Audio Drama Production Podcast

TRAVIS VENGROFF AND KAITLIN STATZ - LIBERTY PODCASTWe were lucky enough to catch Travis and Kaitlin not writing, not drawing, creating, designing, producing, recording, at work or at a convention and fathomed a few fun facts around how they started Liberty and what their future plans are. Enjoy!Travis Vengroff.   @AtriusEnduresKaitlin Statz.        @StatzInkCURRENT PODCAST SHOWS Liberty Podcast Tales from the TowerUPCOMING PODCAST SHOWS The White VaultWEBSITE ADDRESSESwww.nerdyshow.com/libertywww.reddit.com/r/LibertyEndureswww.libertyendures.comEmail: Thelibertycomic@gmail.com#ADPodBingoAUDIO DRAMA PRODUCTION PODCAST...Find Us...Join Us!TWITTER        @yapaudioFiona Thraille @fthrllSarah Golding @SarahofGoldingEMAIL.            podcast@audiodramaproduction.comFACEBOOK      ADPP FACEBOOK GROUPWe hope you enjoyed this first in a series of summer fun interviews. Do write to us, tweet us, email us, or join our active Facebook group to join discussions and sharing of knowhow from our talented listeners....Happy Cr

Looking for a range of top notch expertise on a variety of script writing tools to add to your last eps knowledge?Look no further than HERE for pro advice from the AMAAZING Monique Boudreau of the EXCITING Aural Stage Studios, Alexander Danner of the consistently and AWESOMEly goood Greater Boston Podcast, and omg ENJOY the smooth beautiful tones of Maxximillian Dafoe of Mollyville and amongst other things Afterlife as she talks about several thrilling writing apps and programmes she uses.This should give you fuel to hunt around and find the best fit for your style of writing. Good luck and keep us posted on what you write! We're totally enthused and hunting out these newfound writing tools to try for ourselves. And for Patreons only, we offer as a bonus the full Maxximillian contribution experience - full access to her whole amazing monologue on script tools....contact us for more details or....become a Patreon for the perks!Next perk >>>early access to the Austin Film Festival interview with Ba

If you've ever wondered if it's better for your audio drama writing to try a script writing programme with formatting or not then listen to this - part one of two on how active audio Drama professionals are using theirs. This episode focuses on The AMAazing Jack Ward's thoughts and experience of using Celtx, THee ENTHUSed Rob Patterson's writing background and use of Scrivener and THE WONNderful Ben Fort who sings the praises of Google Docs.Find links to our contributors here:JACK WARDhttp://sonicsociety.org/http://evicuna.com/https://m.facebook.com/The-Sonic-Society-140875182618949/Don't forget to check out Jack's Sonic Summerstock 2017- a collection of OTR made by a variety of talented creatives including John Bell, Rachel Rumler, Pete Lutz and Jack himself...ROB PATERSONBEN FORT@PDUPodhttp://publicdomainuniverse.com/SCRIPT WRITING PROGRAMMESCELTXSCRIVENERGOOGLE DOCSBBC WRITERS ROOM - LOADS OF LINKS - USE THEM ALLLLL!http://www.bbc.co.uk/writersroom/writers-labhttp://www.bbc.co.uk/wr

Helloooooo! We were lucky enough to speak to the superbly talented James Oliva and Zach Valenti about their Voice Acting experiences to date, and we delve into some more of our findings as working voice actors, talk about auditions, yearning for direction keeping files, what to do to further your acting career with websites, spotlight, voice reels / demos and how SHOCKING prices are in America for this....we encourage you to share videos on our FACEBOOK forum of you doing a performance of the same script to showcase how it can be done >>>script below >>> showcasing your ways into a script and your kit - we also take a look at questions like should script writers signpost scripts some more to help emphasis? What to do if primarily working on an iPad and you want to mark up your script? Just who is our first amazing Patreon trailer from? We say wolf 3,5,9 Zach says Wolf 3, 59. What's it to ya?Special guests of joy are:James Oliva@jamesoliva76@wtfrequencypod@ingreaterboston@oakpodcast@LakeC

Hello! Interested in voice acting and wanting to know more, or already doing it but looking to take it up a level or more? What training opportunities are there? Where do you find jobs? How do you prepare a script, warm up, work well with your colleagues and director? What other fields do voice actors work in? We bombard this week's guests with such questions and, resilient folk that they are, they come back with some great insights and invaluable advice.The world of voice acting for audio drama is such a varied one, we have divided it into two acts. Here, in Act 1, we had the great pleasure of talking to three professional actors:David Ault has been quite prolific in audio drama over the last decade. He is currently working in The No Sleep PodcastErika Sanderson was an established stage actor before coming to audio drama. She now features in The No Sleep PodcastBeth Eyre is a voice actor probably best known for her role as Antigone Funn in Wooden Overcoats, as well as working for The Wireless Theatre Com

Hello! We have fabulous contributions from a number of wonderful audio creatives who spend hours of fun time directing Voice Actors. What does a director of audio work actually do? We find out with varying degrees of success, hints and tips with help from:Ed Champion, creator and producer of The Gray Area.Eli McIlveen writer, creator and Sean Howard producer and co-creator of Alba Salix, Royal Physician.Hari Rai Khalsa, Producer and Director of Radiation World.Pete Lutz - Writer, Producer, Director Actor, Publicist, Sound designer, maker of t-shirts for Narada Radio Company.So what are the kind of things you can expect a Director of an Audio Drama Or Comedy to do? Provide snacks? A back massage now 'n then? Promise no violence? Yes to all of these. Definitely more snacks. Mmmmm Chocolate Digestives..There's a lot to be said for those who take the time to communicate with these wonderful strange beasts known as actors, and give them a ballpark to aim for - especially if they're remote/satellite. Ho

