which help illuminate the path for music directors as they make repertory choices. Too, we hear some recordings produced by the singers in his excellent parish music program.  The Oratory's YouTube channel is available at: https://www.youtube.com/channel/UCRRUmJAW2o_nh74VB3ijYxQ The website for the music program of the oratory is: https://oratory-toronto.o

A brave man and heroic witness for the freedom and rights of the Church in China and Hong Kong, His Eminence, Joseph Cardinal Zen, joins us for a discussion about music while growing up in Shanghai, in his formation as a Salesian, and in seminaries in China.