Have you ever wondered what a Comedy producer actually does? Ed Morrish has been responsible for producing a plethora of amazing shows - mostly on Radio 4 - and you’ll have heard his name on the credits of such shows as John Finnemore’s souvenir programme, The remake of the missing episodes of Hancocks Half Hour, Spats, Lemn Sissay’s Homecoming, The Now Show, The News Quiz, Newsjack, Welcome To Our Village, Please Invade Carefully, Dilemma….the list goes on… and…its a very star studded list of awesomeness…isn’t it?We find out why writing your project is akin to dealing with meconium….yes….really….and discover what fun can be had with live foley, just how many female comedy commissioners we have had recently, how Ed’s mum (MAYSHERESTINPEACE) (We’re Pratchett fans…this is respectful) realised that a producer ‘doesn’t actually DO anything’, top tips for what to edit out of your work before you submit it, how cool it was to recreate the Hancock’s Half Hour scripts for aural consumption, where to send voice reels,

In this packed episode, we hear from some amazingly inspiring active creative audio drama producers re: their favourite DAW. There are hints and tips and why people prefer one DAW over another. Thank you SO MUCH to the very talented Raul Vega (Rose Drive, PRO TOOLS) Edward Champion (Gray area, REAPER), Matthew McLean (A Scottish Podcast/Yap Audio, ADOBE AUDITION), Rick Cost (Fiona Potts interview, HINDENBURG) Travis Vengroff (Liberty Podcast, MIXCRAFT).Sarah does 'singing'. Fiona does spiel about punch and rolling. What's not to like?

A look at the business side of audio drama, including contributions from audio drama companies who have found successful business models for professional audio drama productions.With thanks to our contributors for sharing their expertise:Mariele Runacre-Temple of Wireless TheatreDavid K. Barnes & Liz Campbell of Wooden Overcoats

In this International Women’s Day Special we’re celebrating women working in all areas of audio drama production.Thanks to our contributors. Sarah Buchynski, sound engineer, sound designer and novelistPolarity Audio WorksLauren Shippen, creator, writer, director, producer and actor forThe Bright SessionsEmma Sherr-Ziarko, AVA-winning actor in Wolf 359Molly Beth Morossa, writer, script supervisor, production pixie and actor Wooden OvercoatsLaura BrambletteKessi RilinkiPlus look up Trilunis on Facebook and follow the beginnings of creating a new epic podcast drama.

This episode is a celebration of audio drama pushing the boundaries of storytelling through using stylized performances, creating atmosphere through soundscapes – digitally, or through layering self-made effects and/or dialogue.Stevie K Farnaby, AKA SKiFfle, is the sound engineer behind the experimental “Electric Grasshopper” EP, Soundtrack to an Alien Invasion, and he shares his expertise in creating soundscapes and effects and using equipment to its full advantage.

An episode on discovering and appealing to your listener demographic.

A discussion on finding a balance between work, life and audio drama.

It’s part two of the Audio Drama Production Podcast’s 100th Episode. Listen to part one.What advice would you give yourself before you started making Audio Drama?That’s the question that’s going to be answered by our fantastic panel of creators from some of the best shows around.Featuring input fromWe’re Alive, Radio Theatre Workshop, The Stories of Mahabharata,Contador de Historia, Hidden Harbor Mysteries, Fiona Thraille, Hadron Gospel Hour, Wooden Overcoats, Roswell B.C, Owen McCuen, Space Casey, The Cleansed, The Sting of the Dark Tower, The Vienna Jetschko Podcast, LightnighBolt Theater of the Mind, Greater Boston, The Night Keep, Jarnsaxa Rising, Alba Salix Royal Physician, Matt Leong, Shadows & Daylight, Atheist Apocalypse, & Rick Coste.

It’s part one of the Audio Drama Production Podcast’s 100th Episode. Listen to part two.What advice would you give yourself before you started making Audio Drama?That’s the question that’s going to be answered by our fantastic panel of creators from some of the best shows around.Featuring input fromEdict Zero FIS, Wireless Theatre Company, Radio Drama Revival, The Vienna Jetschko Podcast, Wooden Overcoats, Z-Poc Nation, The Grist Mill, Locke & Key, The Post-Meridian Radio Players, You Are Here, The Bright Sessions, The Truth, Slumberland, The Orphans, Nova Dark, Ohrenkneifer, The Once & Future Nerd, Valenhigh, and Archive 81

It’s episode 99, it’s Halloween, and it’s time to talk about terrifying your audience.Featuring an all-star panel of Audio Dramatists from around the world. In order of appearance, Tanja Milojevic (LightnighBolt Theater of the Mind), Kc Wayland (We’re Alive), Chris Jarvis (Radio Theatre Workshop), Scott Hickey (The Grist Mill), Domien de Groot (Audio Epics), Vienna Jetschko (Vienna Jetschko Podcast), Marc Sollinger (Archive 81), Rich Wentworth (Hadron Gospel Hour), Jon Grilz (Small Town Horror), Lindsay Harris-Friel (Jarnsaxa Rising), Zachary Fortais-Gomm (The Orphans), Danilo Battistini (Contador de Historia), Owen McCuen (Voice Actor), Daniel Edenfield (The Night Keep), and John Ballentine (Campfire Radio Theater).

Make your audience laugh with our panel of Audio Dramatists from around the world.

Podcast hosting platforms and iTunes rankings

When difficulties arise, when is it time to scrap a show and begin again?

Pitching Audio Drama Ideas - The Story Pitch!